loi contraste simultané couleurs von eugène chevreul (15 Ergebnisse)

Kartoniert / Broschiert. Zustand: New.

Zustand: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

Zustand: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.

Taschenbuch. Zustand: Neu. de la Loi Du Contraste Simultané Des Couleurs Et de l'Assortiment Des Objets Colorés (Éd.1889) | Eugène Chevreul | Taschenbuch | Kartoniert / Broschiert | Französisch | 2012 | Hachette Livre - BNF | EAN 9782012535114 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. de la Loi Du Contraste Simultané Des Couleurs Et de l'Assortiment Des Objets Colorés (Éd.1839) | Eugène Chevreul | Taschenbuch | Kartoniert / Broschiert | Französisch | 2012 | Hachette Livre - BNF | EAN 9782012535107 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware - WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.

Taschenbuch. Zustand: Neu. de la Loi Du Contraste Simultané Des Couleurs Et de l'Assortiment Des Objets Colorés | Considérés d'Après Cette Loi Dans Ses Rapports Avec La Peinture, Les Tapisseries | Eugène Chevreul (u. a.) | Taschenbuch | Kartoniert / Broschiert | Französisch | 2020 | Hachette Livre - BNF | EAN 9782329479606 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware.

Fort in-4 de (8), XVI, 571 pp., 2 tableaux dépl., 40 planches h.-t., 9 feuillets imprimés de différentes couleurs. Toile noire de l'époque. Seconde édition de ce célèbre ouvrage sur la théorie des couleurs, qui a profondément influencé les peintres impressionnistes. Elle a été revue par le fils de l'auteur, qui dans l'introduction rapporte la genèse des travaux de son père. Il découvrit les principes de cette loi alors qu'il assistait à l'Institut à une lecture de Mongez sur le passage d'Annibal des Alpes (!) A sa sortie, il en posa les termes à ses deux meilleurs amis, Ampère et Cuvier, "qui en furent émerveillés." Pour "ce monument que l'Imprimerie Nationale élève à la mémoire de Eugène Chevreul, il ne fallait ne recourir qu'à des couleurs minérales dont la stabilité fût certaine. Il a même été nécessaire d'en fabriquer quelques-unes qui, à cause de leur haut prix et de leurs applications industrielles limitées, ne se trouvaient pas dans le commerce." Traces d'humidité au bas des premiers feuillets de texte. Les planches sont, comme toujours, un peu brunies. Fort in-4 de (8), XVI, 571 pp., 2 tableaux dépl., 40 planches h.-t., 9 feuillets imprimés de différentes couleurs. Toile noire de l'époque. - - - - - - - - - - - - - - - - - - - - Second edition of this famous book on colors theory, which had a profound influence on the Impressionist painters. It has been revised by the author's son, who in the introduction relates the genesis of his father's work. He discovered the principles of this law while attending a reading by Mongez on Annibal's passage of the Alps at the Institut (!) On leaving the Institut, he put the terms to his two best friends, Ampère and Cuvier, "who were amazed." For "this monument that the Imprimerie Nationale is erecting in memory of Eugène Chevreul, it was necessary to use only mineral colors whose stability was certain. It was even necessary to manufacture some which, because of their high price and limited industrial applications, were not commercially available." Traces of damp at the bottom of the first few leaves. The plates are, as always, a little browned. -.

First edition of "one of the most influential treatises on colour written during the 19th century" (DSB). Chevreul (1786-1889), a prominent chemist, presents the principles of simultaneous contrast - the theory that the juxtaposition of colours affects their perception. It significantly influenced Post-Impressionist and Neo-Impressionist painters and the development of the pointillist style. Chevreul's interest and expertise on colour derived from his experiences in two positions: director of dyeing at the Manufactures des Gobelins, the national tapestry workshop, and professor of chemistry at the Museum d'Histoire Naturelle, an institution at which he would remain for 90 years. His chemical expertise recommended him to the former position, where productivity was hindered by technical inadequacies. Noting that Chevreul had already revolutionized the soap and candle industries, the Gobelin Manufactory hoped he could do the same for the textile industry and commissioned him to improve the colour intensity of wool. During this project, Chevreul discovered "that the apparent intensity and vigor of the colour of tapestry fabric depended less on its pigmentation than on the hue and tone of the neighbouring material" (Norman). De la loi du contraste simultané des couleurs was intended to offer a comprehensive theory that could be utilized across all the visual arts. It suggests principles that could be applied not only to tapestries but to carpets, gardens, clothing, and military uniform, to list but a few. However, its most significant influence was on the Neo-Impressionists. Camille Pissarro "knew of Chevreul's law of simultaneous contrast: he had probably even read Chevreul's chapter on framing, and above all, he effectively applied this knowledge [and] consciously put Chevreul's law into practice" (Roque, p. 34). This scientific approach to colour engendered a friendship between Pissarro, Georges Seurat, and Paul Signac who used Chevreul's theories in their development of Pointillism. Vincent van Gogh also applied the law of simultaneous contrast to many of his most striking works; although Chevreul's works were no longer in print, Van Gogh encountered his theories through the writings of Charles Blanc. Norman 468. Georges Roque, "Chevreul and Impressionism: A Reappraisal", The Art Bulletin, vol. 78, no. 1, Mar. 1996. 2 vols. Text vol.: 2 folding letterpress tables. Atlas: 22 engraved plates (of which 18 hand-coloured, 15 folding, 4 stub-mounted, and 3 tissue-guarded); 8 text leaves printed on different coloured paper stock. Text vol.: octavo, original yellow printed wrappers, edges uncut, glassine jacket. Atlas: quarto, original red quarter cloth, buff printed boards. Housed in custom red morocco leather-entry marbled slipcases and matching chemises by Ateliers Laurenchet. Text volume: wrappers and spine a little creased, 15 mm closed tear to first folding table, contents crisp and clean. Atlas: extremities worn, cloth faded, boards soiled, light foxing to cloth and contents. Slipcases: a touch of wear to extremities, binder's stamp of Ateliers Laurenchet to front pastedown of octavo chemise, evidence of label sometime removed from front pastedown of quarto chemise. In very good condition overall, the original bindings notably well preserved.