Late raphael (16 Ergebnisse)

Zustand: New. pp. 20.

Zustand: New. pp. 20.

Paperback with dust jacket, text in English, illustrated in black-and-white, slight traces of use, else a good copy. Please see description or ask for photos.

Soft cover. Zustand: Very Good. First Edition. good and clean. 9.5 x 6 inch. See my other listings for more similar catalogs, reduced postage offered on multiple orders.

Hardcover. Zustand: Very Good. None. Cloth, no dj. Minor shelf wear. Else a bright, clean copy. This book focuses on a crucial but hitherto neglected part of Raphael's oeuvre: the work he and his pupils executed in Rome during the seven years from 1513 to the artist's death in 1520. Nearly ninety works -- including paintings such as Saint Cecile and Portrait of Baldassere Castiglione, as well as many significant drawings -- illustrate the ways in which Raphael employed an astonishing range of technical devices, many of which were highly novel and enjoyed considerable subsequent influence: Raphael's workshop methods eventually became a model for the great artistic enterprises of the seventeenth century, notably those of Rubens, Bernini and Pietro da Cortona. The book also clarifies and focuses on the work of his two most important pupils, Gianfrancesco Penni and Giulio Romano. The text surveys Raphael's late paintings in chronological order, explores his range of styles, and investigates the role of his workshop in the design and production of his pictures. The essayists' words and the sublime works of art that accompany them will provide a deeper knowledge of one of the masters -- with Leonardo and Michelangelo -- of High Renaissance art.…

hardcover. Zustand: Used-Very Good. Cloth, no dj. Minor shelf wear. Small pencil mark on front board; light creasing at ends of spine. Else fine. A sound copy with bright, clean internals.

Soft cover. Zustand: Very Good. First Edition. 138 lots. good and clean throughout. May have slight oily aroma having been stored in a garage for some time. Catalogue of Italian Majolica Comprising Fine Deruta Lustre Portrait Dishes a Pair of Faenza Drug Jars From the Beit and Paget Collections Urbino Istoriato Dishes and Tazzas Also a Rare Isnik Pottery Mosque Lamp And Fine Works of Art Including An Important Marble Bust of Leonardo Rinaldi by Alessandro Vittoria, Signed and Dated 1546 French 18th Century Terra-cottas a Fine Swabian Limewood Relief and Other German Wood Sculpture Renaissance Bronzes and a Spanish Parcel-gilt Silver Pax, Segovia, 1480. See my other listings for more similar catalogs, reduced postage offered on multiple orders.…

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Second Edition. Quarto, 382 pages. In Very Good Minus condition. Spine green with white lettering. Minor scratching to front board. Shelved in Renaissance Art. 1408060. Shelved Dupont Bookstore.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Soft cover. Zustand: New. 1st Edition. PAPERBACK.In the Original Publisher's shrinkwrap. This is the Prado Exhibition Catalogue (ENGLISH EDITION!) also published in hardback by Thames and Hudson.

Hardcover. Zustand: Fine. 4to (26 cm), XVI, 359 pp. Publisher's cloth and dust jacket (minor shelf-wear). "Although largely unknown today, during his lifetime Mutio Oddi of Urbino (1569-1639) was a highly esteemed scholar, teacher, and practitioner of a wide range of disciplines related to mathematics. A prime example of the artisan-scholar so prevalent in the late Renaissance, Oddi was also accomplished in the fields of civil and military architecture and the design and retail of mathematical instruments, as well as writing and publishing. In the book, Alexander Marr resurrects the career and achievements of Oddi in order to examine the ways in which mathematics, material culture, and the book shaped knowledge, society, and the visual arts in late Renaissance Italy. Marr scrutinizes the extensive archive of Oddi papers, documenting Oddi's collaboration with prominent intellectuals and officials and shedding new light on the practice of science and art during his day." (from the blurb).…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. in original publisher's shrinkwrap.

8°OKart. 58 Seiten und 7 Tafeln. Mit einer Liste der Schätzpreise.Kleiner Fleck auf vorderem Deckel,sonst sauber. Sprache: Deutsch Gewicht in Gramm: 300.

Amsterdam, Antiquariaat Junk B. V. and Antiquariaat Schierenberg, 2024. Folio (29.8 x 21.3 cm). With sixty-one original prints, many hand-coloured, from famous zoological books published between 1491 and 1878; each mounted, matted, and numbered 1-28, 29a, 29b, 30-60, and one double-sized, unnumbered print, in full-colour facsimile; all in an original cloth dropbox (50.0 x 36.5 x 8.5 cm), together with an explanatory book (96 pp.; printed softcover). = The English edition of Claus Nissen's collection of original zoological illustrations Tierbücher aus fünf Jahrhunderten. This work contains sixty-one original illustrated pages and plates from works by German, English, French, Italian, Dutch and Swiss writers from the 15th to 19th centuries. With an introduction and bibliographies of all authors. Printing techniques include wood-engravings, copper engravings, lithographs, and chromolithographs. In 1968, a German edition of just one hundred copies was issued, without Peter S. Dance's introduction. Plans for an English edition were delayed. In 1990, the music scholar and bookseller Albrecht Gabriel "Albi" Rosenthal (1914-2004) translated the work and added more references. But publication was delayed once again. Finally, in 2024, Nissen's wish to present his work to the English-speaking world became reality. However, due to the limited material available, only ninety copies instead of a scheduled one hundred copies were produced. It is noteworthy that this is not a direct translation of the German edition. Some of the plates (and hence the explanatory text revised) were taken from different books than the German edition, more focussing on the English-speaking authors. This edition is expanded with a preface by the British malacologist and biohistorian S. Peter Dance. Two leaves are from incunabula (Ortus Sanitatis), of which one is hand-coloured; two are post-incunabula (Gart der Gusundheit [1509], and Hortus Sanitatis [1517]; six are later 16th-century works. [The unnumbered double-sized plate has a mounted facsimile of a 6th-century codex published as the Wiener Dioskurides]. Authors include Pierre Belon, Hendrik Ruysch, Adam Lonitzer, Gaius Plinius Secundus, Conrad Gessner, Ulisse Aldrovandi, John Jonston, Francis Willughby, Eleazar Albin, George Edwards, August Johan Roesel von Rosenhof, Johann Michael Seligmann, George-Louis Leclerc, comte de Buffon, Thomas Pennant, William Frederic Martyn, Sir William Jardine, Georges Cuvier, John James Audubon, etc. In general, the quality of the plates is very good. A few plates show signs of age, including toning, foxing, or offsetting. Otherwise, in mint condition. Many zoological groups are represented but there is an emphasis on birds, reptiles, and insects. Every copy is unique, each box contains different plates or pages taken from the same books. The images on the website, therefore, represent a randomly selected example only.…

8vo (210 x 135 mm), 32pp., original blue printed wrappers, some light chipping and staining, corners a little dog-eared, the 3 items housed in a custom-made folding portfolio. "John Trumbull (1756-1843) is known for his portraits and history paintings of the leaders and events of the American Revolution. Born in 1756 in Lebanon, Connecticut, he graduated from Harvard College in 1773 and served with the Connecticut First Regiment in the early months of the revolution. He began his painting career in 1777. He went to England to study briefly with Benjamin West in 1780, returning in 1784 for a longer period In 1794 he accepted an offer from John Jay to serve as secretary with the Jay Treaty Commission in London. He resumed his painting career in England in 1800, the year he married Sarah Hope Harvey. He returned to the United States in 1804 In 1817 he received a commission for four large history paintings for the rotunda of the United States Capitol in Washington. That same year he was elected President of the American Academy of the Fine Arts, which under his strict guidance came in the 1820's to represent an older, more traditional group of artists. He completed the Capitol pictures in 1824. When he failed to receive further federal commissions, he turned again to portraiture. In difficult financial straits, he offered his painting collection to Yale College in return for an annuity. The offer was accepted in 1831 and the Trumbull Gallery opened the following year."National Gallery of Art. [First item] Lugt, 5535; ESTC gives four locations: BL, Birmingham, Oxford and Library Company of Philadelphia; [Second item] Lugt, 8202; Not listed by JISC, OCLC locates 3 copies: V&A, Frick Art Reference Library (New York) & Getty Library.…