hortulus anime (4 Ergebnisse)

20 nn. Bll., CLXXIX num. Bll., 4 (statt 5) nn. Bll. mit 1 ganzseit. Titelholzschnitt, 72 (davon 5 fast ganzseit. und 2 ca. halbseitige) Holzschnitte, 2 halbseit. Kalender-Holzschnitte (Sonne und Mond) und 1 ganzseit. Holzschnitt-Druckermarke sowie Holzschnitt-Bordüren auf jeder Seite von Hans Springinklee, Erhard Schön u. a. Adams I, H 1006. VD 16, H 5067. Dodgson I, 562. - "Zu Beginn des 16. Jahrhunderts fand das kleine Andachtsbuch `Hortulus Animae` ungewöhnlich große Nachfrage. Zwischen 1498 und 1523 erschienen über 100 Ausgaben dieser Sammlung von Gebeten, die in deutscher Übersetzung meist als `Seelengärtlein` bezeichnet wurde. . Allen gemeinsam sind der Kalender, das kleine Marienoffizium, die sieben Bußpsalmen, die Allerheiligenlitanei, die Suffragien und das Totenoffizium." (Ausstellungskatalog Schäfer 71). - A prayer book which both in its Latin and German forms was exceedly popular in the early years of the sixteenth century. The first known edition was printed at Strasburg by William Schaffener of Rappeltsweiler, and is dated 13 March, 1498. After that date new editions with various supplements and modifications were constantly issued by other printers both in Strasburg and other German cities, and even at Lyons. Many of them, though small in size, were illustrated with beautifully designed woodcuts. Mr. C. Dodgson gives a list of eighteen editions between 1516 and 1521, all of which contained cuts by the well-known engravers Hans Springinklee and Erhard Schön. The earliest German edition appeared in 1501, but the Latin editions on the whole predominate. With regard to its contents, the "Hortulus" bears a general resemblance to the Horae and Primers which were then the form of prayer book most familiar in France and England. As in these latter, the Little Office of our Lady always occupies the place of honour, but the "Hortulus" contains a greater variety of popular prayers, many of them recommended by curious and probably spurious indulgences. The name "Hortulus Animae" was derived not from the aesthetic but from the utilitarian aspects of a garden, as is shown by the three Latin distichs prefixed to most copies of the work. The first two lines run (but not in this copy): Ortulus exiguus varias ut saepe salubres / Herbas producit, quas medicina probat. (A tiny garden will often produce a variety of salutary herbs of which medicine knows the value). - "The Clein-Koberger editions of the `Hortulus` are representative of a publishing area which may be considered the German equivalent of the French Horae B. M. V. The text was composed of an Office of the Virgin and a variety of popular prayers, including prayers of individual saints. The early Clein editions are illustrated with blocks which may have been supplied by A. Koberger or cut by French artists working in the German techniques. With the introduction of the Springinklee-Schön cuts in 1516, these editions are no longer French but German illustrated books" (Mortimer, French 320). - Es fehlt das vorletzte Blatt (mit dem Druckvermerk). - Einige wenige Holzschnitte mit alter unsachgemäßer Ankolorierung (fast nur in Schwarz und Gelb). Vom Anfang gegen die Mitte abnehmend mit kleinen Wurmlöchern. Durchgehend etw. wasserrandig und etw. gebräunt, kaum fleckig. Das letzte Blatt (Druckermarke) mit altem hs. Text hinterlegt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 500 Kl.-8°. Ldr. des 20. Jahrhunderts auf 5 Bünden mit Rückentitel sowie historisierten Beschlägen und Schließen.

Zustand: Good. woodcuts throughout [50] a few being duplicated small Octavo (145x95) newer marbled calf on 4 raised bands housed in a modern faux leather splipcase.[tips of volume slightly rubbed] All edges darkened gilt. Titlepage supplied in pre Victorian times in handsome manuscript in red and black ink within ruled border. Publisher's details taken from the final index leaf. [9 of 10 ff thus lacking the first leaf of the Preface] + cclvi ff [lacking leaf 198 ] +3 leaves of index. All pages within ruled borders. The page numbers between Aa4 and Bb5 are erraticaly wrong but signatures and catch words follow on correctly. Some browning, minor soiling and gutter margin a bit tight but a very rare edition of the "Dutch Horulus animae", first edt of the prayer book was published in Strasbourg in 1498, but seemingly only 4 or 5 copies of this edt are traced. Printed in Gothic type within ruled borders with the calendar before the text printed in red and black. This edt was published just before the sack of Antwerp by the Spanish in 1576. 1 volume. Hardcover.

Hard Cover. Zustand: Good. recenter diversis ac odoriferis flosculis decoratus: cu[m] additionib[us] variis pluriu[m] devotioni oportunis & necessariis nunc ipressis. Adjectis in romanu[m] usu horis b[ea]te V[ir]gi[ni]s marie vii. p[salm]is. at[que] vigiliis cuct i calice libelli tabulari anotãdis. In quo qde[m] hortulo fidelis aia cpi amore lãguida saluberrima bi apariet medicamenta. [Impressor: Jean Kerbriant. Cólofon/Colophon]: In alma Parisio[rum] academia Impressus pro Johanne Amazeur. Anno domini. m.ccccc.xxxi [1531] xxix. imensus Octobris. In 24º de 9,7 x 7,5 cm. Com 279 (de 288) fólios não numerados. Encadernação da época inteira de pele com nervos na lombada e ferros a seco nas pastas letras P.R. gravadas a seco sobre ambas as pastas. Todas as páginas são adornadas por uma cercadura tipográfica formada por tarjas em esquadria enquadrando o texto. A folha de rosto está ilustrada (ao centro) com uma pequena xilogravura. Ao longo do texto encontram-se oito belas xilogravuras de meia página e centenas de capitulares gravadas. Magnífica impressão a duas cores (preto e vermelho) em que foram utilizados minúsculos caracteres góticos, belas vinhetas decorativas, figuras historiadas em quase todas as páginas, minuciosamente desenhadas e impressas. Obra prima da arte tipográfica, foi impressa ao estilo dos livros de horas marianos. Como todos os livros de horas o texto inicia com um calendário, seguem-se duas xilogravuras, que representam o sol e a lua. Todas as restantes gravuras e capitulares são ilustradas com passagens da vida de Cristo. Exemplar com título de posse coevo rasurado no pé da folha de rosto. Segundo o registo tipográfico dos cadernos presente no verso do último fólio, a impressão consta de 36 cadernos com 8 fólios cada. Assim sendo faltam 9 fólios. Os cadernos com faltas são: - b (4 fólios) - e (1 fólio) - f (2 fólios) - a (1 fólio) n - (1 fólio). Os fólios 9 e 10 apresentam pequeno restauro marginal junto ao pé. No entanto ainda não nos foi possível comparar a nossa colação com exemplares de outras bibliografias. O Hortulus Anime - literalmente O Pequeno Jardim da Alma - é um pequeno livro devocional, com orações e pensamentos cristãos, muito procurado no final do séc. XV e no início do séc. XVI. Entre 1498 e 1523 publicaram-se mais de 100 edições, contendo todas um pequeno calendário, os Ofícios da Virgem Maria, os Salmos penitenciais, os Santos e um Oficio de Defuntos. O "Hortulus" contém uma variedade de orações populares, muitas delas recomendadas para indulgências, provavelmente falsas. O nome "Hortulus Animae" não foi derivado da estética, mas a partir dos aspectos utilitários de um jardim, como é demonstrado pelos títulos latinos da maioria dos exemplares da obra, sugerindo uma ?cultura? do espírito tal como a cultura de um jardim no qual o espirito deveria ser 'curado no jardim do Senhor' (vide fólio 50). As edições mais conhecidas foram a primeira edição impressa em Estrasburgo por William Rappeltsweiler, em 1498 e a edição de Lublin na Polónia, que foi o primeiro livro impresso em polaco e cujo único exemplar conhecido desapareceu durante a 2ª Grande Guerra. No que diz respeito ao seu conteúdo, o "Hortulus Animae" tem uma semelhança geral com os livros de horas que eram na época o livro de orações mais familiar em França e em Inglaterra. In 8º [9.7 x 7.5 cm] with 290 folios. Contemporary full leather binding with raised bands on spine and blind tools on boards (letters P and R blind engraved on both boards). Illustrated with red and black woodcut on first page and a vignette. Woodcuts on the calendar (sun and moon); woodcut text frames with decorative themes; several almost full-page woodcut engravings and text printed in black and red. Copy with erased (contemporary) ownership title at the bottom of the title page. Work beautifully printed in two colours (black and red), decorative vignettes, and illustrations, drawn and printed in high detail, on almost every page. The Hortulus Anime ? literally ?The Little garden of the Soul? ? is a small religious book, with prayers and Christian thoughts, much sought-after by the end of the 15th century, beginning of the 16th century. Between 1498 and 1523 there were published over 100 editions, all of them including a small calendar, the ceremonies of the Virgin Mary, the penitential psalms, the Saints, and Funeral ceremonies. The most known editions are the first edition printed in 1498 in Strasburg by William Rappeltsweiler, and the Lublin edition, in Poland, which was the first book printed in Polish, having the only existing copy disappeared during World War II. In what concerns its contents, the "Hortulus Animae" is very similar to the books of hours that at the time were the most familiar books of prayers both in France and England. The "Hortulus" contains a variety of popular prayers, many of them recommended for indulgencies, probably false. The name "Hortulus Animae" didn?t have its origin in aesthetics, but in the useful aspects of a garden, like it can be seen in the Latin titles of most of the copies of this work, suggesting a ?cultivation? of the spirit like the cultivation of a garden, and where the spirit should be ?healed in the garden of the Lord? (vide folio 50). Ref.: - Moreau IV, 1037 para outra edição na mesma data publicada por Jean Kerbriant [for another edition published on the same date by Jean Kerbriant]. - John Adams I, H 1006. VD 16, 5067. H Dodgson I, 562. Language: Latim / Latin Location/localizacao: M-18-D-23.

Kl.-8vo. 20 Bl., 240 num. Bl., 4 Bl. Register. Mit koloriertem Titelholzschnitt, 69 fast blattgroßen kolor. Textholzschnitten mit seitlichen Bordüren (ca. 70-75 x 50 mm), 2 halbseitigen kolor. Kalender-Holzschnitten (Sonne u. Mond), 14 kolor. Miniatur-Holzschnitte (22 x 17 mm), einigen kolor. Holzschnitt-Initialen (teils wiederholt) u. kolor. Holzschnitt-Druckermarke unter dem Text. Kalbleder d. Zeit über Holzdeckeln mit Blindprägung von Platten- u. Einzelstempeln u. 1 mittig angebrachten Messingschließe (etwas berieben, Rücken mit wenigen kl. Wurmspuren, Vorsätze später erneuert). Erste Clein/Koberger-Ausgabe in einem schön kolorierten und durchgehend rubrizierten Exemplar. Beginn der zahlreichen Hortulus-Editionen bei Koberger. Der Text durchgehend in Rot und Schwarz gedruckt und mit den hier erstmals erscheinenden Holzschnitten der sog. "Lyoner Serie". Sie ist als Werk mehrerer Holzschneider qualitativ nicht einheitlich: 37 Holzschnitte sind Nachahmungen bzw. Kopien nach der Straßburger Ausgabe von Knobloch. "Die andere Hälfte der Holzschnitte besteht aus ganz unabhängigen Kompositionen z.T. ausgesprochen erzählerischer Natur. Sie machen den weitaus besseren Teil aus und zugleich denjenigen, der auf Beteiligung von Grünigers Holzschneidern schließen lässt" (Oldenbourg S. 100). Alle Holzschnitte in sauberem Altkolorit mit meist kräftigen Farben. Die Rückseite des letzten Registerblattes enthält als Hinzufügung von zeitgenössischer Hand ein Stundengebet zur Hl. Birgitta. Nachfolgend zwei alte, ganzflächig hinterlegte Vorsatzblätter, das erste mit zeitgenössischem Besitzvermerk "Liber mo(na)sterii s(an)cti . (unleserlich) pro usu fr(atr)is anthonii", darunter eine in Rot und Schwarz geschriebene Ergänzung/Variante zu der im vorderen kalendarischen Teil gedruckten "Tabula signorum seu minutionum". Das zweite Blatt mit einem etwas späteren Vermerk von anderer Hand: "Anno d(omi)ni 1542 die vero . obiit mater mea cui(us) anima requiescat in sancta pace. Ame(n)".- Die Einband-Deckel mit einem ca. 2 cm breiten, durch 2 x 3 Streicheisen-Linien begrenzten Rahmen, in den oben und unten je einer, an den Seiten je drei kleine rautenförmige Einzelstempel mit Adler eingefügt sind (vgl. Kyriss Taf. 363, 10). Das dadurch gebildete Zentralfeld zeigt auf dem Vorderdeckel die Bewirtung eines Pilgers durch eine Hausfrau. Auf dem hinteren Deckel eine von der Komposition her ähnliche Darstellung, die aber - ebenso wie die ovalen Umschriften - wegen mangelnder Relieftiefe nicht mehr klar erkennbar ist.- Bemerkenswert gut erhaltenes Exemplar dieses vorreformatorischen Andachtsbuches. Oldenbourg (S. 5) verweist auf die große Seltenheit der auf uns gekommenen Exemplare, da diese als Gebrauchsbücher oft bis zur Unansehnlichkeit zerlesen wurden. - Oldenbourg, Hortulus animae L 38; Baudrier XII, 284; Mortimer II, 318; LGB II, 137 (unter Clein, mit Nennung dieses Titels). - Durchgehend etwas fingerfleckig, vereinzelt etwas braunfleckig. 4 Bl. mit kl. Eckabriß ohne Textverlust, einige Bl. mit kl. Randläsur durch entfernte Blattweiser, Bl. 52 vor Bl. 49 verheftet. Einige Bl. mit kurzen Textstreichungen von alter Hand, Titel mit unkenntlichem späteren Besitzvermerk, die letzten 2 Bl. des Registers mit kl. Wurmspur.