Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268377 ISBN 13: 9780520268371
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268385 ISBN 13: 9780520268388
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EUR 34,65
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268385 ISBN 13: 9780520268388
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268385 ISBN 13: 9780520268388
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Zustand: New. 2012. 0th Edition. Paperback. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Num Pages: 376 pages, 30 b/w photographs. BIC Classification: ACX; AJR. Category: (P) Professional & Vocational. Dimension: 227 x 156 x 26. Weight in Grams: 572. Early Computing and the Foundations of the Digital Arts. 376 pages, illustrations. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; AJR. Dimension: 227 x 156 x 26. Weight: 538. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268377 ISBN 13: 9780520268371
Anbieter: Labyrinth Books, Princeton, NJ, USA
Zustand: Good.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268385 ISBN 13: 9780520268388
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 37,35
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: University of California Press, Berkeley, 2012
ISBN 10: 0520268385 ISBN 13: 9780520268388
Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
EUR 35,64
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In den WarenkorbSoft cover. Zustand: Fine. 'Mainframe Experimentalism' challenges the conventional wisdom that the digital arts arose out of Silicon Valley's technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of 'computer art'. xiv, 362 pages : illustrations ; 24 cm. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 56,94
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 376 pages. 8.75x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268377 ISBN 13: 9780520268371
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 72,26
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In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 117,52
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 376 pages. 9.25x6.25x1.25 inches. In Stock.
Sprache: Englisch
Verlag: University of California Press, 2012
ISBN 10: 0520268377 ISBN 13: 9780520268371
Anbieter: moluna, Greven, Deutschland
EUR 92,19
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New. Challenges the conventional wisdom that digital arts arose out of Silicon Valley s technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as .