china series views displaying von allom thomas (35 Ergebnisse)

Zustand: New.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Hardcover. Zustand: New. Size of the book: US Trade 152 x 229 mm and around 272 Cream color pages. Unchanged reprint of the original 1843 edition. Please review our "Terms of Sale". If you have any questions, please feel free to ask us.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Gebunden. Zustand: New.

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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Hardcover. Zustand: New. Size of the book: US Trade 152 x 229 mm and around 388 Cream color pages. Unchanged reprint of the original 1843 edition. Please review our "Terms of Sale". If you have any questions, please feel free to ask us.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Hardcover. Zustand: Good. Complete with 128 intricately engraved plates showing scenes not just of important sites, such as the Great Wall, Temples, Palaces and the landscape but also of more intimate scenes, such as dinner parties and cat -merchants. The plates are accompanied by detailed descriptions by Wright, providing history and context as well as a wealth information on daily life in China. Bound in half-leather with fetching blue cloth with blind stamped floral design. Marbled end-papers with matching marbling to page edges. 4to. (275x225mm) 96+72+68+56pp. Some rubbing and scratching to leather. Marking to rear of vol. III. Some mild spotting to front matter and edges of engravers. Else clean. Binding tight. Good.

First edition of this 19th-century illustrated travelogue aimed at presenting Qing-era China to a Western audience. Quarto, two volumes, elaborately bound in full morocco with gilt titles and tooling to the spine in six compartments within raised gilt bands, triple gilt ruling and elaborate central gilt vignette with botanical scrolling to the front and rear panels, all edges gilt, gilt turn-ins and inner dentelles, title vignettes, marbled endpapers. Illustrated with 127 steel engraved plates from drawings by Thomas Allom. Historical and descriptive notes by George Newenham Wright. In very good condition with splitting to the front hinge and archival repairs to the first four pages of volume one and lacking first plate. Thomas Allom (1804â"1872) was a prominent British illustrator, architect, and topographical artist known for his detailed engravings of landscapes and urban scenes in Europe, the Middle East, and Asia. His work, particularly in volumes such as China Illustrated and Constantinople and the Scenery of the Seven Churches of Asia Minor, exemplifies the 19th-century British tradition of visual orientalism, blending architectural precision with romanticized depictions of foreign locales. China, in a Series of Views, Displaying the Scenery, Architecture, and Social Habits of that Ancient Empire, is a landmark example of 19th-century British visual and literary orientalism. Published in multiple volumes beginning in the 1840s, the work presents a richly detailed and often romanticized portrayal of Qing-era China through finely engraved illustrations. Allomâs imagesâ"ranging from sweeping landscapes to urban scenes and depictions of daily lifeâ"reflect both a fascination with the exotic and a desire to make distant cultures accessible to a Western audience.

[Travel] Four volumes bound as two. Quarto (28 x 22cm), pp.[2] 96; 72, pp.68; 56. Illustrated with 124 black and white engraved plates, as called for. All four title pages present. Contemporary half navy blue calf, gilt, over marbled paper-covered sides, marbled edges and endpapers. Text leaves clean, plates browned to margins as expected, covers rubbed with some wear to joints and headbands. Very good indeed, attractively bound. The standard steel-pate book on China, written by the Irish topographer and clergyman George Newenham Wright, and illustrated from drawings made in situ by the English artist and architect Thomas Allom, a founding member of what became the Royal Institute of British Architects and whose projects included The Houses of Parliament.

Four volumes 28.3 x 22 cms, 4 engraved vignette title-pages and 124 black and white engravings after drawings by Thomas Allom, 72 + 96 pages; 72 pages; 68 pages; 56 pages; contemporary half morocco over pebbled cloth boards, spines gilt lettered with raised bands and decorated in compartments, all edges gilt, morocco a trifle rubbed and scant foxing affecting one of the title pages and a handful of plates, but a very good remarkably clean set, the fine engravings bright with great depth of tone. A very handsome example of an influential work. The fine illustrations are by Thomas Allom (1804-1872), who at the time of this publication was a well-known and highly regarded topographical artist, having produced a series of English views as well as illustrating celebrated works on Turkey and the Middle East. The author of the text (who gets second billing) the Rev'd George Newenham Wright (c. 1794?1877) was an Irish writer and Anglican clergyman who had never travelled to China and despite Allom's travels to Turkey and the Middle East there is no convincing evidence to suggest that he ever made it there either. Wright's text was drawn from his research performed at the British Library, and Allom's illustrations drew on earlier works. The majority of the views show southern China, including images of Hong Kong, Canton and Macao, reflecting the limited British access to China at the time. However, there are also some images and descriptions of Peking, Nanking and Jehol visited by the Macartney Embassy almost fifty years before. Very popular at the time of publication, "China Illustrated" answered a European demand for news of the "exotic Orient" and it gives keen insight into British attitudes towards China in the early 19th Century. It ran to a number of editions including a German edition in 12 parts with smaller plates which appeared shortly after the English edition. Cordier 80-81; Lust 363; Lowendahl 986.

4 volumes bound in 2. Large 4to. (28 x 21 cm). Contemporary full pebble-grained red morocco, sides richly gilt with foliate panel design, spines in six compartments with raised bands and gilt-decorated compartments, gilt inner dentelles, marbled endpapers, all edges gilt. In total 128 steel-engraved plates including 4 engraved vignette title-pages, all with tissue guards. I: pp. 96, with additional engraved title ('China, its scenery, architecture, social habits, &c. illustrated') and 31 plates; II: pp. 72, with additional engraved title and 31 plates; III: pp. 68, with additional engraved title and 31 plates; IV: pp. 56, with additional engraved title and 31 plates. Light foxing to some of the plates, a little toned, some light shelfwear, overall a very good copy in particularly handsome red morocco bindings. Thomas Allom (1804-1872) the noted topographical artist, at a time of increased interest in China, presented the Western world with the most complete portrait of China and Chinese culture up to the middle of the nineteenth century. Captioned in English, French and German, the plates encompass Hong Kong, Beijing, Nanjing, Macao, Guangzhou, and Xiamen, among other locations, and depict, inter alia, harbours, temples, palaces, mountains and rivers, military engagements, punishments, the cultivation of tea and rice and the manufacture of silk, the Great Wall of China, cat merchants, and 'playing at shuttlecock with the feet'. As well as his own observations, Allom includes some images based on the work of earlier artists such as Lieutenant Frederick White, R.M., Captain Stoddart, R.N. and R. Vaughan. The text was by George Wright, a protestant missionary who had spent a considerable time in China. Cordier 80-81; Lust 363; Lowendahl 986.

4 volumes bound in 2, 4to., engraved title-page to each volume, 124 finely engraved steel-plates after Allom, some light foxing, contemporary brown half morocco gilt, covers soiled, a very good set. Thomas Allom (1804-1872) the noted topographical artist, at a time of increased interest in China, presented the Western world with the most complete portrait of China and Chinese culture up to the middle of the nineteenth century. The engravings show architecture and scenic views, mainly of the South-East (Hong Kong, Canto, Macao, Nanjing, and Shanghai) but also include several images of Peking and Yehol. As well as his own observations, Allom includes some images based on the work of earlier artists such as Lieutenant Frederick White, R.M., Captain Stoddart, R.N. and R. Vaughan. The text was by George Wright, a protestant missionary who had spent a considerable time in China. The work was a great success and went through several editions. Cordier 80-81; Lust 363; Lowendahl 986.

Zustand: Good. 4to. 21.1 x 27.2 cm. 4 volumes bound in 2 . Half-brown morocco with small morocco corners, embossed percaline covers, smooth spine decorated (contemporary binding).128 plates engraved on steel from drawings made on site by Thomas Allom, including 4 engraved titles. Complete. Very good. Cordier 80-81; Lust 363; Lowendahl 986. OCLC shows no complete sets of the first edition.

contemporary decorative publisher?s cloth, rebacked quarter dark red morocco, spine with five raised bands, spine decorated with horizontal gilt ruled compartments with central devices, title in gilt on two, upper board with gilt decorative floral ruling and a central gilt illustration, lower board with floral decorative ruling, marbled edges. , Thomas Allom (1804 - 1872) was an English architect, artist, and topographical illustrator. He was a founding member of what became the Royal Institute of British Architects. He designed many buildings in London, including the Church of St Peter's and parts of the elegant Ladbroke Estate in Notting Hill. He also worked with Sir Charles Barry on numerous projects, most notably the Houses of Parliament, and is also known for his numerous topographical works.George Newenham Wright (1794 - 1877) was an Irish writer and Anglican clergyman. He was born in Dublin and graduated B. A. From Trinity College in 1814 and M.A. in 1817, and co-authored this work with Allom in 1843., Size : Large Quarto, Illustrated 124 fine hand coloured steel engraved views of the Chinese Empire based on work by T. Allom and engraved by a various engravers; i.e. Brandard, Dixon, Floyd, Le Petit, Willmore, Allen, Paterson, Wetherhead p, Prior, Adlard, Fox, Bradshaw, Fisher, Capone, Tingle, Sands, Challis, Redaway, etc. Illustrations describe scenarios, architecture, customs and diverse people in various occupations and trades. Each (of the four) volume(s) has separate engraved vignette title pages, and 31 single page plates., Volume : Four volumes in one., Vol 1: illustrated vignette title, bl., title, bl., preface, list of plates, 1-96; vol 2: illustrated vignette title, bl., title, bl., list of plates (1 leaf), 5-72; vol 3: illustrated vignette title, bl., title, bl., list of plates (1 leaf), 5-68; vol 4: illustrated vignette title, bl., title, bl., list of plates (1 leaf), 5-52, general index (2 leaves). A fine and handsome hand coloured example, texts and plates are clean and crisp.