guide collecting care original prints von zigrosser carl gaehde christa (26 Ergebnisse)

Hardcover. 8vo. Cream cloth spine with red lettering and tan paper over boards, dust jacket. vi, 120pp. Near fine/very good. Mild jacket edgewear, with several miniscule edge chips. Tight and handsome 13th printing of THE classic 1965 text on the subject, a concise survey and how-to. A must-have for the collector.

Zustand: Very Good. Very Good condition. Very Good dust jacket. (collecting, prints, conservation, art) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Very Good -. Zustand des Schutzumschlags: Very Good -. Clean tight copy. Beige boards with red lettering on spine. Previous owner's stamp inside both cover, on fep and lowerand side page edges. Inscribed "To F. duPont Cornelius cordially Carl Zigrosser". Dust jacket is not price clipped and is preserved in mylar. For both the beginner and experienced collector of prints, this guide to prints and collecting is written by an outstanding authority. Includes information on the making of a print, on recognizing an original print, the sources of prints, how to evaluate them and when and where to obtain sound advice. Care, restoration and framing information. glossary of terms and techniques. 120 pp. Signed by Author(s).

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Twelfth printing. 12mo. Cloth. 120 p. Tips for the collector of fine art prints, including historical background of printmaking and collecting, bibliography, glossary of terms, artists, print dealers, and care and conservation. Fine in near fine dustjacket in mylar cover.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Zigrosser, Carl and Christa M. Gaehde. Prints. 1979. -----TITLE: A Guide to the Collecting and Care of Original Prints. ----PUBLICATION DETAILS: New York: Crown Publishers, 14th printing, 1979. 5 ¼"w x 8"h. 119 pages, illustrations. Red cloth. By Carl Zigrosser and Christa M. Gaehde. ----DESCRIPTION: Sponsored by the Print Council of America. QUOTE: First explaining exactly what prints are, Mr. Zigrosser goes on to discuss why they are collected and the various techniques that bring them into being. He provides information on the making of a print, on recognizing an original print, the sources of prints, how to evaluate them, and when and where to obtain sound advice END QUOTE. (Dj). ----CONDITION: Book in fine condition. Dust jacket with price clipped. ----N6113.

Zustand: Good. Good condition. (Art Prints, Collecting) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

10th Printing. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 120 pages; Description: vi, 120 p : illus ; 21 cm. "Based on What is an original print? Published by the Print Council in 1961." Subject: Prints - Collectors and collecting. Genre: Bibliography. 1 Kg.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Seventh edition. Near fine in very good dust jacket.

Softcover. Zustand: Very Good. Seventh edition. Very good in wrappers, a paperback. Edges of cover are lightly browned, back cover has stains, slight wrinkling to back cover and a few pages.

Hardcover. Zustand: New. In shrink wrap.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Later printing. 120pp. Foxing on page edges, boards slightly bowed, very good in a very good foxed dust jacket with spine age-toned.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine in very good dust jacket. Dustwrapper spine slightly brown. Minor tears on top edges of dust jacket.

Zustand: Fair. Acceptable condition. (prints, collecting) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition Thus. Very good book in clean fresh brown cloth covers with bright gilt titles to spine but with two tape residue marks to rear. Internally very good and free of inscriptions but ffep lacking; illustrated; tape residue marks mark to rfep and with off-setting to last page.The dust jacket is very good ++ and not price clipped.

Near fine in sunned and lightly worn dust jacket. A guide for the beginner or experienced collector with chapters on background, glossary of terms, care and conservation. Second edition.

Hardcover. Zustand: Very Good. First Edition. First Edition, 7th Printing (1971). Published by Crown Publishers, 1965. Octavo. Book is very good with light toning to the page ends. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover with dust jacket. Zustand: Acceptable. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDAcceptable hardcover; 8 vo; 120 pages; Spine head and heal bumped; Tanned covers; Tips bumped; Tear on top and bottom edge of front and back cover; Tanning pages; Pencil writing from previous owner on front end free page; Dam stains on top edge; prompt shipping with tracking.

Hardcover. Later printing. 120 pages. Four black and white illustrations. Glossary of Terms. ARNTZEN/RAINWATER N74. "An excellent guide for both beginning and experienced collectors. Contains chapters explaining the various techniques and terminology of printmaking and the relationship between artists and the print market." KARPEL K334. "This is an excellent handbook for serious print collectors. Techniques of printmaking,definitions of originals, and the relationships bewteen artists are among the topics treated. Much of the text is devoted to twentieth-century prints, but the principles of connoissership outlined by the authors are applicable to all periods." Orig. tan cloth. Fine in very good dust wrapper.

Hardback, 220mm x 142mm brown cloth boards, gilt titles, first edition, 120pp. Good +/Good. Spine and boards clean, just a little fading at edges, block also clean with just a little darkening of age, binding tight. Dustwrapper has some grubbiness from handling but still fully intact with little or no shelfwear. A guide for both the beginner and the experienced collector of prints. Catalogue: Antiques & Collectables. Keywords: Prints, buying, framing, care.

Zustand: Good. 8vo. 120 pp. Cream cloth-covered boards with red titling and beige, printed dust jacket. Very good. Some black and white illustrations. Deckled pages. Fourth printing.

Zustand: Good. 8vo. 120 pp. Cream cloth-covered boards with red titling and beige, printed dust jacket. Very good with soiling and chipping along dust jacket. Some black and white illustrations. Deckled pages. Fourth printing.

Zustand: Good. 8vo. 120 pp. Cream cloth-covered boards with red titling and beige, printed dust jacket. Very good with soiling and chipping along dust jacket. Some black and white illustrations. Deckled pages. Second printing.

Zustand: Molto buono (Very Good). . 8vo. pp. 120. . Molto buono (Very Good). . . . Rilegato tela, sovracoperta (cloth, dust jacket). Book.

8°, Lwd. m. OSU., 120 S. - Ex Libris. Schutzumschlag angestaubt, sonst gutes Exemplar. Buch.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. Foxing on the spine else near fine in a slightly age-toned, near fine dustwrapper with a small label on the spine. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn. Complimentary copy with a card laid in addressed to Ben Shahn from the International Graphic Art Society.