Locating world cinema interpretations (8 Ergebnisse)
- Hardcover
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Hardcover. Zustand: New. Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book an…alyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike.
- Hardcover
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hardcover. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
- Hardcover
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Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.
- Hardcover
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Hardcover. Zustand: Brand New. 320 pages. 9.00x5.75x1.00 inches. In Stock.
- Hardcover
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hardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.
- Hardcover
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Zustand: New. Über den AutorM K RaghavendraInhaltsverzeichnisIntroduction: Between Meaning and Significance 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film 2. A Falli.
- Hardcover
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Buch. Zustand: Neu. Neuware - Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The bo…ok analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia.Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences.The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike.
Verlag: Bloomsbury Academic India, 2020
- Hardcover
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