hypnerotomachia poliphili von francesco colonna (49 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Zustand: Sehr gut. 274 S. in gutem Zustand, 180 ISBN 9781773230801 Sprache: Englisch Gewicht in Gramm: 404 Maße: 15.2 cm x 1.57 cm x 22.9 cm Softcover/Paperback.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. KlappentextrnrnThe most famous book of the Renaissance is now triumphantly translated into English by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.

Zustand: New. In.

Hardcover. Zustand: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

1st edn. 8vo. Original gilt lettered brown cloth (page edges toned - otherwise VG), dustwrapper (VG). Pp. xix + 474, illus with woodcut drawings (previous owner's faint pencil inscription on half title).

Zustand: New. In.

Zustand: New. In.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New.

Zustand: New.

466 S. Oktn, Gr.8°. Gli Adelphi 258. Faksimileband. Es erschien noch ein umfangreicher Kommentarband.

Hardcover. Zustand: Very Good. 1st Edition. Cloth bound hardcover with dust jacket, 474 p. : illustrations, 31 cm. Good/very good, age-toning, no internal markings.

Athenaeum - Polak & Van Gennep, Amsterdam, 2006. 2 vols. 466,(9);174p. Original black cloth with dust wrps. Spine gilt titled. Reading ribbons. Two vols in pictorial card board box. Nice copy.

Zustand: MOLTO BUONO. Ristampa del capolavoro letterario del Colonna nell'edizione aldina del 1499, con il commento di Giovanni Pozzi e Lucia A. Ciapponi. completo in 2 volumi. cm.22,5x33, pp. (XV),468, 343, oltre 225 riproduz.delle xilog Tiratura limitata a 1300 copie, la nostra n.575. Padova, Ed.Antenore-Stamperia Valdonega di Giovanni Mardersteig completo in 2 volumi. cm.22,5x33, pp. (XV),468, 343, oltre 225 riproduz.delle xilog legature editoriali in tutta tela, in cofanetto. Tiratura limitata a 1300 copie, la nostra n.575. legature editoriali in tutta tela, in cofanetto.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Facsimile. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0824020502.

XVI, 708 Seite. Br. *neuwertig*.

Hardcover. Zustand: Wie neu. 1a edição. 217x320 mm. 558 p. Capa dura. Numerosos ilustrações de xilogravuras. Quase novo. Em estado muito bem. / Sello editorial en hoja de cortesía. USADO / GEBRAUCHT / USED. A "Hypnerotomachia Poliphili" ou "Sonho de Polifilo" (Veneza, 1499) é um dos livros mais curiosos e enigmáticos jamais impressos. Gnoli refere-se a ele como "a maior obra fantástica, o único poema do século XV". (Da Introdução) Hypnerotomachia Poliphili (palavras gregas que significam Batalha de amor de Polifilo em sonho), geralmente conhecido como Sonho de Polifilo, é o título de um dos incunábulos mais notáveis e enigmáticos da história da tipografia, editado em 1499 por Aldo Manuzio. De autoria desconhecida, tem sido comumente atribuído ao monge Francesco Colonna. Profusamente ilustrado de xilogravuras, cujos autores também se desconhecem, é uma alegoria escrita em linguagem complexa, misto de latim e toscano da época (com inúmeras citações em grego, hebraico e hieróglifos), narrando as aventuras que em sonho o personagem Polifilo vivencia buscando a conquista da amada Polia. Chega a ser uma "enciclopédia humanística de caráter totalizador, uma vez que contém ingente amálgama de conhecimentos arqueológicos, epigráficos, arquitetônicos, litúrgicos, mitológicos, gemológicos, botânicos e até culinários". Podem finalmente os leitores da língua portuguesa apreciar em todas as suas nuanças esta produção 'notável do Renascimento então incipiente, bem corno da recém inaugurada tipografia. (Texto envelope) ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * 126,00 (reduced from 140,00) **.

brossura a fogli chiusi. Zustand: MOLTO BUONO. Ediz.critica e commento a cura di G.Pozzi, L.A.Ciapponi. Ristampa anast.in formato ridotto con correz.,premessa e aggiorn.bibliogr. 2 volumi. cm.17,5x25, pp.XVI-472,XII-345, oltre 225 riproduz.delle xilog Coll.Medioevo e Umanesimo,38,39. Padova, Ed.Antenore 2 volumi. cm.17,5x25, pp.XVI-472,XII-345, oltre 225 riproduz.delle xilog brossura a fogli chiusi. Coll.Medioevo e Umanesimo,38,39.

Printed in the same size and format as the original, including all the woodcuts. With 174 illustrations. 474 pp. Quarto. Cloth-bound, dust jacket. Very good condition.

hardcover. Zustand: Buono (Good). Due volumi di cm. 33, pp. xv (1) 468 (4); (12) 343. Con molte figure nel testo. Solida legatura edit. di lusso in piena pelle, dorsi a nervi con titoli in oro su tasselli. Piatti inquadrati da filetti in oro e titolo centrale. con titoli in oro su tasselli. Tagli di testa dorati. Acetato di protezione. Entro cofanetto orig. in cart. rigido. Ben conservato. Pregiata edizione stampata su carta distinta in 1300 esemplari numerati di cui 600 fuori commercio (ns. n. 50) dalla stamperia Valdonega sotto le cure di Giovanni Mardersteig. Il primo volume riproduce interamente il testo originale del 1499, mentre il secondo presenta il vasto commento. Book.

Due volumi di cm. 33, pp. xv (1) 468 (4); (12) 343. Con molte figure nel testo. Solida legatura edit. in piena tela con titoli in oro su tasselli. Tagli di testa dorati. Entro cofanetto orig. in cart. rigido. Perfetta conservazione. Pregiata edizione stampata su carta distinta in 1300 esemplari numerati di cui 600 fuori commercio (ns. n. 559) dalla stamperia Valdonega sotto le cure di Giovanni Mardersteig. Il primo volume riproduce interamente il testo originale del 1499, mentre il secondo presenta il vasto commento.

Folio (202 x 313 mm). 234 ff. (collation: *4, a-y8, z10, A-E8, F4). With 171 woodcut illustrations and initials. Roman type, 39 lines plus headline. Crushed dark brown morocco by Riviere & Son, blind-tooled in period style, spine with gilt lettering. All edges gilt. First edition of this typographic masterpiece, the apogee of Venetian xylography in the quattrocento. The most celebrated illustrated printed book of the Italian Renaissance (and the only illustrated book published by Aldus), the "Hypnerotomachia" is generally considered the magnum opus of Aldine craft and a veritable design encyclopedia. William M. Ivins called it "possibly the best known of all illustrated incunabula" and "one of the greatest monuments of the printer's art, typographer and woodcutter having rarely collaborated to such good effect" (Metropolitan Museum of Art Bulletin 18.11 [1923], pp. 249ff.). - Issued without the author's name, the book is an allegorical romance novel which includes architectonic theories and descriptions of art, indeed "an architectural treatise woven into a love story" (Lefaivre). In a dream, Poliphilo becomes lost in the forest. Pursuing his mistress Polia through mystical landscapes, he starts to follow the five senses, symbolized by nymphs, all within antique palaces, ruins, pyramids, and obelisks, rich in architectural descriptions, before finding her and gaining enlightenment at the temple of Venus. The text has had various interpretations over the centuries, and has served as a sort of humanist compendium. - The attribution of the woodcuts, specifically made for this work, has long been debated. "Although neither the inventor nor the cutter is known, the engravings have been associated with the names of the greatest contemporary artists: fra Giocondo, Carpaccio, Bellini, Mantegna and even the young Raphael [.] It has led to the widespread consensus that is the best of all the illustrated early masterpieces of printing or incunabula" (Lefaivre). The cuts are today given as the work of the Paduan miniaturist Bordon, supported by the initial "b" that appears in two illustrations, and because of the similarity of style to miniatures firmly attributed to the artist. "The mass of details the book supplies concerning the size, proportions, materials, colors, plan, elevation and facade of buildings is often even richer than in Alberti's 'De Re Aedificatoria' (1485). Schlosser, in his great synthetic work on the artistic literature of the Renaissance published in 1924, is probably the first to place it firmly within the canon of architectural treatises, ranking it alongside the works of Alberti, Filarete, Fra Giocondo, Cesariano. Other scholars have gone so far as to attribute the work to Alberti in collaboration with several other humanists" (ibid.). - The work has historically been attributed to Francesco Colonna (ca. 1433-1527), a Dominican from the convent of San Zanipolo, professor of grammar and theology in Treviso and Padua; his name is revealed by the famous acrostic of the woodcut initials. - Washed, resulting in some light browning, with traces of some washed annotations. Title-page slightly soiled, repaired tear to e8, z10 slightly stained, errata leaf supplied from another copy though almost imperceptible, centre of woodcut on m6 erased and reinstated in pen facsimile, centre of woodcut on x8v erased. Manuscript note in Italian at foot of c1v. - Issue with text amended by stamping to "sanequam" in line 5 of title on a1 recto. All variant settings noted by Neil Harris are here in the original setting, as is sheet s3.6, as noted by John Lancaster in 2015 (as BSB-Ink C-471: s3r li. 17 ends "apro-" || s3v li. 1 ends "Her-"). - 1. From the library of Alexandre Paul Rosenberg (1921-87), with his bookplate, designed by Picasso, a friend of his art dealer father. - 2. H. P. Kraus, cat. 154 (New York, 1979), item 28. - 3. Laurence Witten, cat. 11 (Southport, 1980), item 98. - 4. Thomas Kimball Brooker, oil industry executive (b. 1939), his sale, Sotheby's, 2023. - HC 5501*. Goff C-767. GW 7223. Essling 1198. Sander 2056. BMC V 561. Bod-inc C-391. BSB-Ink C-471. Sheppard 4667f. Proctor 5574. UCLA 35. ISTC ic00767000. Aldo Manuzio tipografo 36. Renouard 21/5. For reset sheets and variant copies, see Harris, "Nine Reset Sheets in the Aldine Hypnerotomachia Poliphili (1499)", Gutenberg Jahrbuch (2006) pp. 245-275. Cf. L. Lefaivre, "The Metaphor of the Building as a Body in the 'Hypnerotomachia Poliphili'", Arte Lombarda 105/107 (1993), pp. 87-90.

XV, 468; 343 Seiten mit zahlreichen s/w Abbildungen. Kopfschnitte vergoldet. Schmuckschuber und Einbände leicht berieben, sonst handelt es sich um ein gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. Sprachen Lateinisch und Italienisch. Nummerierte Ausgabe: Dieses Exemplar trägt die Nummer 1286. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). // Original hardcovers with gold-plated head edges. Decorative slipcase and bindings are slightly rubbed, otherwise these are clean books in good condition. Books from a non smoking environment. Languages Latin and Italian. la Großformat, Orig.-Leinenbände in einem Schmuckschuber.

Unpaginiert (ohne Seitenzählung) ca. 472 Seiten mit 172 s/w Abbildungen. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. Dieses Exemplar ist ein Nachdruck der Originalausgabe von 1499, die in Venedig veröffentlicht wurde. Es enthält zwei beiliegende Werbeblätter zur Ausgabe in deutscher und englischer Sprache (Der Traum des Poliphilus geschrieben von dem Dominikaner Francesco Colonna, gedruckt in Venedig 1499 bei Aldus Manutius, mit 172 Holzschnitten und vielen schönen Initialen). Dieses Exemplar wurde in einer limitierten Auflage von 315 Stück gedruckt. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). // Original hardcover. Clean book in good condition. Book from a non smoking environment. This copy is a reprint of the original edition published in Venice in 1499. It includes two accompanying promotional leaflets in German and English (The allegorical and architectural romance by the Dominican Friar, Francesco Colonna, printed in Venice in 1499 by Aldus Manutius, containing 172 woodcuts and numerous fine floriated initials). This copy was printed in a limited edition of 315 pieces. Book with 172 b/w illustrations. This copy originates from the library of Peter Amelung (Württemberg State Library Stuttgart). Sprache: Italienisch Großformat, Original-Leinenband mit Kopfgoldschnitt.

O-Interims-Pappband mit Leinenrücken und montiertem Titelschild, Einband und Rücken mit Gebrauchsspuren, 1. und 2. Blatt etwas gebräunt, restliche Seiten sauber, 234 unpaginierte unbeschnittene Büttenpapierblätter mit Text und 170 Holzschnitten. Zwei heraustrennbare Blätter mit dem Druck von zwei, für das Jahr 1904, anstößigen Darstellungen. Miteingebunden ist ein zweites Titelrückenschild, 4°. Gewicht: 2,8 kg. - - - Eine heutige Ansicht geht davon aus, dass es sich bei der Hypnerotomachia Poliphili um eine codierte Botschaft handelt und der Drucker des Werkes auch gleichzeitig der Autor gewesen ist. - - - Das Originalwerk wurde von Aldus Manutius im Dezember 1499 in Venedig gedruckt.

Limited edition, no. 173 of 315 copies. 4to. Fine red full morocco by Zaehnsdorf, gilt to the spine and both boards, top edge gilt, black slipcase with a printed illustration mounted to both sides, supplied with a 24 page commentary by George D. Painter, this in black wrappers with gold decoration matching the binding. Reproductions of the original text and illustrations throughout. Some wear to the extremities of the slipcase though it remains sound, a little light wear to the booklet wrappers, the book itself in lovely condition. A fine "collotype" facsimile of this famous work first published in 1499 by Aldus Manutius, considered by many to be one of the finest examples of incunable printing.

Padova, 1963. 2 vols. CV,458,344 pp. Ills. Orig. hardcovers. In slipcase. (Itinera Erudiat I). - Fine set.* Numbered edition of 1300 copies, this is number 808.