Frederick hammersley (15 Ergebnisse)

First edition. [52 pp]. Small scratch on front cover, else near fine in illustrated wrappers. Essays by Kathleen Stewart Howe and Arden Reed.

First Edition. First edition. Softcover. 45 pages. Exhibition catalog for a show that ran September 5 through October 12, 2013. Features a short text by Arden Reed. Includes 17 color illustrations, checklist, and a list of selected public collections. A fine copy in French style wrappers.

Zustand: New.

32pp. Prof. illus. in color. 4to. Wraps.

Hardcover. Zustand: vg. First edition. Square Quarto. 112pp. Gray cloth boards with white and purple stamped lettering on cover and spine. Purple end papers. Exhibition catalog, with full-color photographic reproductions of lithographs and paintings. Upper right corner very lightly bumped. In overall very good condition.…

Zustand: New. &Uumlber den AutorPatrick Frank is the author of numerous books including Posada s Broadsheets: Mexican Popular Imagery 1890-1910 and Painting in a State of Exception: New Figuration in Argentina 1960-65. Klappentext.

Buch. Zustand: Neu. Neuware - This book tells the story of Art1, a computer program developed in 1968 at the University of New Mexico by electrical engineer Richard Williams with the encouragement of art department chair and renowned kinetic artist Charles Mattox, who wanted to make UNM a center of high-tech creativity. In a wider sense, Art1 was an attempt to bridge the cultural divide between art and science. Artists on the one hand were working in avant-garde modes beyond the comprehension of most people, just as scientists were using ever more arcane theories to describe the universe; the notion of a shared common culture that could draw the two together seemed remote in the modern age. UNM art faculty member Frederick Hammersley took a strong interest in Art1 and in two years made more than 150 works using it. The book features 50 illustrations by Hammersley, Charles Mattox, Katherine Nash, and James Hill and interviews with Williams and Hill. The story of Art1 and its role in early digital creativity documents for the first time its far-reaching impact.…

Zustand: Good. 8vo. Soft Cover [ ca. 45 pp.] B&W and Color Plates. As New (Still in Shrink Wrap).

Zustand: Good. 4to. 112 pp. Near Fine. Hard Cover. Gray cloth covered boards. Color plates throughout. ISBN: 9780984305124 0984305122.From the Collection of the Art Historian Peter Selz.

Soft cover. Zustand: Fine. Salmon Card Wrappers, 4 Pp Text On Green Paper, 4 Full Page B/W Illustrations (One Work By Each). Fine, No Wear Or Marks Or Damage. Catalogue For A Show In London Based On The Usa " Four Abstract Classicists" Exhibition. 4 B/W Plates (illustrator).

Zustand: Good. Exhibition brochure. 8vo. Soft Covers. 10 pp. Very Good. Color and black and white plates. Catalogue accompanies an exhibition at L.A. Louver Gallery September 16 to October, 1978. Essay by Van Deren Coke. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Zustand: Good. Single Sheet 5 x 11.5 inches, with one fold. Very Good. Crease on right edge. Two color plates. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Zustand: Good. 12mo. 8 pp. Fold out. Very Good. Color Plates. Soft Covers.Provenance: From the collection of Art Historian Peter Selz.

Zustand: Good. Single Sheet 14 x 8.5 inches. Folded into 4 pages. Very Good+. Color plates. Biography. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Zustand: Good. Poster. 81 x 57cm. . Frederick Hammersley (1919-2009) taught painting for several years at Pomona College. He came to prominence in 1959 in the landmark exhibition "Four Abstract Classicists" which brought together Hammersley, Karl Benjamin, Lorser Feitelson, and John McLaughlin. The landmark exhibition postulated a generational approach to abstraction distinct from the gestural system of Abstract Expressionism; one in which pure abstraction is rendered in hard-edged, flat planes of color. In over 60 years as an artist, Hammersley produced a wide range of drawings, from naturalistic portraits to computer generated drawings. This exhibition showcases some of the range of Hammersley's work in a similar manner to how he presented it in his home. The clustered mini-installations he created encourage viewers to consider his varied works not as distinct entities but as part of a unified artistic vision.…