Critique authenticity (18 Ergebnisse)

hardcover. Zustand: Very Good. New and unread, however there is some shelf wear on cover, including light marking and / or light creasing Shipped from the UK within 2 business days of order being placed.

Zustand: New. In English.

Zustand: New. 2021. Biblical exegesis & hermeneutics. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Joe Henderson offers a critique of the assumption that poetic form in the book of Jeremiah indicates authenticity. This assumption undergirds Bernhard Duhm's reconstructions (1901) of the prophet's biography and the book's composition, the basic components of the dominant paradigm for twentieth-century Jeremiah scholarship. Henderson argues that Duhm's model is best understood as an attempt to bring the book into conformity with nineteenth-century systems of aesthetics, historiography, and theology-and with the Grafian reconstruction of the history of Israel's religion. The accord between these systems and Duhm's assumption about poetic form has less to do with their common grasp of the historical reality of Hebrew prophecy than with their common roots in the Romantic theory of prophetic and poetic inspiration-a theory forged by Robert Lowth in his exposition (1752) of the poetry he found in the prophetic books.Henderson contends that continued adherence to Duhm's foundational assumption has held back recent attempts to 'move beyond Duhm' and overcome the fragmentation of the book entailed by his model. Rhetorical critics, who maintain that Jeremiah 2-10 is unified by the structural devices of the historical prophet, and redaction critics, who maintain that Jeremiah 11-20 is unified by the theological agenda of Deuteronomistic editors, both rely on the assumed authenticity of the poetry. Henderson observes that although these scholars have uncovered evidence of dramatic presentation in Jeremiah 2-20, they have failed to see that the dramatic nature of these chapters undermines their use for Duhm's historical-critical projects and reveals what actually unifies them-narrative progression.…

Zustand: New. In English.

Paperback. Zustand: Brand New. 400 pages. 9.21x6.14x0.82 inches. In Stock.

Kartoniert / Broschiert. Zustand: New.

Zustand: New. In English.

Paperback. Zustand: Brand New. 330 pages. 9.02x5.98x0.69 inches. In Stock.

Hardcover. Zustand: Brand New. 330 pages. 9.29x6.38x1.02 inches. In Stock.

Taschenbuch. Zustand: Neu. Jeremiah Under the Shadow of Duhm | A Critique of the Use of Poetic Form as a Criterion of Authenticity | Joseph M. Henderson | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Bloomsbury Publishing PLC | EAN 9780567701787 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Gebunden. Zustand: New. KlappentextrnrnThe volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus ackn.

Buch. Zustand: Neu. Neuware - The volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus acknowledge the enormous significance of this politically, morally, philosophically and economically-charged concept that at the same time harbors dangerous implications and has been critically deconstructed. The volume shows that the alleged need or desire for authenticity is alive and kicking but oftentimes comes at a high price, connected to a culture of experts, authority and exclusionary strategies.…

Zustand: New. pp. 400.

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Buch. Zustand: Neu. Neuware - Joe Henderson offers a critique of the assumption that poetic form in the book of Jeremiah indicates authenticity. This assumption undergirds Bernhard Duhm's reconstructions (1901) of the prophet's biography and the book's composition, the basic components of the dominant paradigm for twentieth-century Jeremiah scholarship. Henderson argues that Duhm's model is best understood as an attempt to bring the book into conformity with nineteenth-century systems of aesthetics, historiography, and theology-and with the Grafian reconstruction of the history of Israel's religion. The accord between these systems and Duhm's assumption about poetic form has less to do with their common grasp of the historical reality of Hebrew prophecy than with their common roots in the Romantic theory of prophetic and poetic inspiration-a theory forged by Robert Lowth in his exposition (1752) of the poetry he found in the prophetic books.Henderson contends that continued adherence to Duhm's foundational assumption has held back recent attempts to 'move beyond Duhm' and overcome the fragmentation of the book entailed by his model. Rhetorical critics, who maintain that Jeremiah 2-10 is unified by the structural devices of the historical prophet, and redaction critics, who maintain that Jeremiah 11-20 is unified by the theological agenda of Deuteronomistic editors, both rely on the assumed authenticity of the poetry. Henderson observes that although these scholars have uncovered evidence of dramatic presentation in Jeremiah 2-20, they have failed to see that the dramatic nature of these chapters undermines their use for Duhm's historical-critical projects and reveals what actually unifies them-narrative progression.…

Hardcover. Zustand: Brand New. 386 pages. 9.75x6.50x1.00 inches. In Stock.