Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: Faber & Faber Limited, London, 1930
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Good. First edition. Unprinted wrappers with integral dust jacket. Owner name on upper jacket flap. Spine cocked and tanned with author name and title penciled in, wrappers toned and partially separated at the spine with loss at the corners and spine ends, a good or better copy of a somewhat delicate volume of poems, the author's first book. The text is fine.
Verlag: Faber & Faber Limited, London, 1930
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. Unprinted wrappers with integral dust jacket. Jacket tanned at the spine and edges with small splits, chips and tears, a very good copy of a somewhat delicate volume of poems, the author's first book. The text is fine. Poet Samuel French Morse's copy with his owner signature inside the front cover. The author's first book.
Verlag: Faber and Faber, 1930
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
EUR 375,25
Anzahl: 1 verfügbar
In den WarenkorbFIRST EDITION, faint spots to margin of half-title, pp. 77, small 4to, original plain card with integral blue dustwrapper, this browned to backstrip ane borders with a touch of rubbing and creasing at extremities, very good. In much nicer state than commonly met with. Along with Auden's 'Poems' and Philip Perceval Graves' 'The Pursuit', Macleod's debut was announced by the publisher as 'the best work of coming men'. It was recommended to Eliot at Faber by Ezra Pound, who maintained a correspondence with the emergent author and referred to the work in 'Canto CXIV'; Basil Bunting was among its other admirers. It is a work of considerable ambition and difficulty, based around the Signs of the Zodiac. The author had attended Balliol College, where he was a friend and contemporary of Graham Greene; his later work, published under the name Adam Drinan, located him in the Scottish Renaissance, whilst he also worked as a BBC announcer and theatre producer.