larry sultan (25 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

Hardcover. Zustand: Brand New. 92 pages. 9.25x10.00x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. 92 pages. 9.25x10.00x0.50 inches. In Stock.

Zustand: New. In.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - The canonical 1977 American photobook returns to print in a new, definitive edition that most closely resembles the original.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 3rd Edition. 2003/2017. Third edition (D.A.P. reissue). Originally published in 1977 by Clatworthy Colorvues, Greenbrae, California. Hardcover. Blue cloth-like covered boards, with title stamped in gilt on front cover and spine, with dust jacket. Photographs from various private and public collections edited by Mike Mandel and Larry Sultan. Includes a list of government agencies, educational institutions and corporations that permitted access to their files. Essay by Sandra S. Philips. Afterword by Robert F. Forth. 92 pp., with 61 duotone plates, 18 black-and-white reproductions printed on a 2-page spread entitled 'Outtakes from Evidence, 1977-2003,' and 7 additional black-and-white reference illustrations. 9-1/4 x 10 inches. This edition went out of print shortly after release. New in publisher's shrink-wrap. Before 1977, artists using photography usually made 'fine art photographs.' Museums and galleries, curators and collectors, increasingly embraced photography as an important medium. The contemporary art world was widening and refining its notions of 'art photography.' While practices and movements within the photographic arts were rapidly expanding and crossing into other media during the 60s and 70s, the constant at this time was that the 'art photograph' (or work of art that incorporated photography) was made by an artist. Many important artists at the time, such as Robert Heinecken, used images from the mass media and other sources as key elements in their cutting-edge works. And, artists such as Ed Ruscha were using photographs in a way that minimized the importance of the individual images (i.e., the photographic images were in service to the larger conceptual work). Then, Mike Mandel and Larry Sultan collaborated to publish 'Evidence,' and changed everything! With a brilliant sensibility for the absurd and a keen awareness of the complexity that the single image possesses when viewed outside its original context, Mandel and Sultan selected photographs from thousands of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. Some of the photographs are hilarious, others are perplexing, but it's in their isolation from their original context that these images take on meanings that address the confluence of industry and corporate mischief, ingenuity and pseudo-science. The resulting book, 'Evidence,' strongly influenced our shifting awareness of 'the photograph' and introduced the importance of the 'found image' in art. The finished and provocative collection forever altered how we view images. Of course, we are now much more aware of multiple meanings images can evoke when viewed outside of a proscribed context. Before 'Evidence,' however, this was not. well, as evident. This book, unlike collections of "snapshot" photographs, forced the viewer to imagine that the larger world was using the camera to document dubious practices and alarming, amusing, and confusing experiments in the name of government. The 'photograph as art' question took on an entirely new perspective, and the world could never [seriously] look back. If borrowed from corporate-speak, a caption for 'Evidence' might be 'a paradigm shift' for photography. [Also included with the book is a copy of the planned introduction by Robert Heinecken, which was subsequently not published in the book, but was printed in the May-June 1977 issue of Afterimage.] From the publisher: "In 1977, photographers Larry Sultan (19462009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canona book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies and educational, medical and technical institutions. They were looking for photographs that were made and used as transparent documents and purely objective instruments--as evidence, in short. Selecting 59 of the best, they published these images with the care you would expect to find in a high-quality art photography book, issuing them in 1977 in a simple, limited-edition volume titled Evidence. Long established as a photobook classic and a seminal example of conceptual photography, Evidence was reissued as a facsimile edition in 2003 by D.A.P. with a new spread of images and a group of black-and-white illustrations selected by the artists from an archive of photographs that were not included in the original book, plus a commissioned essay by Sandra Phillips. Today both this reissue and the original 1977 publication are exceptionally rare and command high prices. D.A.P. now reprints the 2003 edition of Evidence, making available to a general readership a truly pioneering and canonical photobook.".

Hardcover. 136 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L14746 9783735600691 Sprache: Deutsch Gewicht in Gramm: 1050.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Oblong hardcover. 263 pages. A look at this long time friendship and collaboration between these two California artists and photographers who met at art school. Edited by Thomas Zander. Features essays by Charlotte Cotton, Jonathan Lethem, Constance M. Lewallen, Carter Ratcliff, and Thomas Wagner. Includes 190 color and black and white illustrations. A fine copy in black cloth boards and in a fine dust jacket. Signed by Mike Mandel on the half title page. Uncommon thus. A very fresh copy. Signed.

Hard cover. Sewn binding. Cloth over boards. 92 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Jacket has shelf wear, tape-repaired cut on back, now in mylar.

Hardcover. Zustand: Near Fine. Third edition marking 40 years since the original 1977 publication. Black-and-white documentary photographs from various government archives published without captions or context. Essay by Sandra S. Phillips. Faint wear to dust jacket. The book itself in blue cloth covers with gold lettering is in fine condition without marks, inscriptions or fading. s167.

Zustand: NEW.

1. Auflage. 236 Seiten. OLn., mit OU, Quer-Quart 25 cm x 29 cm, 236 S.; sehr gut erhaltenes Exemplar.

Illustr. Orig.-Karton., [BHN-D-6] unpag., gr.-8°. Einband geringf fleckig; gutes Exemplar.

Zustand: New. 1st Edition. Price is net to all; promotional discounts do not apply. SALE PROCEEDS TO BENEFIT BLIND SPOT. A limited edition, original 11 x 14 inch lightjet print, "Canal, San Rafael," 2006, limited to 15 copies plus artist's proofs, signed by Sultan. New. IMPORTANT NOTE: It is our policy to not share customer contact information. Since this is a special limited edition, Blind Spot would like to keep a record of those who make a purchase. If you prefer that we not share your contact information with Bind Spot, please let us know by making a note in the "Special Instructions" section of the order form. This print is part of Blind Spot's 15th Anniversary print editions. From the publisher, in 2008: "Blind Spot published its inaugural issue in 1993, and is still the only journal that focuses solely on photographs. Since its launch, Blind Spot has featured over 300 living artists. To celebrate our fifteenth year, we are pleased to present limited edition prints from a group of artists that represents the range of work that appears in our pages. Proceeds benefit Photo-Based Art, Inc, the 501(c)(3) nonprofit that publishes Blind Spot, and support our mission of creating unique opportunities for living artists to present significant new photographic work." Signed by Author.

Gebunden, fester Einband mit illustriertem OSchutzumschlag.131 Seiten mit zahlreichen Farbfototafeln. Format 28,5 x 27,5 cm. Gutes Exemplar. Katalogbuch mit einem Beitrag von Martin Germann und Texten von Larry Sultan. Sprache: englisch, deutsch. Larry Sultan verstarb 2009 plötzlich während der Vorbereitung zur Ausstellung. Diese Publikation zeigt Bilder aus "Picture from Home", "The Valley" und Homeland".

Zustand: Wie neu. Steidl, Göttingen. 2010. First edition, first printing. New, mint, unread; still originally shrink-wrapped in pulisher`s plastic foil. Hardcover with jacket. 274 x 269 mm. 132 pages. 80 colour plates. Text in english. Perfect condition! Collector`s copy! This book brings together three of Larry Sultan's best known series: "Pictures from Home", "The Valley" and "Homeland". Made principally in the San Fernando Valley, where the artist grew up, in these works Larry Sultan explored the domestic landscape of his childhood and adolescence by photographing and re-presenting photographs of his parents, their home, and their experience of the American Dream. Wandering further behind this Californian fabric, he photographed in suburban homes serving as sets in the pornographic industry. His work culminated in a series of tableau of Latino day labourers undertaking prosaic tasks on the peripheries of these suburban sites the kind of places where, growing up, he would find his own sense of space and freedom. This publication accompanies an exhibition at the kestnergesellschaft, Hannover and features an essay by curator Martin Germann. It is co-published with Galerie Thomas Zander, Cologne, and Kestnergesellschaft, Hannover. Larry Sultan (19462009) taught photography from 1978 and was a professor at the California College of Arts and Crafts from 1989. He received several National Endowments for the Arts and had solo exhibitions at the Museum of Contemporary Art, Chicago, Musée de l'Elysée, Lausanne, San Francisco Museum of Modern Art and Centre Georges Pompidou, Paris.***************Steidl, Göttingen. 2010. Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 274 x 269 mm. 132 Seiten. 80 Farbfotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Dieses Buch präsentiert die Highlights aus Sultans besten Serien: "Pictures from Home", "The Valley" und "Homeland". Grossartiges Buch! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Mack Books, London. 2017. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 250 x 270 mm. 192 pages. 140 colour plates. Text in english. Perfect condition! Collector`s copy! Coincides with a major, touring retrospective at San Francisco Museum of Modern Art. One of the most signifiant American photobooks of the 1990s. Esteemed artist and educator, influenced talents such as Alec Soth and Gregory Halpern. "Sultan`s images are at once sincere and seductive, guarded and vulnerable. His sensibility has informed generations that followed." (Time) "First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan`s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the sequence he presents moves between registers, combining contemporary photographs alongside film stills from home movies, fragments of conversation, Sultan`s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly porous. `What drives me to continue this work is difficult to name,` wrote Sultan. `It has more to dowith love than with sociology. With being a subject in the drama rather than a witness. And in the odd and jumbled process of working, everything shifts: the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows.` This new edition - the first published since 1992 - offers a new edit of Sultan`s work and includes previously unseen images." (from the publisher) Larry Sultan, born 1946 in Brooklyn, died 2009 in California, grew up in California`s San Fernando Valley, which became a source of inspiration for a number of his projects. His work blends documentary and staged photography to create images of the psychological as well as physical landscape of suburban family life. Sultan`s work has been exhibited and published widely. Most recently, the Los Angeles County Museum presented a retrospective exhibition dedicated to Sultan. His photography is included in the collections of the Los Angeles County Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Solomon Guggenheim Museum, and the San Francisco Museum of Modern Art. Sultan served as a Distinguished Professor of Photography at California College of the Arts in San Francisco.***************Mack Books, London. 2017. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 250 x 270 mm. 192 Seiten. 140 Farbfotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Sehr gut. Distributed Art Publishers. 2003. First edition, first printing. Signed by Larry Sultan and Mike Mandel! New, mint, unread; only opened once for the signatures. New edition of the photobook classic from 1977 (Martin Parr, The photobook, vol 2, page 220/221). Larry Sultan is also famous for "Pictures at home" (Martin Parr, The photobook , vol 2, page 302). Hardcover with dustjacket. 260 x 240 mm. 92 pages. 61 duotone and 25 black and white illustrations. Designed by Victor Mingovits. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. Text in english. Perfect condition! Signed by both artists! Collector`s copy! Quite simply one of the most innovative, entertaining and thought-provoking photography books yet published, Mike Mandel and Larry Sultan`s 1977 collection of uncaptioned evidentiary images has rightfully gained a legendary status in the thirty-five years since its initial publication. Now, "Evidence" is available once again in its original format, with the addition of a dust jacket, a new essay by SFMoMA curator Sandra Phillips on the book`s impact and significance, and a two page layout of eighteen previously unpublished images entitled "Outtakes from Evidence, 1977-2003". **************Distributed Art Publishers. 2003. Signiert von Larry Sultan und Mike Mandel! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signaturen. Neuauflage des Fotobuch-Klassikers von 1977 (Martin Parr, The photobook, vol 2, Seite 220/221). Larry Sultan ist auch berühmt für: "Pictures at home" (Martin Parr, The photobook , vol 2, Seite 302). Hardcover mit Schutzumschlag. 260 x 240 cm. 92 Seiten. 61 Duotone und 25 schwarz-weiss Fotos. Gestaltet von Victor Mingovits. Einführung von Sandra S. Phillips. Vorwort von Robert F. Forth. Text in englischer Sprache. Perfekter Zustand! Signiert von beiden Künstlern! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Harry N Abrams, New York, 1992. First edition, first printing. Signed by Larry Sultan! Great photobook in fantastic fresh and flawless condition! Martin Parr, The photobook, vol 2, page 302. Hardback with full green cloth and dustjacket. 248 x 268 mm (9 3/4 x 10 1/2 in). 128 pages. 90 colour and 20 black and white photographs and illustrations. Photos: Larry Sultan. Text by Larry Sultan. Text in English. Condition: Book and dustjacket fresh and flawless. Overall near mint, near perfect conditon! Signed by the artist! Collector`s copy! From the publisher: "In Pictures from Home, California photographer Larry Sultan brings together family photographs - including both memorabilia and his own pictures - and the voices of his father and mother commenting on those photographs and their lives. Part family album, part visual novella, the book explores complicated, emotional issues about the nature of photography that are side-stepped by most photographic books.***************Harry N Abrams, New York, 1992. Amerikanische Originalausgabe. Erstausgabe. Martin Parr, The photobook, vol 2, Seite 302. Hardback mit grünem Leinen und Original-Schutzumschlag. 248 x 268 mm.128 Seiten. 90 Farb- und 20 schwarz-weiss Fotos und Illustrationen. Photos: Larry Sultan. Text von Larry Sultan. Text in englischer Sprache. Zustand: Buch und Schutzumschlag frisch und tadellos erhalten. Marginale Gebrauchsspuren, keinerlei Mängel. Insgesamt neuwertiger Zustand! Signiert vom Künstler! Sammler-Exemplar! Wunderschönes, sehr persönliches Fotobuch! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. umschlag gebrauchspurig, buch auch ein bisschen Scalo, Zurich, 2004. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Sultan is famous for his excellent photobooks like "Evidence" (Martin Parr, The photobook, vol 2, page 220/221) or "Pictures at home" (Martin Parr, The photobook, vol 2, page 302). Linen with dustjacket. 300 x 340 mm (11.5 x 13 inch). 127 pages. 68 colour photos. Text in english. Perfect condition! Collector`s copy! Since 1988 Larry Sultan has returned time and again to photograph on porn sets in Los Angeles`s San Fernando Valley - the Silicon(e) Valley of the porn industry.***************Scalo, Zürich, 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Sultan ist berühmt für seine außergewöhnlichen Projekte und Fotobücher wie "Evidence" (Martin Parr, The photobook, vol 2, Seite 220/221) oder "Pictures at home" (Martin Parr, The photobook, vol 2, Seite 302). Leinen mit Schutzumschlag. 300 x 340 mm. 300 x 340 mm. 127 Seiten. 68 Farbfotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Künstlerisch hochwertiges Fotobuch über die Pornoszene im San Fernando Valley bei Los Angeles. Sprache: Englisch Gewicht in Gramm: 1600.

Hardcover. Zustand: Good. 2015, 136 pp, Kunstmuseum Bonn, S.M.A.K. Gent,Kerber Art,