Klee von read herbert (14 Ergebnisse)

paperback. Zustand: Good. Zustand des Schutzumschlags: Acceptable. Clean, unmarked pages with the exception of some markings and soiling on the endpapers and flyleaves. There are two small holes throughout all of the pages. The dust jacket is heavily worn with wear, chipping, tears, tape repairs. There are small pencil markings on the front cover along with some soiling and water damage on the dust jacket. …

Tapa Blanda. Zustand: Con signos de uso.

Zustand: Good. 1948. Paperback. Clean copy in original wrappers. Wrappers torn at spine and with minor nicks and light spotting. All plates present and in fine condition. Remains a good copy. . . . . Books ship from the US and Ireland.

Zustand: Good. 1948. Paperback. Clean copy in original wrappers. Wrappers torn at spine and with minor nicks and light spotting. All plates present and in fine condition. Remains a good copy. . . . .

brosch. Zustand: Befriedigend. 55 S., 18,5 x 18,5 cm (= Faber Paper Covered Editions) Lese- und Alterungsspuren. Buch gebräunt. Einband bestoßen und berieben. Deutliche Flecken auf den letzten Seite und Schnitt. Akzeptables Exemplar (Kst.) A/Z 39887 Kst. A/Z Sprache: Englisch Gewicht in Gramm: 550.

SOFTCOVER. Zustand: Fine. Reprint. Square 4to in stiff card covers, 55pp, illustrations in text . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers slightly tanned) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft Cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Paperback with protected dust-wrapper. 31.5cm x 25cm. 24pp. Complete with 11 colour tipped in plates. Reprinted 1952. D/w a little marked. A pleasing copy. (ar13).

Hardcover. Zustand: Very Good. This book is hard-bound in light purple cloth with red stamping to the upper cover and spine. The dust jacket is worn and torn, with some loss, laid-in at the rear. The covers show some faint foxing and light sunning to the cover edges and spine. The binding is solid. The contents are bright and clean, with illustrations. …

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. 55 Pp. Violet Cloth Lettered In Red. Second Printing Indicated. Near Fine, Lettering Strong, No Fraying, Two Vertical Creases On Final Blank Page. Ownership Signature Of Jack Cutting. Dust Jacket Priced 8S6d, Wear, Small Losses At Edges, Browning. Per Wikipedia, Jack A. Cutting (1908 -1988) Was An American International Content Supervisor And Animator For Walt Disney Animation Studios, Where He Worked For 46 Years. Cutting Attended The Otis College Of Art And Design, Where He Met Tyrus Wong, Wilfred Jackson, And John Hench And Graduated In 1929. A Friend Referred Him To The Fledgling Walt Disney Studios, Where He Was Hired To A Group Of 19 Animators In August/September 1929. He Worked Alongside Walt Disney Himself And Made $18.00 A Week, Oftentimes Working Overtime Without Pay. He Worked In Several Different Departments, Starting As An Animator, Moving Up To Director, Then To Assistant Director; He Was Also Dave Hand's Assistant. When The United States Entered World War Ii, Disney Submitted The Necessary Paperwork To Waive His Employees Of Their Service So The Company Could Direct Training Films For The Army. Cutting Headed The Editorial Department For A Year During The War. Cutting Was One Of The Several Employees Who Played Polo With Walt Disney; He Also Was Sent To "Scout For Merry-Go-Rounds In Europe" After Disney Had The Idea For A Theme Park. In 1939, His Film The Ugly Duckling Won The 1940 Oscar In Best Short Subject (Cartoons). After Snow White And The Seven Dwarfs Was Released, Cutting Convinced Roy Disney To Let Him Work With The Man Hired To Dub The Film; He Quickly Became A Dubbing Assistant And By 1938 Was Head Of The Foreign Department At Disney. In This Role, He Supervised Translation And Dubbing Efforts All Over The World, Traveling Often To Work With Different Teams. He Oversaw The Dubbing Of And Found Voice Actors For The Swedish Dumbo, The French Mary Poppins, And The Japanese One Hundred And One Dalmatians In Japanese. He Was Among The Frontrunners For Synchronizing Sound And Image. He Held His Position In The Foreign Department Until His Retirement In 1975. Cutting And His Wife Camille Lived In Paris While Cutting Worked With European Markets. B/W Drawings (illustrator).…

Zustand: Good. 8vo. Soft cover. Good, with some rust. 55 pp. B&W plates.

Trad. de Enrique L. Revol. Ed. Infinito. Buenos Aires. 1973. 157pp. Il. B/N. 23 x 16 cm. Rústica.(75.027).

Brossura. Zustand: Molto buono (Very Good). Introduzione e note a corredo delle immagini di Herbert Read. 11 tavole a colori applicate . 4to (cm 31x24,5). pp. 24. . Molto buono (Very Good). Sovracoperta leggermente sciupata ai margini con strappetti e mancanze (Some chipping and nicks around top and bottom of dustjacket). Prima edizione (First Edition). . Book.…

24 S. Etwas angestaubt u. verblichen. 31677 Sprache: Deutsch Gewicht in Gramm: 500 4°. Farb. OBr. Mit vielen Farbtaf.

First Editions. Colour plates, all but Kandinsky also with black-and-white illustrations 16mo Fine copies in specially made dark green quarter morocco book-form box, brown cloth sides, spine lettered in gilt and with silver and green circles Kandinsky in full orange morocco with purple and brown onlays; Klee in full blue morocco, upper cover with multi-coloured onlays; Villon in full purple morocco, upper cover with multi-coloured onlays forming interlocking shapes; Ben Nicholson in full brown morocco, upper cover with turquoise, salmon pink and lighter brown onlays, each binding representing the artist's style and technique, all with multi-coloured lines and some gilt ornamentation, spines lettered in gilt, all with original upper wrappers bound in.…