Kara walker complement enemy (9 Ergebnisse)

hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very good. Cloth/no dust jacket Octavo. brown cloth, brown lettering, no dust jacket, 418 pp.

Hardcover. Zustand: Fine. 1st Edition. xii, 418, cdxix-cdxxi pages (some folded) : illustrations ; 24 cm. Notes: Published on the occasion of the exhibition of the same name held a the Walker Art Center, Minneapolis, Minnesota February 17 -May 13, 2007, Whitney Museum of American Art, New York October 11, 2007 - February 3, 2008 and UCLA Hammer Museum, Los Angeles,California February 17 -May 11, 2006 Credits: Other contributors: Thomas McEvilley, Yasmil Raymond, Robert Storr, and Kevin Young.…

Vergne, Philippe (organisor) et al. KARA WALKER: My Complement, My Enemy, My Oppressor, My Love. 418 pp., hundreds of color and b&w illustrations. 8vo, cloth. Minneapolis, Walker Art Center, 2007. During the course of the last decade, Kara Walker has become one of the most complex and prolific artists of her generation. Published to accompany her first American major museum survey, this title encompasses Walker's work from cut-paper silhouettes to her more recent film animation. The authors explore the many facets of her work, examining the variety of techniques she uses to represent and play off of stereotypes of the antebellum American South.…

432 pp.; 25 x 17 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held February 17 - May 13, 2007. Traveled to the ARC/Musee d'art moderne de la ville de Paris, Paris, France, June 20 - September 9, 2007; the Whitney Museum of American Art, New York, October 11, 2007 - February 3, 2008; the Hammer Museum, Los Angeles, March 2 - June 8, 2008 and the Museum of Modern Art, Fort Worth, July 6 - October 19, 2008. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist." -- publisher's statement. Fine. In publisher's issued shrink wrap. Due to large size and weight additional shipping charges may be required for international orders. …

Hardcover. Zustand: Near Fine. First Edition. First edition. Octavo. 418pp. Light brown cloth boards printed in dark brown lettering and with an illustration by Walker on the rear board. Bumped at the bottom corners, else near fine with a near fine example of the often missing vertical belly band with small indentations. Issued to accompany an exhibition of Walker's work curated by Phillippe Vergne for the Walker Arts Center with in Minneapolis. The book contains a series of essays by Sander L. Gilman, Kevin Young, Thomas McEvilley and Robert Storr, along with numerous examples of Walker's work.…

First Edition. Octavo (25cm); light brown cloth, with titling, text, and decorations stamped in dark brown on spine and covers; publisher's original printed band wrapped around the front cover; xii,418pp; illus. Fine in a Near Fine example of the often-missing wraparound band, showing some mild surface wear. Lengthy catalog published on the occasion of the exhibition Kara Walker: My Complement, My Enemy, My Oppressor, My Love, curated by Philippe Vergne for the Walker Art Center in Minneapolis, MN. Richly illustrated with Walker's art and visual essays.…