Comparative criticism volume knowledge von shaffer (7 Ergebnisse)

Zustand: Good. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780521431040.…

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very Good+ Hardback in Very Good dust jacket. Slight rubbing to jacket. Clean copy. xxvi + 282p.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Almost as new.

Hardcover. Zustand: Like New. Reprint. A bright, clean hardback, firm and square with strong joints, just a few very minor rubs. Hence a non-text page is stamped 'damaged'. Despite such this book is actually nearly new condition. Thus it looks and feels unread with contents that are crisp, fresh and tight. Now offered for sale at a special bargain price.…

Zustand: New. In English.

Zustand: New. Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives. Series: Comparative Criticism. Num Pages: 308 pages, black & white illustrations. BIC Classification: AN; DSA; DSG. Category: (P) Professional & Vocational. Dimension: 236 x 159 x 21. Weight in Grams: 574. . 1992. First Edition. hardcover. . . . . Books ship from the US and Ireland. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge. This volume contains the annual bibliography of comparative literature for the year 1989. It contains numerous intriguing articles. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century, whilst Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume. The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play.…