Color von cullen countee (31 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 108 pages. 8.00x5.00x0.50 inches. In Stock.

Zustand: New. In English.

MP3_CD. Zustand: Very Good. MP3 CD AUDIO BOOK in MP3 format NEW IN THE SHRINK WRAP. You will receive the MP3 CD that CONTAINS THE ENTIRE AUDIO PRODUCTION! Just a bit of shelf wear to the covers. Brand New MP3 CDs inside for your listening enjoyment.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 108 pages. 8.00x5.00x0.50 inches. In Stock.

Zustand: New. In English.

Zustand: New.

Paperback. Zustand: Brand New. large print edition. 200 pages. 9.00x6.00x0.55 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. Very good condition. Top of spine and top corners are bumped. Bottom corners are rubbed. 108 pages.

Buch. Zustand: Neu. Neuware - Color (1925) is a collection of poems by Countee Cullen. Published the same year Cullen entered Harvard to pursue a masters in English, Color was a brilliant debut by a poet who had already gained a reputation as a leading young artist of the Harlem Renaissance. Deeply personal and attuned to poetic tradition, Cullen's verses capture the spirit of creative inquiry that defined a generation of writers, musicians, painters, and intellectuals while changing the course of American history itself.'Over three centuries removed / From the scenes his fathers loved, / Spicy grove, cinnamon tree, / What is Africa to me ' In 'Heritage,' Cullen investigates his relationship with the past as a black man raised in a nation his people were forced to build. His question bears a dual sense of genuine wonder and cynical doubt, and ultimately produces no easy answer. For Cullen could have just as easily asked 'What is America to me ', to which his poem 'Incident' might respond: 'I saw a Baltimorean / Keep looking straight at me. / [.] / And so I smiled, but he poked out / His tongue, and called me, 'Nigger.' / [.] Of all the things that happened there / That's all I can remember.' In these lines, a single memory serves to define an entire city; an entire childhood, even, is defined by the violent response of a white man consumed with hatred. Cullen's relationship to place, whether Africa, America, or Baltimore, is inextricably linked to his experience of racial violence. With this knowledge, he navigates the spaces between these places, inhabiting a language and a poetic tradition thrust upon him at birth. For Cullen, poetry is as much a means of survival and self-invention as it is a form of art-without it, where would he be This edition of Countee Cullen's Color is a classic of African American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.…

hardcover. Zustand: Very Good. First Edition. cover shows minor wear, rubbing to the edges. name of former owner on the ffep. pages tanned and clean. 1st edition.

Hardcover. Zustand: Good. Later printing with publisher's code "A-C". Ink inscription on the front fly, boards rubbed and bumped, with a toned spine, loss to the front pastedown, rear gutter with some separation, good or better, lacking the dust jacket.

Hardcover. Zustand: Good. hardback, 8vo, xviii,108pp, long owner's inscription on endpapers, edges browning, text clean and sound, patterned boards and quarter-cloth binding, corners rubbed, spine label browned, Good condition / no dustwrapper.

Zustand: New. &Uumlber den AutorCountee Cullen (1903-1946) was an American poet, novelist, and playwright. In his youth, Cullen moved frequently with his mother Elizabeth Thomas Lucas before settling in Harlem at the age of nine, where he w.

Taschenbuch. Zustand: Neu. Neuware - 'Color' is a landmark collection of poetry that serves as a foundational text of the Harlem Renaissance. In this evocative debut, Countee Cullen explores the profound complexities of racial identity, heritage, and the African American experience through a lens of classical lyricism and modern sensitivity. The verses within this volume range from poignant reflections on the historical legacy of Africa to sharp, insightful observations on the social landscape of the 1920s.Cullen's work is characterized by its technical mastery and emotional resonance. Famous pieces such as 'Heritage' and 'Yet Do I Marvel' delve into the dualities of faith, art, and identity, questioning the role of the creator in a world defined by color lines. By blending traditional European poetic forms with themes deeply rooted in the Black consciousness, Cullen created a unique aesthetic that captivated audiences and helped define a new era of American literature.Rich with vivid imagery and rhythmic beauty, 'Color' remains an essential work for anyone seeking to understand the intellectual and artistic fervor of the Jazz Age. It stands as a testament to Cullen's enduring legacy as one of the most significant voices in the American poetic canon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Very Good. Early Edition. 108pp. frontispiece. Black patterned boards. Prev. owner bookplate.prev. owner name date on the half-title page.Light foxing to the front free endpaper, wear to the lower right hand corner. "Color explores themes of race and lost heritage. His poems range from those that avoid race to those highlighting the harsh reality of being African American." Size: octavo. Book.…

8 x 5, cloth backed patterned boards, 108 pp, covers worn and darkened, hinges loose, pp toned, in torn, chipped, toned and lightly stained dust jacket. Early printing (B-A).

Buch. Zustand: Neu. Neuware - 'Color' is a landmark collection of poetry that serves as a foundational text of the Harlem Renaissance. In this evocative debut, Countee Cullen explores the profound complexities of racial identity, heritage, and the African American experience through a lens of classical lyricism and modern sensitivity. The verses within this volume range from poignant reflections on the historical legacy of Africa to sharp, insightful observations on the social landscape of the 1920s.Cullen's work is characterized by its technical mastery and emotional resonance. Famous pieces such as 'Heritage' and 'Yet Do I Marvel' delve into the dualities of faith, art, and identity, questioning the role of the creator in a world defined by color lines. By blending traditional European poetic forms with themes deeply rooted in the Black consciousness, Cullen created a unique aesthetic that captivated audiences and helped define a new era of American literature.Rich with vivid imagery and rhythmic beauty, 'Color' remains an essential work for anyone seeking to understand the intellectual and artistic fervor of the Jazz Age. It stands as a testament to Cullen's enduring legacy as one of the most significant voices in the American poetic canon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Fine. Later printing with publisher's code "C-A". Former owner's ink name (dated May 1926) on front pastedown, and the former owner has neatly written an eleven-line poem, in ink, on blank rear flyleaf, else a fine copy lacking the dust jacket.

Zustand: Fair. New York: Harper & Brothers, 1925. 1st edition. Sm 8vo Hardcover. 108pp. Fair book, no dust jacket. Covers edgeworn. Spine peeling. Hinges cracked. Bookplate on front pastedown. Owner's name on front endpage. Notaton in pen throughout. (african americans, poetry, american poetry ) Inquire if you need further information. …

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Moderate wear to the boards. Binding is lightly shaken. Interior pages are clean and unmarked. Secure packaging for safe delivery.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Early printing (publisher's code "F-A" = June, 1926). Small octavo. 108pp. Quarter yellow cloth and black patterned paper-covered boards with printed cream paper labels. Small bookseller label on the rear paste-down, near fine in near fine dustwrapper with a small owner name stamp on the front flap, sunning mostly on the spine, and very light wear. Cullen's first book of poetry, published when he was just 21. The poems deal lyrically and often explicitly with issues of race, and include such definitive works of the Harlem Renaissance as "Heritage," "Atlantic City Waiter" and "The Shroud of Color." Many in this collection are "by far his best . full of a youthful and exploratory spirit" (*Perry* 1, p. 65). A very nice copy of the author's first book in the fragile jacket.…

Hardcover. Zustand: Very Good. Early later printing with publisher's code "L-A." Later former owner name of a noted collector, wear at the corners, and a little bit at the crown, a near very good copy lacking the dust jacket. Signed by the author: "Sincerely, Countee Cullen" on the front fly. The author's first book. Signed.…

Hardcover. dj. Signed by Countee Cullen on the front free endpaper, inscribed to former owner in Albany, NY, dated Feb. 10, 1928. xvii, 108 pp. Bound in publisher's decorated boards with yellow cloth backstrip, title labels. Early printing, but not the first, of the first edition, dated January 1926. Very Good with typical offsetting to labels, rubbed bottom edge, small ding to front label, bookplate on paste down, line of toning along endpapers. In a Very Good example of the fragile dust jacket, chipped at head and upper front corner, spine and gutters toned.The Harlem Renaissance poet and scholar's first book, rarely found in a decent jacket. Signed.…