Came drive in (14 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good little creased. Film.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by DAW Books, 1996. 12mo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Paperback. near fine paperback, Vincent di Fate cover 1st printing. Focusing on the world of drive-in theaters, B-movies, and steamy windows, a collection of first-run tales includes the titles "The Blood on Satan's Harley," "The Thing from Lover's Lane," and "59 Frankenstein.".

Paperback. Zustand: Brand New. reprint edition. 342 pages. 8.50x5.50x1.25 inches. In Stock.

Paperback. Zustand: Brand New. 192 pages. 9.00x6.00x0.48 inches. In Stock.

Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by BP Books, 2004. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: New. In English.

Mass Market Paperback. Zustand: VG+. 1st Printing. Short story collection containing: I Was a Teenage Boycrazy Blob, by Nina Kiriki Hoffman; Plan 10 from Inner Space, by Karl Edward Wagner; Talkin' Trailer Trash, by Edward Bryant; 10585, by Sean A. Moore; Big Bust at Herbert Hoover High, by Jay R. Bonansinga; Tuesday Weld Sunday Services, by Rex Miller; Die Baby Die Die Die, by Dan Perez; The Yellers of Their Eyes, by Tia Travis; Underground Atlanta, by Gregory Nicoll; The Morning of August 18th, by Ed Gorman; The Thing from Lovers' Lane, by Nancy A. Collins; Jungle J.D., by Steve Rasnic Tem; The Blood on Satan's Harley, by Gary Jonas; Bullets Can't Stop It, by Wayne Allen Sallee; Race with the Devil, by Randy Fox; The Good the Bad and the Danged, by Adam Troy-Castro; Frightfully Huge Woman, by Robert Devereaux; and '59 Frankenstein, by Norman Partridge. Signed on title page by six of the contributors: Robert Devereaux, Edward Bryant, Sean A. Moore, Nancy A. Collins, Gary Jonas, and Steve Rasnic Tem. Signed by Authors. Daw 1014. …

Paperback. Zustand: Very Good. FIRST THUS. First Edition Thus. Published by Daw Books, Inc., 1996. 12mo. Paperback. Book is very good.

Zustand: New. In English.

A compelling example of Chinese Cultural Revolution propaganda in French, printed in comparatively small numbers. Within the context of the ideological fissure between Moscow and Beijing, such items played directly on the activist spirit of the sixties in order to win gains for the Maoist ideological cause world-wide. France was a natural target when it came to exporting Maoism abroad. On the one hand, several members of the Chinese Communist Party's leadership hierarchy had cut their Marxist teeth in France in the early 20th century, and the Cultural Revolution drew inspiration from the Paris Commune. On the other hand, the mass politics of the Cultural Revolution dovetailed with the counter-cultural left-wing activism that permeated France in the 1960s. By 1967, the French Left was much taken with developments in China and, in Paris, "signs of Maoism's popularity abounded" (Wolin, p. 114). Clothing boutiques sold copious Mao suits - "les cols Maos" - and booksellers experienced runs on copies of the "Little Red Book" translated into French. In elite intellectual circles, Louis Althusser's students at the Ecole normale supérieure "were planning trips to China, copiously citing the Little Red Book, and praising the virtues of a "war of position" against the bourgeois enemy" (ibid., p. 118). By distributing posters such as the present exemplar, Peking Foreign Languages Press deepened China's ideological offensive abroad with the goal of drowning out the Soviet Union's rival brand of communism. Beginning in the late 1950s, private and then public cracks appeared in the socialist world, with Mao's China becoming increasingly opposed to the policy direction of the Soviet Union. Geopolitical tensions between Moscow and Beijing, combined with China's increasing military strength, eventually overflowed into public exchanges of vitriolic criticism and diplomatic ruptures, with Soviet diplomats expelled from China after the beginning of the Cultural Revolution. In this climate, Chinese propaganda focused as much on attacking the Soviet Union as it did on lambasting the United States. Having already widely disseminated the 'Little Red Book', more ephemeral items such as posters could take their place at French rallies, in schools, and on the walls of other organisations. This poster's anti-imperialist theme taps into discontent within certain elements of Western society with the Cold War great powers and their efforts to maintain spheres of influence, with China's vehement hostility to the Soviet Union simmering under the surface of the quote's anti-Americanism. Posters such as this aimed to win over converts to China's ideological side of the communist world and simultaneously weaken what Mao called Moscow's "revisionist" and "imperialist" distortion of Marxism-Leninism. Richard Wolin, The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s, Princeton University Press, 2010. Poster (380 x 530 mm), with a three-quarter portrait of Mao and a quotation printed in red on a yellow panel with a gold border. Small chip to upper left corner, not affecting image, margins a little creased and nicked, couple of faint marks, light vertical crease at the centre, colours and text sharp and bright. In very good condition.…