lisa milroy (30 Ergebnisse)

Paperback. Zustand: Very Good. Lisa Milroy (Art Catalogue) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9781854373434.

Softcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Paperback. Zustand: Very Good. Plain yellow card covers slightly sunned along edges. Binding firm. Pages clean with images and text bright. No markings except previous owner signature on first inner leaf. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Zustand: Fine. Unpaginated, approx 30 pages, illustrated with 12 large colour plates.

1. Auflage. 50 Seiten. OBr., Quart 28 cm x 23 cm, 50 S.; tadellos erhalten.

Soft cover. Zustand: As New. Like new paperback copy of a fine study. The catalogue produced to accompany an exhibition held at Tate Liverpool in 2001. This appears to be brand new unopened copy. This authoritative work documents the breadth of Milroy's career bringing together a range of her paintings from the 1980s and 90s and a body of new work. Illustrated with works from the retrospective exhibition being held at Tate Liverpool and other sources, the book is organized by subject rather than chronology and provides a visual catalogue that reveals recurrent themes and ideas. Milroy first received attention during the 1980s for her paintings of familiar and quite ordinary objects, often devoid of any specific context, which explored issues around space, repetition, pattern, rhythm, and order. Since the early 1990s, Milroy's subject matter has expanded to include landscapes, cityscapes, architecture, people and animals, revealing her continued interest in objects in relation to space. We pack our books properly and ship daily from the UK.

paperback. Zustand: Good. Minor shelf wear to cover/spine/binding. Pages are clean. Good reading copy.

Soft cover. Zustand: Good. No Jacket. Softcover. Condition: Good, with light shelfwear to covers. Binding sound, short biro line mark to lower section, below text of p.11. 163pp. 146 colour illlustrations. This catalogue was produced to accompany the exhibition of work by the Anglo-Canadian artist Lisa Milroy (b.1959) held at Tate Liverpool from 19 January to 18 March 2001. The catalogue includes essays on Milroys' work by Lewis Biggs, Fiona Bradley and Jean-Pierre Criqui.

Softback exhibition catalogue (27cm x 23cm) in plain yellow card wraps, illus in colour and b/w. A clean copy with no previous owners' markings or inscriptions. A few small marks to covers, spine a little faded. Overall VG. (SHELF 201 BOX 15) ISBN: 0906474817 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Paperback. Zustand: Fine. Qto., 52 pages, colour illustrated. Looks unused, a Fine copy.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice older book in good condition. Plates bright and vivid. Softcover. English. See images for condition. About the book >.>.> Tate first acquired a painting by Lisa Milroy in 1988 since when we have added five more by purchase and gift. It is therefore a great pleasure to be able to introduce what is the most significant exhibition of her paintings to date. It is always exciting to see the work of an artist develop before one's eyes, and this has certainly been the case during the realisation of this exhibition, for Milroy was asked to make a show for us at a time when her work was undergoing significant change. During the past year she has used more of a gestural form of expression to make complex works which depict thoughts, memories and narratives in shifting space. This exhibition provides an opportunity to witness the development of her work over the past two decades and to trace the ideas which have shaped her current practice. For this exhibition, the paintings are presented in groups rather than chronologically, to enable the themes within the work to resonate. Since her paintings from the 1980s depicting collections of quite ordi.

Paperback. Zustand: Very Good. Approx 24 pages, illustrated with 9 colour plates. A Very Good copy, which has a small label of an art gallery on the front free end paper. Protected in a a removeable plastic sleeve.

SOFTCOVER. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (hint of tanning to leaves, minute speck of rub to cover corner tips) in a slightly sunned and very lightly edge rubbed but otherwise VERY GOOD complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Zustand: Near Fine. Milroy, Lisa (illustrator). 1st Edition. Pictorial card covers, large 4to, pp.162. Illustrated. Essays by Lewis Biggs, Fiona Bradley and Jean-Pierre Criqui. Accompanies an exhibition of her work entitled Lisa Milroy at the Tate, Liverpool from January 19 to March 18 2001. Slight bump to upper corner with a little creasing to the cover corner and minor creasing to text corners. Previous owners inscription to title page. Near fine. Heavy book weighing c1300g when parcelled, exceeding the postage quotation default weight of 1000g and thus incurring extra postage over the default for orders from overseas and those sent by 1st class post in the UK ( 2nd class UK not affected ).

SOFTCOVER. Zustand: Fine. 1st Edition. Large tall 4to. in colour printed stiff card covers, unpaginated, approx. 48pp on stiff art paper, colour plates, etc. Dual text in English and German . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Encuadernación de tapa blanda. Zustand: Casi nuevo. 2001. Catálogo de la exposición celebrada en Tate Gallery (Liverpool, U.K.) en Enero - Marzo de 2001. 163 pp. Excelentes reproducciones de 145 obras. Idioma: Inglés. LIB 1.

Hardcover. Zustand: Near Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards quarter-bound in beige cloth; no dust jacket as issued. Paintings by Lisa Milroy. Essay by Elisabeth Levovici. Includes an exhibition history. Unpaginated, with 25 four-color plates. 13-1/4 x 9-3/8 inches. Published on the occasion of an exhibition at Waddington Galleries. Near Fine (moderate surface wear, light soiling, boards slightly bowed, and a few bumps at the extremities, else Fine).

SOFTCOVER. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: An AS NEW copy in a slightly sunned and very lightly edge rubbed but otherwise FINE complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. q03437 Ex-library with Stamp and Library-Signature in Good Condition, Some Traces of Use Sprache: Englisch Gewicht in Gramm: 550.

Taschenbuch oder Softcover. Zustand: Gut. 164 Seiten Zustand: GUTER Zustand. HC1-440-5/8-00255281 Sprache: Englisch Gewicht in Gramm: 1046.

Original brochure, 27*21,5 cm. Zustand: Gut. Unpaginated [23 p.], 8 ill. Bumped, otherwise clean. - From the text by Ian Jeffrey: Lisa Milroy paints light-fittings, quite a lot of light-fittings. There might be around twenty different kinds of bulbs and strips arranged in that large painting, with, for instance, an opaque mushroom cropping up in three or four different places in a varied company of cones and tubes. It asks to be worked out, and appears to have proceeded to a plan, although appearances can be deceptive. If there is a scheme there it will probably never be reduced to a formula, but the fathoming itself is straightforward enough, for the units are restricted to a few appearances, which might be taken in at a glance or two. Search, note, and repeat the performance, and become conscious of the time it takes. What sort of time? A time of looking and naming: cone whirl, green domestic, silver-based, grey globe. Find the unit, and then remember it via both a look and a name. Anyone intrigued here for long will, inevitably, become conscious of procedure, of routine, of a pattern in consciousness, just as anyone in front of a Judd piece must become aware of movement in relation to perception. Sprache: Englisch Gewicht in Gramm: 550.

SOFTCOVER. Zustand: As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 163pp on thick glossy art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Zustand: Fine. Qto., 86 pages, colour illustrated. Signed by Lisa Milroy, limited edition number 481 0f 500 copies.

SOFTCOVER. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Large 4to. in stiff card covers, with glossy paper dust jacket, unpaginated, approx. 32pp on thick art paper, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to leaves) in an almost AS NEW complete Dust Jacket (two very small chips to bottom edge of rear panel) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in colour printed stiff card covers, 50pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

softcover. Zustand: Sehr gut. 1.,. (48) S. Dt. / En. ISBN: 9783906163062 Sprache: Deutsch Gewicht in Gramm: 330.

No Binding. Zustand: Very Good. Original exhibition poster of London artists' collective. 32 x 67 cm , in very good condition. Lisa Milroy (born 16 January 1959 in Vancouver, British Columbia)[1] is an Anglo-Canadian artist known for her still life paintings of everyday objects. In the 1980s Milroy s paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of different series including landscapes, buildings and portraits.[1] As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting. ----- Zebedee Jones was born in London. He attended Camberwell College of Arts, Norwich University of the Arts and Chelsea School of Art and Design graduating in 1993. The following year Jones's paintings appeared in Unbound: possibilities in painting at the Hayward Gallery. His work is in several public collections including Tate, National Galleries of Scotland and the Arts Council of Great Britain Collection. Jones's work consists of monochrome abstracts, which have been described as adjacent to Neo-conceptual art or belonging to the Process Art tradition. However, above Jones is called one of a generation of artists who spearheaded a move away from conceptual, installation and video art in favour of a return to painting . His canvases are stretched over deep frames. The paint appears scraped on in layers, usually horizontal. The dragged surface of the canvas rather than being smooth has varying degrees of surface incident. Zebedee Jones lives and works in London. ------Michael Davis is a Los Angeles-based artist, working in the fields of drawings, sculptures, installation art and public art. He maintains a studio in San Pedro, California. He received a Masters in Fine Art from California State University, Fullerton, and he is a grant recipient from the National Endowment for the Arts, among others. His work is in museums, galleries across the United States. His significant body of public art is found in rail stations, public parks and civic buildings across the United States and in Japan. He is the co-author and subject of PROGRESS: In Search of the American Esthetic, an exhibition that features photographs, video projections, audio and ephemera documenting artists Michael Davis and Stephen Moore s cross-country trip by car from California to New York in 1970 and their subsequent trip traveling the same route in reversing, from New York to California.

No Binding. Zustand: Very Good. Original exhibition poster by Lisa Milroy. 31 x 66 cm, in very good condition. Lisa Milroy (born 16 January 1959 in Vancouver, British Columbia)[1] is an Anglo-Canadian artist known for her still life paintings of everyday objects. In the 1980s Milroy s paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of different series including landscapes, buildings and portraits.[1] As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting. In 1977, aged 18, Milroy travelled to Paris and studied at the Paris-Sorbonne University.[2] In 1978 she moved to London for a foundation course at Saint Martin's School of Art and gained her BFA at Goldsmiths College, University of London in 1982.[2] Her first solo exhibition in 1984 was based on still life. In 1989 she won the John Moores Painting Prize.[3] Milroy has taught at the Slade School of Fine Art, London since 2009.[4] She gained election to membership of the Royal Academy of Arts in 2005. Milroy was appointed Artist Trustee of Tate from 2013-2017 and Liaison Trustee to the National Gallery from 2015 - 2017.[5] In 2015 Milroy set up Hands On Art Workshops, contributing to Vodafone Foundation and UNHCR s Instant Network Schools digital learning programme. Hands On Art Workshops engages primary and secondary school students in Kakuma Refugee Camp, Kenya in practical art workshops, which Milroy delivers from London through live interactive video conference sessions. Milroy travels to Kakuma Refugee Camp annually to deliver Hands On Art Workshops, working with UNHCR Kakuma.