dictionary music theoretical practical (23 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New.

Gebunden. Zustand: New.

Size: 12mo. xxxiii (introduction with folding plate), 331pp. Original boards (cloth backstrip worn away, front board and detached). Uncut. 12mo. xxxiii (introduction with folding plate), 331pp.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 388 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Size: 8vo. xii (half title, title, dedication to Princess Amelia, preface)], 347, [i] pp. + 2 folding plates. Polished calf (rubbed, a little scratched, front hinge weak). Slight worming at lower outer corners up to p.152. With printed endorsement by John Christopher Pepusch (1667-1752), Maurice Greene (1696-1755) and Johann Ernest Galliard (1687-1747). From the collection of Christopher Hogwood (1941-2014). First edition. RISM B/VI/1 p.375. Gregory p.113. 8vo. xii (half title, title, dedication to Princess Amelia, preface)], 347, [i] pp. + 2 folding plates.

Hardcover. First Edition. Oblong quarto (10-3/4" x 8-3/4") in modern 3/4 deep navy blue morocco leather retaining early silk-finished blue boards; [v], vi - xxxvi, [1] - 71, [1 - index] pages. Divided into three parts, the first devoted to certain theories of music, the second giving observations on singing and a dictionary of musical terms, and the third comprising bits of sacred music. Among the 72 compositions present, 6 are composed by Americans and 55 are first American printings, including the popular Christmas carol "Hark the Herald Angels Sing." The printer Isaiah Thomas was the first to import music types to America in 1784. Before that all music printed in America was printed from engraved plates. New endpapers but retaining old endpapers as well. Light browning to text. Near Fine.

First Edition. First edition of the first dictionary of music in English, 8vo, pp. [2], xii, 347, [1]; 4 folding plates, printed music notation in the text; full contemporary sheep nicely rebacked to match; a very good, sound copy. In this issue, the first word of the title is over the "d" of "dictionary", and the "J" in the imprint is above the "rc" of "Church" in the address. Based largely on the Dictionnaire de musique by Sébastien de Brossard and the musical articles in Chambers's Encyclopaedia, with some original material. Grassineau's Dictionary "contains much of interest and ranks as the first work of its kind in English" (Grove). It is particularly informative on the subject of 'ancient music.' Grassineau probably had some assistance from the composer J. C. Pepusch, at whose instigation the project was apparently undertaken. Pepusch, who employed Grassineasu as secretary and amanuensis, provides an admiring testimonial on the verso of the half-title ('worthy the perusal of all Lovers of Musick'), a testimonial subscribed also by Maruice Greene (then Master of the King's Music) and Johann Ernst Galliard. All three were founding members of the Academy of Ancient Music. Alston XVIII, 1642.

8vo., pp. xii, 347, [1], complete with half-title (bound here after the title) and four folding engraved plates of tables and music, some musical notation in the text; old ownership inscription at head of title scratched away (a small hole resulting), slightly toned throughout, withal a good copy in nineteenth-century calf, rubbed, rebacked preserving most of the old spine; armorial bookplate of Joseph Gwilt.First edition, based largely on the Dictionnaire de Musique of Sébastien de Brossard and the musical articles in Chambers's Cyclopaedia, with some original material. One of two variant issues, this has 'A' on the title-page above the 'i' in 'Dictionary'.Grassineau's Dictionary 'contains much of interest and ranks as the first work of its kind in English' (Grove). It is particularly informative on the subject of 'ancient music'. Grassineau probably had some assistance from the composer J. C. Pepusch, at whose instigation the project was apparently undertaken. Pepusch, who employed Grassineau as secretary and amanuensis, provides an admiring testimonial on the verso of the half-title ('worthy the perusal of all Lovers of Musick'), a testimonial subscribed also by Maurice Greene (then Master of the King's Music) and Johann Ernst Galliard; all three were founding members of the Academy of Ancient Music. Language: English.

8vo, pp. v, [1], ix-xii, 347, [1], [4], 52; Rousseau's appendix with a separate title page, 4 engraved plates (2 folding), musical notation throughout; clean tear in Y2, front joint cracked, but generally a nice copy in original calf-backed marbled boards, uncut, red morocco label on spine. Includes observations on the phenomena of sound, and concords and discords. Vancil p. 35 citing the first edition of 1740 (without the appendix by Rousseau); Zischka, p. 162; not in Tonelli.