jazz generations (30 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. 2000. paperback. . . . . . Books ship from the US and Ireland.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Used - Very Good. VG paperback. Reprint, 2001. A bright, tidy copy in tight binding.

Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Published by Continuum, 2000. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Soft cover. Zustand: Good. Pb, 214pp, b/w photos. Good+, marginal wear, clean contents. Autobiography of American jazz musician William Marcel "Buddy" Collette, who was a founding member of the Chico Hamilton Quintet in the mid 1950s. Playing several instruments, he was also a composer and arranger.

Soft cover. Zustand: Very Good. Pb, x + 214pp, b/w photos. VG(-), marginal wear, clean contents. Autobiography of Buddy Collette, the jazz musician, bandleader and composer, who was a founding member of the Chico Hamilton Quintet and a key player in the Los Angeles Central Avenue jazz scene.

Soft cover. Zustand: Very Good. paperback, large 8vo, 214pp, illustrated, clean and tight, no inscriptions, Very Good condition. ISBN: 082644721X.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Fine. Reprint. Trade paperback. 214pp. Illustrated from black and white photographs. Fine.

Zustand: New. pp. x + 214 Illus.

Zustand: New.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 256 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Neuware - 'The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as 'Gypsies')--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful'.

Taschenbuch. Zustand: Neu. Django Generations | Hearing Ethnorace, Citizenship, and Jazz Manouche in France | Siv B. Lie | Taschenbuch | Chicago Studies in Ethnomusicology | Einband - flex.(Paperback) | Englisch | 2021 | The University of Chicago Press | EAN 9780226811000 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 207 pages. 8.25x6.25x1.00 inches. In Stock.

Zustand: New.

Couverture souple. Zustand: bon. R300314803: 2005. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages - nombreuses photos et illustrations en couleurs et en noir et blanc dans le texte. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Jazz is a vibrant and a living art, and this volume serves to remind us of that fact through interviews with Art Tatum, Maynard Ferguson, Dizzy Gillespie, and Dave Brubeck, along with almost 20 other jazz greats.Meet the greatest musicians in the history of jazz. From Hoagy Carmichael to David Sanborn, these interviews and their subjects reflect the diverse appeal and deep roots of a truly American art form. Some of the interviews in Jazz Notes: Interviews across the Generations remain intact from their original publication. Others are updated to include conversations with younger artists, influenced by these legends and attempting to carry on their legacies. The interviews range from the 1970s to the present day and are followed by a concluding section that provides perspective from current artists.In the course of the interviews, the history of American art and culture receives interesting augmentation. Some artists, such as Dave Brubeck and Maynard Ferguson, discuss how they broke through to the top of the pop charts. Of course, many African American jazz musicians endured difficult and demeaning conditions while on the road in the 1930s, 1940s, and 1950s, and their memories of these experiences are a bittersweet counterpoint to remembered triumphs.

Hardcover. Zustand: Brand New. 260 pages. 9.25x6.00x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - 'The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as 'Gypsies')--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful'.

Couverture souple. Zustand: bon. R110281958: DECEMBRE 1988. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 + XXXV pages de supplément. Nombreuses photographies en noir et blanc dans et hors texte. . . . Classification Dewey : 781.65-Jazz.

Hörbuch (CD). Zustand: Gut. CD - GUT ERHATLEN - SIGNIERT.

Zustand: Gut. original mehrfach gefalteter Bogen, Format 21 x 10 cm, 6 Seiten. Zustand: gut bis sehr gut Two Generations: Ruth Hohman, Susanne Hartwig, Dietrich Unkrodt, Marcus Unkrodt, Mario Würzebesser, Horst Würzebesser, Dietrich Wöhrlin, Markus Behrsing, Matthias Behrsing, Jens Saleh. Leitung: Hartmut Behrsing. Programm: Swing Duos mit Stückem von Charlie Parker, Vincent Youmans, Karl Suessdorf, Maceo Pinkard, u. a. des weiteren Stücke von Jerry Herman, Charles Fox, George Gershwin, u. a. ------- Program booklet JAZZ IN TAILORS 29 TWO GENERATIONS 9. 12. 1997 Komische Oper - Original multi-folded sheet, format 21 x 10 cm, 6 pages. Condition: good to very good - Two Generations: Ruth Hohman, Susanne Hartwig, Dietrich Unkrodt, Marcus Unkrodt, Mario Würzebesser, Horst Würzebesser, Dietrich Wöhrlin, Markus Behrsing, Matthias Behrsing, Jens Saleh. Conductor: Hartmut Behrsing. Program: Swing duets with pieces by Charlie Parker, Vincent Youmans, Karl Suessdorf, Maceo Pinkard, and others, as well as pieces by Jerry Herman, Charles Fox, George Gershwin, and others. deu.