Encounters modernism (68 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. 1St Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A few small marks or stains to the page edges/pages . Minor shelf wear.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Some rubbing to face of dust jacket, small creases to edges and corners. Previous owner name inside front page. Book appears unread; pages are crisp, bright, clean, and free from markings or creases. Binding is tight.…

Hardcover. Zustand: Very Good. Oxford University Press January 1993 Binding: Hardcover.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: near fine. near fine. Black & white photo illustrations. 493pp. 8vo, cloth, backed boards. dust wrapper. New York: Oxford University Press, 1993.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780521794565. …

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Oxford University Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new with light shelf/edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new with shelf/edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new with very light shelf wear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. …

Hardcover. Zustand: New. In shrink wrap.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780195065695.…

Original Cloth-backed Boards. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Unclipped dust jacket.

Hardcover. Zustand: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Original publisher's brown cloth spine, cream coloured paper-covered boards, dark-brown lettering spine, pictorial dustjacket, large 8vo: xvi, 494pp., illustrations, sources, bibliography, archives, notes, index.

1st edition. Royal 8vo. xv + 493pp. B/w. illustrations. Original cloth backed boards, and d/w., very good. ISBN 0195065697 US$17.

Zustand: very good. New York, 1993. Hardcover. Dustjacket. xvi,493 pp.,ills. Index. Condition : very good copy. ISBN 9780195065695. Keywords : , left bank.

Zustand: Good. Original blind stamped red cloth, map on endpapers, numerous (full page) colour and b/w illustrations (including photographs), 4to. Stedelijk Museum Catalogue number 876. Signed with date, place and dedication [to Gijs van Tuyl] on second endpaper.

Erste Auflage. 30,5 x 22,5 cm. 159 S. Geprägtes OLeinen. Sehr gutes Exemplar. Katalog zu den Ausstellungen Shangai, Singapur, Sao Paulo und Rio de Janeiro 2004/ 2005 mit den Höhepunkten der Sammlung des Stedelijk Museums, Amsterdam. Durchgehend mit Abbildungen versehen, darunter Werke von Jackson Pollock, Arnulf Rainer, Philip Guston, Jeff Koons, Gilber & George und anderen. Text in englischer Sprache.…

Hardcover. Dust Jacket Included. 8vo. pp. xv, 493. 16 illus. on 4 double-sided plates. index. quartercloth. dw.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First Printing [Stated]. xv, [1], 493, [3] pages. Illustrations. A Note on Archival Sources. A Guide to Abbreviations. Notes. Index. Robert Morse Crunden (December 23, 1940 - March 23, 1999) was an American historian. He was a professor of American studies and history at the University of Texas at Austin, and the author of many books. Crunden taught History and American Studies at the University of Texas at Austin from 1967 until his death in 1999. He was the director of the American Studies program from 1985 to 1990. He was awarded a Fulbright chair as the Bicentennial Professor of American Studies at the University of Helsinki in 1976-1977, and he was the director of the American Studies Research Center in Hyderabad, India from 1982 to 1984, also thanks to the Fulbright Program. He was awarded a Fulbright senior lectureship to teach at La Trobe University in Australia in 1978. Crunden was the author of many books, including American Salons: Encounters with European Modernism, 1885-1917, which was translated into many languages. In American Salons, Robert Crunden provides a sweeping account of the American encounter with European Modernism up to the American entry into World War I. Crunden begins with deft portraits of the figures who were central to the birth of Modernism, including James Whistler, the eccentric expatriate American painter who became the archetypal artist in his dress and behavior, and Henry and William James, who broke new ground in the genre of the novel and in psychology, influencing an international audience in a broad range of fields. At the heart of the book are the American salons--the intimate, personal gatherings of artists and intellectuals where Modernism flourished. In Chicago, Floyd Dell and Margery Currey spread new ideas to Sherwood Anderson, Theodore Dreiser, and others. In London, Ezra Pound could be found behind everything from the cigars of W. B. Yeats to the prose of Ford Madox Hueffer. In Paris, the salons of Leo and Gertrude Stein, and Michael and Sarah Stein, gave Picasso and Matisse their first secure audiences and incomes; meanwhile, Gertrude Stein produced a new writing style that had an incalculable impact on the generation of Ernest Hemingway. Most important of all were the salons of New York City. Alfred Stieglitz pioneered new forms of photography at the famous 291 Gallery. Mabel Dodge brought together modernist playwrights and painters, introducing them to political reformers and radicals. At the salon of Walter and Louise Arensberg, Marcel Duchamp and Francis Picabia rubbed shoulders with Wallace Stevens, Man Ray, and William Carlos Williams. By 1917, no art in America remained untouched by these new institutions. From the journalism of H. L. Mencken to the famous 1913 Armory Show in New York, Crunden illuminates this pivotal era, offering perceptive insights and evocative descriptions of the central personalities of Modernism. Derived from a Kirkus review: `My purpose is to tell a story,'' Crunden writes in this spirited, learned, and epic first volume in a projected three-volume history of American encounters with modernism. After introducing the ``precursors'' of American modernism (James Whistler, William and Henry James), Crunden describes centers of modernism such as Philadelphia, Chicago, New Orleans, Los Angeles, and Baltimore, their special institutions, and the music, film, and people associated with themEzra Pound, William Carlos Williams, Sherwood Anderson, Jelly Roll Morton, Charlie Chaplin, Gertrude and Leo Steinwho were seminal to modernism in America. American encounters with European modernism took place in the salons of W.B. Yeats in England (where, ironically, Pound met T.S. Eliot and Robert Frost) and of the Steins in Paris (where Picasso painted Gertrude and discussed William James). The alchemy of people and places continued in N.Y.C., in the salons of Alfred Stieglitz, Mabel Dodge, and others, who in turn encouraged new artists, styles, criticism, exhibits such as the Armory S.…