charly von keyes daniel (13 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Original Broschur, 8°, 313 Seiten. Umschlag stark gebräunt, Folierung etwas beschädigt, Rücken bestossen, Papier altersbedingt gebräunt sonst guter Zustand.

1. Auflage. 313, (7) S. Ill. Orig.-Broschur. Taschenbuch (= dtv 833). - Einband nachgedunkelt; Laminierung des Einbands an den Rändern vom Karton gelöst und mit größeren Fehlstellen. Rücken mit Lesespuren und kleinem Einriß; Deckel mit Knickspuren. Buchblock schiefgelesen. Innen sauber.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: befriedigend. Sprache: deutsch Taschenbuch ,

Zustand: gut. Sprache: deutsch Taschenbuch ,

Zustand: gut. Sprache: deutsch Leinen mit SU 1.Aufl.,

313 S., Kleinformat 18 cm, farbig illustrierte Broschur. Exemplar am Einband fleckig, Seiten im Papier leicht nachgedunkelt, gut erhalten.

Softcover. Zustand: Gut. 123 Ein schwachsinniger junger Mann, Charly Gordon, unterzieht sich einer riskanten Gehirnoperation, um seine Intelligenz zu steigern. Zunächst erweist sich das Verfahren als Erfolg, doch bald treten unerwartete Spätfolgen auf, die Charly zu einer tragischen Figur machen. Der Roman thematisiert die ethischen Implikationen wissenschaftlichen Fortschritts. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-644-5/8-00706675 Sprache: Deutsch Gewicht in Gramm: 174.

312 S. Bibliothek der Science Fiction Literatur Band 06/57. Titel der US-Originalausgabe: Flowers for Algernon. Sonderausgabe des Heyne-Buchs Band 06/3564. Gelesen, Coverränder Altersspuren, nachgebräunt, Fußschnitt Mängelstempel.

Draft script for the 1968 film. Copy belonging to uncredited set decorator George R. Nelson, with his name in manuscript ink ("Bob Nelson") on the top right corner of the front wrapper. Based on Daniel Keyes' 1966 novel "Flowers for Algernon," about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel, a 1961 television adaptation on the United States Steel Hour, titled "The Two Worlds of Charlie Gordon." Nelson, who is best-known for his work on "The Graduate," "The Manchurian Candidate," "The Getaway," "The Godfather Part II," and "Apocalypse Now," was not credited in the final film, so it must be assumed that he was either involved with it early on, or considered it at some point. Set in Boston. Yellow titled titled wrappers, with credit for screenwriter Stirling Silliphant. Title page present, dated June 30, 1967, noted as copy No. 49 in manuscript ink, with credit for Silliphant and director Ralph Nelson. 128 leaves, with last page of text numbered 126. Xerographic duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Very Good plus, with a ring stain and a few splashes, bound internally with three gold brads.

Taschenbuch. Zustand: Gut. 313 S., 8° Eigentumsvermerk, etwas lichtrandig, sonst ordentlicher Zustand. FD1526 Sprache: Deutsch Gewicht in Gramm: 200.

Three vintage studio still photographs from the 1968 film. Based on Daniel Keyes' 1966 novel "Flowers for Algernon," about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel, a 1961 television adaptation on the United States Steel Hour, titled "The Two Worlds of Charlie Gordon." Nelson, who is best-known for his work on "The Graduate," "The Manchurian Candidate," "The Getaway," "The Godfather Part II," and "Apocalypse Now," was not credited in the final film, so it must be assumed that he was either involved with it early on, or considered it at some point. Set in Boston. 8 x 10 inches. Near Fine.