Gluts (51 Ergebnisse)

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft cover. Zustand: Near Fine. 1st Edition. Published for the Rauschenberg exhibition, October 12 - November 24, 1990, Feigen Incorporated, Chicago, IL. Likely first edition, first printing, with no additional printings listed. Clean and tightly bound in stapled wraps. The contents and plates are fine; 30 pages. The cover has a hint of wear at the spine ends, almost fine.…

Paperback. Zustand: Very Good. M. Knoedler & Company January 1988 Binding: Trade Paperback.

Zustand: Very Good. Shelf wear to the softcover & textblock edge. Content is like new.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran November 5 through December 1, 1988. Includes 9 color illustrations. A very near fine copy in stapled wrappers.

Original Wraps. First edition. 16 pages. 17.5 x 17.5 cm. Introduction by Rosetta Brooks. Fourteen full-color plates. Orig. printed blue wrappers. Near fine.

Flexi-bound. Zustand: Fine Condition. No Jacket, As Issued. 119 pages with 81 illustrations in color. Illustrated boards. Oblong. Preface by Richard Armstrong and Philip Rylands. Published on the occasion of the exhibition from the Peggy Guggenheim Collection, Venice May 30-September 20, 2009. Exhibition History. …

Hardcover. Zustand: Very Good. Hardcover, oblong. Clean copy. Text and images unmarked. Text is in German. Light shelf wear, corners bumped, small tears at top of spine from a hard bump. tbrc/Art.

Paperback. Zustand: Brand New. 63 pages. Spanish language. 8.50x8.50x0.15 inches. In Stock. Barper, Liliana (illustrator).

First Edition. First edition. Softcover. [36 pages.] Exhibition catalog for a show that ran October 12 through November 24, 1990. Features an essay by Rosetta Brooks. Includes 15 color plates. A fine copy in stapled wrappers.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Staple-bound Wrappers. Zustand: Fine Condition. Small slim volume, unpaginated (30 pages) 15 illustrations in color. Square format. Published on the occasion of the exhibition from Feigen Incorporated, Chicago IL October 12-November 24. 1990. Size: 6 ¾"x 6¾". Book.

Original Wraps. Zustand: Collectible; Fine. 1st. The catalogue based on the October-November 1990 exhibition at Chicago's Feigen Gallery. Clean and Near Fine in its stapled blue wrappers.

Original Wraps. Zustand: Collectible; Fine. 1st. A very sharp copy of the November-December 1987 exhibition at London's Waddingtonm Galleries. Crisp and Near Fine in its yellow wrappers.

Zustand: New. In English.

118 S. mit Abbildungen. [Peggy Guggenheim Collection, Venedig, 30. Mai bis 20. September 2009; Museum Tinguely Basel, 14. Oktober 2009 bis 17. Januar 2010; Guggenheim Museum Bilbao, Februar bis Oktober 2010]. Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1200 25 x 28,5 cm. Orig.-Pappband (unteres Kapital etwas bestossen).…

paperback. Zustand: Good.

Hardcover. Zustand: Brand New. 120 pages. 10.00x11.50x0.75 inches. In Stock.

Davidson, Susan, David White et al. . ROBERT RAUSCHENBERG: Gluts. 120 pages, illustrated in color and b&w. Oblong 4to, wraps. Venice, Peggy Guggenheim Collection, 2009. Forty pieces constructed of metal from old traffic signs,automobiles, awnings and exhaust pipes. Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.…

Erste Auflage. 24 x 30 cm. 40 S. Glanzkaschierter OKarton. Innen papierbedingt ganz leicht lichtrandig. Sonst sehr gutes Exemplar. Enthält 13 farbige Werkabbildungen. Text in englischer Sprache.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Zustand: Good. Oblong 4to, wraps. 24 pp, 11 x 8 inches. Nine excellent full-page color plates of eight paintings on aluminum and one construction, all from 1988. Catalogue of the exhibition at M. Knoedler & Company, November-December 1988, featuring works chiefly from the "Urban Bourbon" series (acrylic on aluminum). Booklet design by David Curry Design Inc.…

Zustand: New. KlappentextAnne Bradstreet was born in 1612 in Northampton, England. Her parents position allowed them to educate Anne across many subjects which was unusual for its day. In her teens she contracted smallpox which was to undermine her he.

Hardcover. Zustand: Sehr gut. 117 pp. Very well preserved copy 514 Sprache: Englisch Gewicht in Gramm: 1008.

Castanal, Jose. ROBERT RAUSCHENBERG: Gluts. 136 pages, including 37 color and 1 b&w plates. Folio, boards. Galerie Thaddaeus Ropac, 2026. Published to coincide with the centennial of Robert Rauschenberg'sbirth, this volume is one of the only publications dedicated to the artist's seminal 1980s series, Gluts. The series was inspired by the artist's 1985 visit to his native Texas, which was weathering a recession due to a "glut" in the oil market, turning its landscape into a wasteland of abandoned vehicles and the rusting signs of failed petrol stations. Rauschenberg salvaged these discarded objects and transformed them into wall reliefs and freestanding assemblages. This bilingual volume includes abundant archival imagery of the artist at work as well as detail shots of the works unseen elsewhere.…

kartoniert. Zustand: gut. 1. Einband Lagerspuren, Rückseite Kratzspuren, Ecken leicht angestossen, durchgestrichener Namensstempel auf zwei Seiten, nur erstes Kapitel gelesen In deutscher Sprache. 118 pages. ca. 28,5 x 25 cm.

OBrosch. (laminiert), 53 Seiten mit zahlr. farb. Abb., 22,5 x 30,5 cm, von außen leicht abgegriffen und leicht lichtrandig, innen perfekt, insgesamt sehr guter Zustand. Book Language/s: French.

Zustand: New. . hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Hardcover. Zustand: As New. 1st Edition. Like new, unread, shop store room stock. CE. Used.

Taschenbuch. Zustand: Neu. Neuware - In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word 'gluts,' Rauschenberg said, 'It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia.' Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.…