Blackness opera (24 Ergebnisse)

paperback. Zustand: Very Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger. …

Zustand: New. 2014. First Edition. Paperback. . . . . .

Zustand: new.

Paperback. Zustand: Brand New. reprint edition. 289 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Zustand: As New.

Zustand: New. pp. 304.

Zustand: New. 2014. First Edition. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: New. 2012. 1st Edition. Hardback. Discusses how race and blackness play out in opera Editor(s): Andre, Naomi. Num Pages: 304 pages, 8 b&w photographs, 2 line drawings, 17 musical examples, 5 tables. BIC Classification: AVGC9; JFSL3. Category: (P) Professional & Vocational. Dimension: 154 x 243 x 13. Weight in Grams: 634. . . . . .…

Hardcover. Zustand: Brand New. 344 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New.

Zustand: New. pp. 304.

Zustand: New. 2012. 1st Edition. Hardback. Discusses how race and blackness play out in opera Editor(s): Andre, Naomi. Num Pages: 304 pages, 8 b&w photographs, 2 line drawings, 17 musical examples, 5 tables. BIC Classification: AVGC9; JFSL3. Category: (P) Professional & Vocational. Dimension: 154 x 243 x 13. Weight in Grams: 634. . . . . . Books ship from the US and Ireland.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. Brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, and cont.

Buch. Zustand: Neu. Neuware - Naomi André is an associate professor of women's studies at the University of Michigan. Karen M. Bryan is a professor and chair of the department of music at the University of Arkansas at Little Rock. Eric Saylor is an associate professor of musicology at Drake University.…

Gebunden. Zustand: New. Discusses how race and blackness play out in operaKlappentextrnrnNaomi Andr&eacute is an associate professor of women s studies at the University of Michigan. Karen M. Bryan is a professor and chair of the department of m.

Paperback. Zustand: New. Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger. …