Sprache: Englisch
Verlag: Texas A&M University Press, 1994
ISBN 10: 0890965943 ISBN 13: 9780890965948
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 32,09
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 252 pages. 9.00x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Austin, Tex. : Texas Monthly Press ; Dallas : Dallas Museum of Art, 1985., 1985
ISBN 10: 0877190151 ISBN 13: 9780877190158
Anbieter: Joseph Valles - Books, Stockbridge, GA, USA
Soft cover. Zustand: Fine. 199 pp. ; illustrated (some in color) ; 29 cm. ; 0877190151 (pbk.) :; 9780877190158 (pbk.) LCCN: 84-24035 ; LC: N6535.D3; Dewey: 759.164/2812 ; OCLC: 11370812 ; stiff color illustrated paper wrappers ; features art of Clinton King (1901-1979),Thomas Hart Benson, Jerry Bywaters (1906-) (1906-1989), Alexandre Hogue (1898-), Henry Nash Smith, David R. Williams, Otis Dozier (1904-), William Lester (1910-), Charles T. Bowling (1891-), Thomas Stell (1898-1981), Everett Spruce (1908-), Dorothy Austin, Allie Tennant (1898-1971), Michael G. Owen (1915-1976), Octavio Medellin (1907-), Merritt Mauzey (1898-1973), Russell Vernon Hunter (1900-1955), Florence McClung (1894-), Perry Nichols (1911-), H. O. Robertson (1887-1970), Don Brown (1899-1958), Harry Carnohan, Lloyd Goff (1918-) ; FINE. Book.
Sprache: Englisch
Verlag: Guggenheim Museum, Solomon R., 2006
ISBN 10: 0892073438 ISBN 13: 9780892073436
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 80,85
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Guggenheim Museum, New York, 2006
ISBN 10: 0892073438 ISBN 13: 9780892073436
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe
Zustand des Schutzumschlags: dj. First Edition. Hardcover. First Edition. Published in conjunction with a traveling exhibition which ran from February 3 through May 14, 2006, at the Guggenheim Museum, from June 14 through September 11, 2006, at the Musée National d'Art Moderne, Centre Georges Pompidou, and from October 25, 2006, through January 14, 2007, at the Tate Modern. Slight lean, else about Fine in a Fine dust jacket. Oversize volume, shipping billed at cost.
Verlag: , Guggenheim Museum, 2006, 2006
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardcover with dusjacket, 447 pages, very richly illustrated with coloured illustrations, English text. ISBN 9780892073436. Deemed the "foremost sculptor of his generation" by art critic Clement Greenberg, David Smith, who lived from 1906 to 1965, is about to be celebrated in his first retrospective since 1969--to be held at the Guggenheim Museum, New York, from February through May of 2006. David Smith: A Centennial features new photographs of nearly every selected sculpture--110 pieces dating from 1932 to 1965, including important examples from each period, many rarely seen in public. Essays from writers including David Anfam, Michael Brenson, Rosalind Krauss and Paul Hayes Tucker tackle key areas, such as Smith's relationship to the painters of the New York School, the dual development of his family life and series sculpture through the 1950s and 60s, and his use of the landscape outside his studio in formulating his late works. Perhaps most importantly, David Smith: A Centennial also features the most comprehensive research on Smith yet published, including a newly compiled and extended bibliography; a comprehensive exhibition history; a chronology; and an illustrated checklist tracking provenance, exhibition history, and bibliographic references for each featured sculpture, finally bringing scholarship on Smith to the level of that on other important American artists of his generation, such as Barnett Newman, Jackson Pollock and Mark Rothko. David Smith: A Centennial considers Smith's oeuvre as a totality, and offers readers the chance to understand the complexity of his aesthetic concerns as well as his impact on the course of American sculpture, and American art at large. 0 g.