Contextualizing renaissance returns history (8 Ergebnisse)

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Hardcover. Zustand: Gut. 230 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Einband etwas bestoßen, sonst guter Zustand / Binding a little bumped, otherwise good condition. - Table of Contents Introduction: Trends in Historicizing Early Modem Literature, History, and the Visual Arts ALBERT H. TRICOMI PART ONE Literature and History as Critical Practices Writing the History of the Present: Contextualizing Early Modern Literature JEAN E. HOWARD Mapping Theory in History: Conceptual Cites and Social Sites in the French Monarchic State SARAH HANLEY Dueling and Civility in Sixteenth-Century Italy DAVID QUINT The Place of Vives's Instruction of a Christen Woman in Early Modern English Domestic Book Literature MARGARET MIKESELL PART TWO Rehistoricizing Through the Visual Arts Motivating History KEITH MOXEY Tainted Image/Sacred Image: The Wandering Madonna of S. Maria in Vallicella LAURA MACCASKEY Viewing Foucault Viewing Velasquez's Las Menihas JAMES BYRNES Form and Pressure: Shakespearean Drama and the Elizabethan State 171 LOUIS MONTROSE Embodying Origins: An Anatomy of a Yeoman's Daughter, Spenser's Argante, and Elizabeth I 203 DAVID KINAHAN Reading History, Reading Power, Reading Plays: Graham Holdemess on Shakespeare's History Plays 221 WILLIAM O. SCOTT. ISBN 9782503508498 Sprache: Englisch Gewicht in Gramm: 545.…

Buch. Zustand: Neu. Neuware - The 28th Annual Conference of the Center for Medieval and Renaissance Studies, held on 21-22 October 1994 at Binghamton University, featured 33 panel sessions and approximately 150 presentations. The ten essays in this volume consist of the five plenary speakers - leaders in their field - and five panel essays, each of which was reviewed for this volume. The volume comprises a body of work organised around a governing theme - modes of historicisation. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicised criticism. By 'historicised' as contrasted with 'historical' criticism, it is meant that these essays problematicise, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history'. …

Zustand: gut. Contextualizing the Renaissance. Returns to History Selected Proceedings from the 28th Annual CEMERS Conference In deutscher Sprache. pages.

Hardback, VIII+230 p., 160 x 240 mm. ISBN 9782503508498. The essays in this volume challenge the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, yet they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The 28th Annual Conference of the Center for Medieval and Renaissance Studies, held on 21-22 October 1994 at Binghamton University, featured 33 panel sessions and approximately 150 presentations. The ten essays in this volume consist of the five plenary speakers - leaders in their field - and five panel essays, each of which was reviewed for this volume. The volume comprises a body of work organised around a governing theme - modes of historicisation. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicised criticism. By 'historicised' as contrasted with 'historical' criticism, it is meant that these essays problematicise, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history'. Contributions include: Albert H. Tricomi, 'Introduction: trends in historicizing Early Modern literature, history, and the visual arts'. Part 1: Literature and History as Critical Practices Jean E. Howard, 'Writing the history of the present: contextualizing Early Modern literature'; Sarah Hanley, 'Mapping theory in history: conceptual cites and social cites in the French monarchic state'; David Quint, 'Dueling and civility in sixteenth-century Italy'; Margaret Mikesell, 'The place of Vives's Instruction of a Christen Woman in Early Modern English domestic book literature'. Part 2: Rehistoricizing through the Visual Arts Keith Moxey, 'Motivating history'; Laura MacCaskey, ' Languages : English. 0 g.…