Sprache: Englisch
Verlag: University Press of Mississippi, 2009
ISBN 10: 1604732377 ISBN 13: 9781604732375
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 33,76
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: University Press of Mississippi, 2009
ISBN 10: 1604732377 ISBN 13: 9781604732375
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Few directors have produced movies more compelling, controversial, or confounding than David Lynch. This title presents a collection of articulate interviews with this influential and controversial filmmaker. Editor(s): Barney, Richard A. Series: Conversations with Filmmakers Series. Num Pages: 224 pages. BIC Classification: APFB; APFX. Category: (G) General (US: Trade). Dimension: 153 x 228 x 23. Weight in Grams: 502. . 2009. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 50,65
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 224 pages. 9.00x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University Press Of Mississippi Okt 2009, 2009
ISBN 10: 1604732377 ISBN 13: 9781604732375
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Few directors in the past three decades have produced movies more compelling, controversial, or confounding than David Lynch (b. 1946). And fewer still have been so reluctant to talk about what they do. In this collection, editor Richard A. Barney has chosen the rare interviews in which Lynch opens up to questions rather than deflecting them. Whether Lynch is talking about his earliest film shorts such as The Grandmother or the break-out surrealist feature Eraserhead, the hit TV series Twin Peaks or his Oscar-nominated The Elephant Man or Blue Velvet or his most recent experimental tours de force, Mulholland Drive and Inland Empire, he stresses the power of image and sound to communicate his vision.David Lynch: Interviews is the first survey of conversations with the director covering the broad spectrum of his artistic activities throughout his career, including filmmaking, painting, music production, and furniture design. It documents the evolution of Lynch's role in discussing his movies, from his self-described ''pre-verbal stage'' in the early years to his increasingly elaborate, though persistently elusive, articulations. It also registers the intense international interest in Lynch's work, with interviews from French and Spanish sources translated here for the first time.