chorgestühl kappenberg von renger patzsch albert (12 Ergebnisse)

VIII, 43 S., Gr8°. 43 Aufnahmen von Herrn Albert Renger-Patzsch. Pp. Gebrauchs- und Altersspuren. Rücken beschädigt mit Materialverlust am Kopf. Beiliegt: Barbara Romme, Planänderung und Arbeitsteilung bem Cappenberger Chorgestühl. Herkunft, niederrheinische Vorbilder von Schreinerei und Bildschnitzerwerkstatt, 2009 Gewicht (Gramm): 500.

Gr-8, 43 Tafelseiten. Oppbd. Gutes Ex. - Kunstwerke. Eine Buchfolge 1.Band Sprache: Deutsch 200 gr.

Zustand: Gut. 8 unpaginierte Seiten (Text), 43 ganzseitige fotograf. Abbildungen. 24,5 x 18,5 cm. Orig.-Pappband mit Deckeltitel. -- Kunstwerke. Eine Buchfolge. 1. Band. -- Die erste Buchpublikation von Renger-Patzsch, der seit 1922 Leiter der photographischen Abteilung des Folkwang-Verlags, später Auriga-Verlags war. -- Einband an Rücken und Rändern leicht gedunkelt, sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 550.

0. 4°. Mit 43 photographischen Tafeln von Albert Renger-Patzsch. 43 S., Orig.-Pappband. Einband schwach staubfleckig, sonst wohlerhalten und sauber. de Band: 0.

Gr. 8°. 2 Bl., 43 Bildtafeln mit Aufnahmen. OPb. Heftklammern angeostet. = Kunstwerke. Eine Buchfolge. 1. Band. EA.

Pappband-O. Zustand: Gut. OA. 9, 43 S., 8°, 43 Fotos, 2 S. Text, minimal stockfleckig, etwas bestos., gut 4609_Fotografie Sprache: Deutsch Gewicht in Gramm: 999.

Pp. Zustand: Gut. VIII S. : 43 S. Abb. ; gr. 8 Schönes, ordentliches, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 400.

Hartkartoneinband mit 43 s/w Fotoaufnahmen. Format 18,4 x 24,8 cm. Einband mit altersgemäßen Gebrauchsspuren. Einband lichtrandig. Insgesamt gut erhaltenes Exemplar. 43 Fotoaufnahmen des Chorgestühls von Kappenberg, nördlich von Lünen in Westfalen. Reihe Kunstwerke. Eine Buchfolge. I. Band.

6 + 43 S. OPp. Kunstwerke, I. Bd. - Lichtschatten, leichte Gbrsp.

Hardcover. Zustand: vg. First edition, second state binding. Quarto (9 3/4" x 7 1/4"; 24,5cm x 18cm). Original tan printed paper covered boards. First book published by Albert Renger-Patzsch, the renown German photographer associated with the New Objectivity (Neue Sachlichkeit.) Having practised photography since his teens, he took it up professionally after studying chemistry in Dresden (1919-21), and in the mid-1920s published books on animals and natural forms and medieval choir stalls. He became committed to a form of documentary realism that separated him decisively from both pictorialism and the experimental 'art photography' of the avant-garde. Photography's supreme capability, he believed, was to capture the form and detail of organic and man-made objects with unequalled clarity and precision. Visual rhetoric and 'creative' distortion had no part in it. Tight, head-on composition, deep focus, diffused lighting, and close-ups were its tools. His approach was epitomized by his internationally acclaimed book "Die Welt ist schön" ("The World is Beautiful," 1928.) First of this edition, after published in two different size b/w covers. Moderate age wear on binding with age toning along edges. Minor shelf wear. Upper part of pages slightly rippled throughout. Text in German. Binding in overall good+, interior in good+ to very good condition.

1. 8°. OPpbd. mit 43 ganzseitigen s/w Abb. Kunstwerke. Eine Buchfolge. I. Band Einbandgestaltung von Johannes Molzahn, in dieser Version seltene Ausgabe. Einband fleckig, Kapital und Ecken leicht bestoßen, Vortitel und letzte Seite stockfleckig, Inneres sonst in gutem Zustand. 2200 Gramm.

Hardcover. Zustand: vg. First edition. Quarto (10 3/4" x 7.5"; 27.5cm x 19cm). Original photographic paper covered boards. First state binding designe by Johannes Molzahn. Kunstwerke. Eine Buchfolge, I. Band (Artworks. A Series of Books. Vol. 1). First book published by Albert Renger-Patzsch, the renown German photographer associated with the New Objectivity (Neue Sachlichkeit.) Having practised photography since his teens, he took it up professionally after studying chemistry in Dresden (1919-21), and in the mid-1920s published books on animals and natural forms and medieval choir stalls. He became committed to a form of documentary realism that separated him decisively from both pictorialism and the experimental 'art photography' of the avant-garde. Photography's supreme capability, he believed, was to capture the form and detail of organic and man-made objects with unequalled clarity and precision. Visual rhetoric and 'creative' distortion had no part in it. Tight, head-on composition, deep focus, diffused lighting, and close-ups were its tools. His approach was epitomized by his internationally acclaimed book "Die Welt ist schön" ("The World is Beautiful," 1928.) Text in German. Moderate age wear along edges of binding, small chips at corners and along spine, rubbed. Interior slightly age-toned. Binding in overall good to good+, interior in very good condition.