Hollis frampton (54 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2006. Paperback. An extended illustrated account of Hollis Frampton's film exposing the fragility of cinema, marking a critical moment in art history when photography meets filmmaking. Series: Afterall. Num Pages: 92 pages, 70 b&w illus. BIC Classification: AJ; APF. Category: (U) Tertiary Education (US: College). Dimension: 209 x 150 x 10. Weight in Grams: 258. . . . . . Books ship from the US and Ireland. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery Good copy with clean pages, creasing. 8vo. Pages 171. Includes work by Hollis Frampton, Barry Goldensohn, Christopher Phillips, Bruce Jenkins, Peter Gidal, Allen S. Weiss, Brian Henderson, Annette Michelson.

Hardcover. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

171 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Memoir of Hollis Frampton," by Barry Goldensohn; "A Portfolio of Photographs Letters from Framp 1958 - 1968 Erotic Predicaments for Camera," by Hollis Frampton; "Word Pictures: Frampton and Photography," by Christopher Phillips; "The Red and The Green," by Bruce Jenkins; "Interview with Hollis Frampton," by Peter Gidal; "Frampton's Lemma, Zorn's Dilemma," by Allen S. Weiss; "Propositions for the Exploration of Frampton's Magellan," by Brian Henderson and "Frampton's Sieve," by Annette Michelson. Very Good. Light rubbing, dust soiling, and scratching of covers with gentle bumping of corners. Contents clean and unmarked.…

Paperback. Zustand: Brand New. illustrated edition. 96 pages. 8.25x5.75x0.25 inches. In Stock.

Hardcover. Zustand: Near Fine. 1st Edition. Colour And B/W Illustrations. 4to.

Zustand: Good. 4to. Hardcover, clothbound with dust jacket. 128 pp. Mostly B&W Plates. Dust jacket creased and lightly torn at edges, but book underneath Very Good.This concerns a retrospective exhibition that traveled from 1984-1985 between the Albright-Knox Art Gallery in Buffalo, NY, to the Long Beach Museum of Art, to the Neuberger Museum at SUNY Purchase, and ended at the Laguna Gloria Art Museum in Austin, TX.Provenance: Richard A. Lorenz (1952 -2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.…

Prima exemplaar met lichte gebruikssporen.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Near Fine in with short crease to top front edge in Very Good Jacket with chipping to top spine.1st Edition.

Paperback. Zustand: Brand New. 296 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. Editor(s): Jenkins, Bruce. Series: Writing Art. Num Pages: 352 pages, 34 b&w illus. BIC Classification: AJ; APFA. Category: (P) Professional & Vocational. Dimension: 232 x 182 x 27. Weight in Grams: 1122. . 2015. Reprint. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking.In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narrationtrying to remember the story that fits the image, trying to remember the image that fits the story. Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art historywhen (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press.…

Paperback. Zustand: Brand New. 306 pages. French language. 9.25x6.00x0.75 inches. In Stock.

Zustand: New. Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London. She is the author of Savage Theory: Cinema as Modern Magic and currently undertaking research on The Film Archive of Nat.

Paperback. Zustand: Brand New. reprint edition. 331 pages. 8.75x6.75x1.00 inches. In Stock.

First Edition. First edition and first printing. Hardcover. 128 pages. Features a foreword by Douglas G. Schultz, an introduction, acknowledgements and chronology by Susan Krane and an essay by Bruce Jenkins. Includes numerous color and black and white images, list of previous exhibitions, selected bibliography, and a checklist. A clean very near fine copy in a clean near fine dust jacket with some very minute wear.…

Taschenbuch. Zustand: Neu. Neuware - This book is a groundbreaking and comprehensive account of Hollis Frampton's work in its totality, from his earliest films through the unfinished epic Magellan.

Zustand: New. &Uumlber den AutorMichael ZrydInhaltsverzeichnisAcknowledgmentsIntroduction: From the Chemistry of Cobalt to the Chemistry of Dirt1. A Brief Introduction to Frampton s Films before Magellan2. An I.

Soft cover. Zustand: Very Good. 1st Edition. Folded stiff wrappers (softcover), 134p, illustrations, 29 cm. Very good, light shelf wear.

Zustand: Fair. Acceptable/Fair; Softcover; Withdrawn library copy with the standard library markings; Moderate wear to the covers; Library stamps to the endpapers; Small (1/2") crease to the top right edge-corner of the text pages with a light stain to the top right corner of the last 10 pages; Text pages are otherwise unmarked; The binding is good with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); Thick paperboard covers; Green paper covers with title in white lettering; 1981, New York University Press; 134 pages; "Carl Andre-Hollis Frampton, Twelve Dialogues, 1962-1963 (Nova Scotia Series (Halifax, N.S.).)," by Benjamin H. D. Buchloh.…

Softcover. Zustand: Very Good. Small closed tear on wraps and marked.Previous ownership inscription.Excellent binding.[R.K]. Our orders are shipped using tracked courier delivery services. Hampton, Hollis (illustrator).

Zustand: New. Hollis Frampton (1936&#82111984) was a filmmaker, artist, and writer. Among his best-known works are (nostalgia), Zorns Lemma, and the unfinished epic film cycle Magellan. He was one of the founders of the Digital Arts Laboratory in the Cente.

Couverture souple. Zustand: Bon état. In-8 broché 21,2 cm sur 15,1. 192 pages. Bon état d'occasion. in-8°.

Taschenbuch. Zustand: Neu. Neuware - The collected writings of artist and filmmaker Hollis Frampton, including all the essays from the long-unavailable Circles of Confusion along with rare additional material.As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of the camera arts in the 1960s and 1970s, his provocative and highly literate writings were attempting to establish an intellectually resonant form of discourse for these critically underexplored fields. It was a time when artists working in diverse disciplines were beginning to pick up cameras and produce films and videotapes, well before these practices were understood or embraced by institutions of contemporary art. This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, and production notes and scripts. It replaces and supersedes the long-unavailable Circles of Confusion, published in 1983. Frampton ranged widely over the visual arts in his writing, and the texts in this collection display his unique approaches to photography, film, and video, as well as the plastic and literary arts. They include critically acclaimed essays on Edward Weston and Eadweard Muybridge as well as appraisals of contemporary photographers; the influential essay, For a Metahistory of Film, along with scripts, textual material, and scores for his films; writings on video that constitute a prehistory of the digital arts; a dialogue with Carl Andre (his friend and former Phillips Andover classmate) from the early 1960s; and two inventive, almost unclassifiable pieces that are reminiscent of Borges, Joyce, and Beckett.…