Verlag: University of Georgia Press, 2015
ISBN 10: 0820347280 ISBN 13: 9780820347288
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: University of Georgia Press, 2015
ISBN 10: 0820347280 ISBN 13: 9780820347288
Sprache: Englisch
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
EUR 21,33
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 96 pages. 8.25x5.50x0.25 inches. In Stock.
Verlag: University of Georgia Press, 2015
ISBN 10: 0820347280 ISBN 13: 9780820347288
Sprache: Englisch
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 27,59
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Amid this processing of mortality, it becomes clear that he has arrived at a turning point as a writer and a man. Num Pages: 87 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 211 x 158 x 6. Weight in Grams: 132. . 2015. Paperback. . . . . Books ship from the US and Ireland.
EUR 19,84
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In den WarenkorbZustand: New. In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not colour-negative elegies but self-po.
Verlag: University Of Georgia Press Apr 2015, 2015
ISBN 10: 0820347280 ISBN 13: 9780820347288
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not colour-negative elegies but self-portraits that capture what of these departed figures remains within him.