building sunset strip von ruscha edward (11 Ergebnisse)

Soft cover. Zustand: Fine. FIRST. A FINE FIRST IN PAPERBACK SECOND ISSUE IN NEAR FINE SILVER SLIPCASE.

No Binding. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Small octavo. White printed wrappers with pasted in a 52-page leporello (extended 760.7 cm) representing on the top and bottom of each page a continuous stretch of the buildings on both sides of 'sunset strip'. Near pristine in cardboard slip case with original wrapped around silver paper + original wraparound band. An unusual 'very fine' copy of one of the more spectacular artists books ever. - First edition, second issue (lacking flap). One of 1000 copies, Signed by Ed Ruscha on title page. Signed by Author(s).

Second edition. Softcover. Printed in an edition of 5000 without the rear flap present in the original issue. Leporello that extends to nearly 27 feet and features black and white photographs of what is purported in the title. A clean near fine copy in white wrappers with a thin sliver of glue stain to the rear panel near the spine from the close to near fine slipcase that some very minor wear and some of the usual splitting at the edges. Still, a much nicer than usual copy of an inherently fragile book. (Parr & Badger v1, 142-143: Roth 182-185).

hardcover. Zustand: Very Good. First Edition. First edition, second issue. One continuous accordion-fold page composed of glued paper segments with black-and-white photographs of very building on the Sunset Strip. Near fine in like slipcase covered in silver with some light tanning to the spine.

Softcover. Zustand: Sehr gut. 3. unnummerierte Auflage von 5000 Ex. Leporello. Format: 17,8 x 14,3 cm; ausgeklappt: 714 cm. 106 nn. Seiten. OKart. in mit Spiegelfolie kaschiertem OPapp-Schuber. [Edward Ruscha: Editions 1959-1999; B 4] Sehr gutes Exemplar.

First edition, first issue of Ruscha's self-published 27-foot accordion-folded photographic panorama of the iconic Los Angeles boulevard, a milestone in the history of artistâs books. First issue with a small flap as the final leaf. Octavo, original publisher's white wrappers with titles printed in silver to the spine and front panel, single accordion-folded panorama of both sides of the iconic Sunset Strip printed with offset lithography, opens to a length of 27 feet. Association copy, inscribed by the artist in the year of publication on the copyright page, "Merry Christmas Paton and Tillie! Ed Ruscha 1966." The recipient, actor and director Paton Price played a major role in developing Hollywood talents including Kirk Douglas, Jason Robards, and Jean Seburg. His directing credits include several episodes of "77 Sunset Strip," which ran from 1958-1964. He also directed episodes of Maverick (1961), Surfside 6 (1961) and The Partridge Family (1972). In very good condition with some bumping to the spine. Housed in the original publisher's foil-covered slipcase which is in very good condition. A very nice example, rare in this condition. In the 1960s, Ed Ruscha more or less reinvented the artist's book. By turning away from the craftsmanship and luxury status that typified the livre d'artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 27-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the city's landmark thoroughfare" (The Getty Research Institute). Roth 101; Parr & Badger, Photobook II.

Soft cover. Zustand: Fine. 1st Edition. The true first edition with the extra flap in the back, limited to 1,000 though not so stated, 5 3/4 inches x 7 1/8 in., accordion fold reproductions of black and white photographs of the buildings, with their printed addresses; folding out to 27 feet long. White paper card covers with the title: The Sunset Strip, printed in silver on the spine and front cover. Edward Ruscha (b. 1937) is an influential American artist associated with the Pop art movement. In Every Building On The Sunset Strip, Ruscha took continuous photographs for two and one half miles of the buildings along the "Strip" portion of Sunset Boulevard in Los Angeles, California. The photographs were printed in an accordion-fold style book. Ruscha oversaw the design and production of the book, which was part of a new artistic genre of art book. Fine in fine original silver slipcase.

First edition, second issue. Small octavo, original stiff self-wrappers, original slipcase. Inscribed by the artist on the title page, "For John Ed Ruscha." One continuous accordion-fold page composed of glued paper segments with black-and-white photographs of every building on the sunset strip. FineÂin a fine slipcase. Housed in a custom half morocco clamshell box. An exceptional example. In the 1960s, Ed Ruscha more or less reinvented the artistâs book. By turning away from the craftsmanship and luxury status that typified the livre dâartiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 27-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the cityâs landmark thoroughfare" (The Getty Research Institute). Roth 101; Parr & Badger, Photobook II.

First edition, second issue of the artist's classic work. Small octavo, original stiff self-wrappers, original slipcase. Association copy, inscribed by Ruscha to his aunt, "For Aunt Carol Ed Ruscha." One continuous accordion-fold page composed of glued paper segments with black-and-white photographs of every building on the sunset strip. Near fineÂin a very good slipcase. An exceptional association. In the 1960s, Ed Ruscha more or less reinvented the artistâs book. By turning away from the craftsmanship and luxury status that typified the livre dâartiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 27-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the cityâs landmark thoroughfare" (The Getty Research Institute). Roth 101; Parr & Badger, Photobook II.

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. First edition, second printing lacking the extra flap at the last fold. Signed by Edward Ruscha on the verso of the front cover and inscribed to a former owner. Bound in publisher's leporello wraps with titles printed in gray. Near Fine with creasing, toning and light staining to spine. In a Very Good slipcase with splitting to top and bottom joints, light wear to mylar. The photographer's conceptual monograph that highlights Los Angeles' iconic boulevard.

First edition. Signed first edition, second issue of this quintessentially Los Angeles book, and one of the great photobooks of all time with the original wrap-around band intact. Ruscha's fourth book, and arguably his finest, captures the Sunset Strip at a particular moment in time. A monumental and continuous accordion-fold scroll that opens to more than 25 feet, Ruscha documents as the title suggests the entirety of the Strip, with even numbered addresses running along the top the page and odd facing opposite along the bottom. "The effect is less like the fluid cinematic pan [] than a series of jolting jump cuts [] a ragged progression of gas stations, motels, apartment houses, parking lots, strip-malls, and honky-tonk signage" (Parr 182). A beautiful example of a notoriously fragile production. 7'' x 5.5''. Accordion-fold printed recto only and mounted in printed wrappers. Housed in original silver Mylar foil-covered slipcase with intact original plain white paper band. Signed by Ruscha along bottom edge of slipcase. PROVENANCE: From the collection of longtime MIT Press editor Roger Conover, who published several books by and about Ruscha. Spine lightly creased, with some unobtrusive glue offsetting to cover folds from slipcase, as common. Faintest crease to lower corner of last page. Light chipping and toning to edges of paper band. Near fine in near fine slipcase.