Complexity contradiction architecture (35 Ergebnisse)

Sprache: Englisch
Verlag: The Museum of Modern Art, New York (edition 2nd), 1977
- Softcover
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Paperback. Zustand: Fair. 2nd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Weitere BilderSprache: Englisch
Verlag: Museum of Modern Art, New York, 2002
- Softcover
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In den Warenkorbpaperback. Zustand: Very Good. DETAILS: sewn oblong PAPERBACK, cover price $14.95, avery good, light wear to edges, corners lightly bumped, covers darkened by sunlight in places. VENTURI, ROBERT. Complexity and contradiction in architecture. With an introduction by Vincent Scully. New York: Museum of Modern Art, 2002, Second edition, reprinted, 136pp., . The Museum of Modern Art papers on architecture. - CONTENTS: Nonstraightforward architecture: a gentle manifesto -- Complexity and contradiction vs. simplification or picturesqueness -- Ambiguity -- Contradictory levels: the phenomenon of "Both-And" in architecture -- Contradictory levels continued: the double-functioning element -- Accommodation and the limitations of order: the conventional element -- Contradiction adapted -- Contradiction juxtaposed -- The inside and the outside -- The obligation toward the difficult whole. 9780870702822 ISBN 0870702823.…

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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Weitere BilderSprache: Englisch
Verlag: Museum of Modern Art, New York, 2011
- Softcover
Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den Warenkorbpaperback. Zustand: Near Fine. DETAILS: sewn oblong PAPERBACK, attractive copy, near fine, glossy paper, light uneven wear at bottom of spine from removal of old price label. VENTURI, ROBERT. Complexity and contradiction in architecture. With an introduction by Vincent Scully. New York: Museum of Modern Art, 2011, Second edition, reprinted, 136pp., . The Museum of Modern Art papers on architecture. - CONTENTS: Nonstraightforward architecture: a gentle manifesto -- Complexity and contradiction vs. simplification or picturesqueness -- Ambiguity -- Contradictory levels: the phenomenon of "Both-And" in architecture -- Contradictory levels continued: the double-functioning element -- Accommodation and the limitations of order: the conventional element -- Contradiction adapted -- Contradiction juxtaposed -- The inside and the outside -- The obligation toward the difficult whole. ISBN 9780870702822.…
Verlag: The Museum of Modern Art
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In den WarenkorbZustand: Good. Good condition. (architecture, engineering, art, buildings) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…
Verlag: Museum of Modern Art
- Softcover
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In den WarenkorbPaperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: The Museum of Modern Art in association with Graham Foundation for Advanced Studies in the Fine Arts, New York / Chicago, IL, 1983
- Softcover
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Second edition, fourth printing. Oblong softcover. 136 pages. Enlarged edition with 350 black and white illustrations. Another terrific book from the author of the seminal "Learning from Las Vegas." A clean and tight near fine copy in wrappers.

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Zustand: New.

Verlag: Museum of Modern Art, New York, 1974
- Softcover
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In den WarenkorbPaperback. Zustand: Good +. 10th printing. 6 x 8 in. Paper wraps. Condition is GOOD+ ; covers a little worn at spine, light wear to corners. Binding tight. PO's name on ffep, text unmarked.

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Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Sprache: Englisch
Verlag: Museum of Modern Art, United States, New York, 1984
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: New York (The Museum of Modern Art), 1968
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USAArs Libri, Ltd. (ABAA)
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In den Warenkorb135, (9)pp. 350 illus. Wraps. Second printing.

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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

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Paperback. Zustand: Brand New. 2nd edition. 136 pages. 8.25x10.75x0.50 inches. In Stock.

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Paperback. Zustand: Brand New. box edition. 296 pages. 8.50x6.25x1.75 inches. In Stock.
Verlag: Museum of Modern Art; distributed by Doubleday, Garden City, N.Y
- Softcover
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In den WarenkorbPaperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Sprache: Englisch
Verlag: The Museum of Modern Art in association with the Graham Foundation for Advanced Studies in the Fine Arts (Chicago), New York, 1981
- Softcover
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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Trade paperback. Zustand: Very good. The format is approximately 11 inches by 8.50 inches. 136 pages. Illustrations. Notes. This is one of the Museum of Modern Art Papers on Architecture. Introduction by Vincent Scully. The contents include Introduction, Preface, Nonstrightforward Arthicture: A Gentle Manifesto; Complexity and Contradiction vs. Simplification or Picturesqueness; Ambiguity; Contradictory Levels: The Phenomenon of :both-And: in Architecture; Contradictory Levels Continues: The Double-Functioning Element; Accommodation and the Limitations of Order: The Conventional Element; Contradiction Adapted; Contradiction Juxtaposed; The Inside and the Outside; The Obligation Toward the Difficult Whole; and Works. Robert Charles Venturi Jr. (June 25, 1925 September 18, 2018) was an American architect, founding principal of the firm Venturi, Scott Brown and Associates. Together with his wife and partner, Denise Scott Brown, he helped shape the way that architects, planners and students experience and think about architecture and the built environment. Their buildings, planning, theoretical writings, and teaching have also contributed to the discourse about architecture. Venturi was awarded the Pritzker Prize in Architecture in 1991; the prize was awarded to him alone, despite a request to include his equal partner, Scott Brown. Subsequently, a group of women architects attempted to get her name added retroactively to the prize, but the Pritzker Prize jury declined to do so. Venturi coined the maxim "Less is a bore", a postmodern antidote to Mies van der Rohe's famous modernist dictum "Less is more". Vincent Joseph Scully Jr. (August 21, 1920 November 30, 2017) was an American art historian who was a Sterling Professor of the History of Art in Architecture at Yale University, and the author of several books on the subject. Architect Philip Johnson once described Scully as "the most influential architectural teacher ever." His lectures at Yale were known to attract casual visitors and packed houses, and regularly received standing ovations. He was also the distinguished visiting professor in architecture at the University of Miami. First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document of architectural literature. A "gentle manifesto for a nonstraightforward architecture," Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards. Not many architecture books have defined a specific historical moment in the way Robert Venturi's Complexity and Contradiction in Architecture has; a book that fundamentally changed how we look at, think and talk about architecture. The architectural historian Vincent Scully's famous assessment of Venturi's treatise as 'probably the most important writing on the making of architecture since Le Corbusier's Vers une Architecture' has proven to be to the point in many ways, and few architecture books since have achieved a comparable significance in shaping the discipline's discourse. Complexity and Contradiction can in many ways be understood as an intellectual digest of Venturi's two-year tenure at the American Academy in Rome from 1954 to 1956, where he not only pursued his passion for Baroque and Mannerist architecture, but also became acquainted with the work of leading architects of the Italian postwar period, among them Ernesto Nathan Rogers and Luigi Moretti (whose splendid Casa del Girasole Venturi included in his treatise and later singled out as one of his favorite buildings). Both architects paved the way for Venturi's revision of the tenets of Modernism in seminal ways. Second Edition [stated] Second printing [stated].…

Verlag: The Museum of Modern Art, New York, 1977
- Softcover
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Softcover. Zustand: Near Fine. New, enlarged format. Oblong quarto. 136pp. Introduction by Vincent Scully. Illustrated in black and white. Illustrated wrappers. Offsetting on front wrapper and onto the spine, near fine still in the original publisher's shrinkwrap.

- Hardcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0472101145.…

- Softcover
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Zustand: New. KlappentextrnrnForeword by Arthur Drexler. Introduction by Vincent Scully.

- Softcover
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Paper covers. Zustand: Fine. No Jacket. 2nd edition. Scarcely used. Weight: 1.0 Language: English.

- Softcover
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Taschenbuch. Zustand: Neu. Neuware - First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document of architectural literature. A 'gentle manifesto for a nonstraightforward architecture,' Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards.…
Verlag: The Museum of Modern Art, 1968
- Softcover
Anbieter: Asano Bookshop, Nagoya, AICHI, JapanAsano Bookshop
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In den WarenkorbZustand: Good. Paperback, light tan, rubbed cover, in good condition, 135pp.
Verlag: The Museum of Modern Art, 1966
- Hardcover
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In den WarenkorbHardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. Ex library hardback with DJ; usual stamps/markings. Published in 1966 by The Museum of Modern Art. DJ little worn/grubby otherwise a clean, sound copy. Ready for immediate despatch from UK. BS-2B*.
Weitere BilderSprache: Englisch
Verlag: The Museum of Modern Art, New York, NY, 1966
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Paradou Books, Richmond, VA, USAParadou Books
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In den WarenkorbHardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Grey cloth octavo, with dust jacket. First edition. Inscribed by Robert Venturi to art & architecture critic Victoria Donohoe (1929 - 2018). Donohoe wrote over 1,000 articles about art and architecture for the Philadelphia Inquirer over a fifty-year period from 1962-2012. Near fine+ with some very faint foxing to edges of text block. Moderate rubbing to dj, chip to lower right front corner. Inscribed by Author(s).…
Verlag: The Museum of Modern Art in association with the Graham Foundation for advances in The Fine Arts, Chicago, New York, 1968
- Softcover
- Erstausgabe
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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In den WarenkorbTrade paperback. Zustand: Very good. The format is approximately 6 inches by 7.875 inches. 135, [11] pages. Illustrations (photos and drawings). This is the first of the Museum of Modern Art Papers on Architecture. Introduction by Vincent Scully. The contents include Introduction, Preface, Nonstrightforward Architecture: A Gentle Manifesto; Complexity and Contradiction vs. Simplification or Picturesqueness; Ambiguity; Contradictory Levels: The Phenomenon of :both-And: in Architecture; Contradictory Levels Continues: The Double-Functioning Element; Accommodation and the Limitations of Order: The Conventional Element; Contradiction Adapted; Contradiction Juxtaposed; The Inside and the Outside; The Obligation Toward the Difficult Whole; and Works. Robert Charles Venturi Jr. (June 25, 1925 September 18, 2018) was an American architect, founding principal of the firm Venturi, Scott Brown and Associates. Together with his wife and partner, Denise Scott Brown, he helped shape the way that architects, planners and students experience and think about architecture and the built environment. Their buildings, planning, theoretical writings, and teaching have also contributed to the discourse about architecture. Venturi was awarded the Pritzker Prize in Architecture in 1991; the prize was awarded to him alone, despite a request to include his equal partner, Scott Brown. Subsequently, a group of architects attempted to get her name added retroactively to the prize, but the Pritzker Prize jury declined to do so. Venturi coined the maxim "Less is a bore", a postmodern antidote to Mies van der Rohe's famous modernist dictum "Less is more". Most of this book was written in 1962 under a grant from the Graham Foundation. Venturi was also indebted to the American Academy in Rome for the Fellowship, ten years previously, which enabled the author to live in Italy. This book was the first in a projected series of Museum of Modern Art Papers on Architecture that would be concerned with the ideas and opinions of practicing architects as well as critics and historians. "Vincent Joseph Scully Jr. (August 21, 1920 November 30, 2017) was an American art historian who was a Sterling Professor of the History of Art in Architecture at Yale University, and the author of several books on the subject. Architect Philip Johnson once described Scully as "the most influential architectural teacher ever." His lectures at Yale were known to attract casual visitors and packed houses, and regularly received standing ovations. He was also the distinguished visiting professor in architecture at the University of Miami. First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document of architectural literature. A "gentle manifesto for a nonstraightforward architecture," Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards. Not many architecture books have defined a specific historical moment in the way Robert Venturi's Complexity and Contradiction in Architecture has; a book that fundamentally changed how we look at, think and talk about architecture. The architectural historian Vincent Scully's famous assessment of Venturi's treatise as 'probably the most important writing on the making of architecture since Le Corbusier's Vers une Architecture' has proven to be to the point in many ways, and few architecture books since have achieved a comparable significance in shaping the discipline's discourse. Complexity and Contradiction can in many ways be understood as an intellectual digest of Venturi's two-year tenure at the American Academy in Rome from 1954 to 1956, where he not only pursued his passion for Baroque and Mannerist architecture, but also became acquainted with the work of leading architects of the Italian postwar period, among them Ernesto Nathan Rogers and Luigi Moretti (whose splendid Casa del Girasole Venturi included in his treatise and later singled out as one of his favorite buildings). Both architects paved the way for Venturi's revision of the tenets of Modernism in seminal ways. Second printing [stated--first printing was in 1966]. …