Verlag: Cambridge University Press, 2023
ISBN 10: 100907489X ISBN 13: 9781009074896
Sprache: Englisch
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 25,94
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: Cambridge University Press Nov 2023, 2023
ISBN 10: 100907489X ISBN 13: 9781009074896
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 27,78
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In den WarenkorbTaschenbuch. Zustand: Neu. Neuware - The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period.
Verlag: Cambridge University Press, 2023
ISBN 10: 131651384X ISBN 13: 9781316513842
Sprache: Englisch
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 86,68
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: Cambridge University Press Nov 2023, 2023
ISBN 10: 131651384X ISBN 13: 9781316513842
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 121,44
Währung umrechnenAnzahl: 4 verfügbar
In den WarenkorbBuch. Zustand: Neu. Neuware - The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period.