David hammons (59 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: as new. Wie neu/Like new.

Zustand: New. pp. 128.

paperback. Zustand: Very Good.

Paperback. Zustand: Brand New. 157 pages. 8.50x6.00x0.50 inches. In Stock.

Zustand: New. 2017. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 264 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebundene Ausgabe. Zustand: Wie neu. 319 S. Umschlag an den Rändern minimal berieben/bestossen. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt minimal nachgedunkelt! KEIN Mängelexemplar! Versand aus München als Päckchen FF1073 Sprache: Englisch Gewicht in Gramm: 1520.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First Edition, 2014. Fine contents and binding; clean and tightly bound. No dust jacket as issued. International shipping and domestic Priority Mail may require added postage charges.

Zustand: New.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 179 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: New. In English.

Weinberg, Adam D. DAVID HAMMONS: Day's End. 128 pages, including 60 color plates. Folio, cloth. New Haven, Yale University Press, 2024. Published to commemorate David Hammons's public art project Day's End, located in New York City, this book documents the sculpture and offers broader context into Hammons's enigmatic work. In 2014, Hammons sent the Whitney Museum of American Art a sketch for a monument to Gordon Matta-Clark, paying homage to Matta-Clark's legendary Day's End-an industrial, cathedral-like space of altered architecture-once located near today's Whitney in Manhattan's Meatpacking District. Completed in 2021, Hammons's work, also titled Day's End, was realized by the Whitney in collaboration with Hudson River Park, and is on permanent view.…

Taschenbuch. Zustand: Neu. Neuware - Drawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion.One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street actionBliz-aard Ball Sale, thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously "black' materials to comment on the nature of the artwork, the art world, and race in America.And althoughBliz-aard Ball Salehas been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded.Like so much of the artist's work, it wasconceived, it seems, to slip between our fingersto trouble the grasp of the market, as much as of history and knowability.In this engaging study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find. And through it, she reveals Bliz-aard Ball Saleto be the backbone of a radical artistic oeuvre that transforms such notions as "art," "commodity," "performance," and even "race" into categories that shift and dissolve, much like slowly melting snowballs.…

Hardcover. Zustand: Brand New. 179 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: NEW.

Zustand: New. Elena Filipovic, an art historian, is Director and Chief Curator of Kunsthalle Basel. She is author of The Apparently Marginal Activities of Marcel Duchamp (MIT Press).Drawing on unpublished documents and oral histories, an illustrated examina.

Hardcover. Zustand: Fine. Hardcover, 8 x 10 in. / 208 pgs / 70 color. Fine. This volume offers a compelling examination of the surprising conceptual and visual correspondences between the works of these two pivotal artists known for their innovative practices. Klein (1928-1962) was a major figure in postwar art who opened up new possibilities for material, conceptual and performative expression, often touching on the metaphysical. Hammons (born 1943) is a conceptual artist whose works in performance, installation, sculpture, printmaking and other media confront contemporary realities with an often hard-hitting wit. This publication aims not to draw out any notion of influence or direct correlation between these bodies of work, but rather to elucidate a resonance between two artists who both engage transformative processes to invest the humblest of everyday materials with deep aesthetic significance.…

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware - The first anthology of texts on the luminary contemporary artist David Hammons.David Hammons is a collection of essays on the one of the most important living Black artists of our time, David Hammons (b. 1943). Documenting five decades of visual practice from 1982 to the present, the book features contributions from scholars, artists, and cultural workers, and includes numerous images of the artist and his work that are not widely available. Contributions include essays from cultural critics including Guy Trebay and Greg Tate; artists Coco Fusco and Glenn Ligon; and scholars such as Robert Farris Thompson, Alex Alberro, and Manthia Diawara.A star of the West Coast Black Arts Movement in the 1960s and the winner of a Prix de Rome prize as well as a MacArthur Fellowship, David Hammons rose to fame in Los Angeles with his body prints, in which he used his entire body as a printing plate. His later work engaged with materials that he found in urban environmentsfrom greasy brown paper bags, discarded hair from barber shops, and empty bottles of cheap winewhich he turned into things of wonder while also commenting on a country's neglect of its citizens. In this volume, a new generation of scholars, Tobias Wofford, Abbe Schriber, and Sampada Aranke, broaden the theoretical mapping of Hammons's career and its impact, challenging viewers to imagine, in the words of Aranke, "how to see like Hammons.".…

paperback. Zustand: Very Good. Catalogo della mostra "Trialogo. Giuseppe Gallo, Antony Gormley, David Hammons", Roma, Palazzo delle Esposizioni, 2000. A cura di Martha Boyden. Quaranta pagine per ciascun artista illustrate in bianco e nero. Testi in italiano e inglese . Cm 19x14. pp. n.n. . Molto buono (Very Good). . . . Questo catalogo, ideato come un progetto d'artista, accompagna la mostra Trialogo, ospitata al Palazzo delle Esposizioni a Roma e curata da Martha Boyden. Il volume costituisce una sorta di libro visivo, in cui ad ognuno dei tre artisti di fama internazionale, Giuseppe Gallo (Italia), Antony Gormley (Inghilterra) e David Hammons (Stati Uniti) sono state assegnate quaranta pagine per la presentazione delle proprie scelte, introdotte dai loro scritti.La presentazione di Giuseppe Gallo è intitolata ?Le dita della mente? ed include venti fotografie in bianco e nero della mano dell'artista ripresa come uno strumento della pittura e del disegno. Antony Gormley ha creato una serie di venti disegni, intitolato ?Inside Rome?, che costituiscono un'analisi del residuo nella forma umana. David Hammons ha selezionato una serie di giornali cinesi, spruzzandoli parzialmente di pittura nera e lasciando leggibile soltanto lo spazio centrale. La scelta di un articolo su Muhammad Ali, il pugile afro-americano, dimostra l'interesse costante dell'artista per le continue impollinazioni culturali del mondo in cui viviamo.…

Zustand: New. Kellie Jones is Hans Hofmann Professor of Modern Art in the Departments of Art History &amp Archaeology and African American &amp African Diaspora Studies at Columbia University. A member of the American Academy of Arts and Sciences (Boston) and the Ameri.