Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 30,80
Anzahl: 2 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Jrp Ringier Kunstverlag Ag, 2010
ISBN 10: 3037640324 ISBN 13: 9783037640326
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 29,81
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. bilingual edition. 161 pages. 11.25x9.50x0.75 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 30,45
Anzahl: 2 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Jrp Ringier Kunstverlag Ag, 2010
ISBN 10: 3037640324 ISBN 13: 9783037640326
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 38,81
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. bilingual edition. 161 pages. 11.25x9.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: JRP | Ringier / Kunsthalle Zürich, 2010
ISBN 10: 3037640324 ISBN 13: 9783037640326
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Erstausgabe
Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 29 cm, softcover, dust jacket, 168 pages, 128 color & 30 b/w illustrations - Including newly commissioned essays, this reference monograph attempts to remap Miller's entire oeuvre by articulating its development through various series, media, and aesthetic strategies.
Taschenbuch. Zustand: Neu. Neuware.
Verlag: Jrp Ringier ; None, Zuerich
Anbieter: Stefan Schuelke Fine Books, Köln, NRW, Deutschland
Softcover. Schutzumschlag. Künstler: Miller, John . Verleger: Jrp Ringier . Herausgeber: Kunsthalle Zuerich ; Ruf, Beatrix . Englisch . 4to. (Quartformat). 168 Seiten/ pages, 128 colors and 30 b/w, AUTHOR(S) : Alexander Alberro, Beatrix Ruf, Branden W. Joseph, John Miller, Jutta Koether, Nora M. Alter. OKarton mit OSchutzumschlag/ Softcover. 'Among such contemporaries as Mike Kelley and Jim Shaw, but also Tony Oursler and Stephen Prina, John Miller embodies a singular position: he articulates the synthesis of an ideologically committed critique of representation with a postconceptual shift toward the real. Using completely stereotyped genres (figurative painting, travel photography, landscape painting, and so on), Miller, like Sherrie Levine and Richard Prince, has, since the end of the 1970s, challenged the function of the author and the concomitant loss of aura of the artwork. Yet this critique is for him only a means of revealing the repressed aspect of the ideological aggregates of day-to-day late-capitalist Western culture.First noticed for his brown faux abstract painting and objects recovered by a brown impasto, he resisted to what he calls aesthetic appropriation by regularly shifting his practice, introducing series such as the Middle of the Day photographs, game show sets and paintings, and golden maquettes through the 1980s and 1990s. This strategy of resistance to a reduction of his work to any critical tag explains why, despite the early critical recognition of his work by theoreticians such as Hal Foster, he is still overlooked among his generation.Including newly commissioned essays, this book attempts to remap his entire oeuvre by articulating its development through various series, media, and aesthetic strategies.'(jrp ringier). tadelloses Exemplar.