Beardsley world (27 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. hardcover.

Hardcover. Zustand: Used-Very Good. dj. First Thus. Cloth, dj. Slight shelf-wear.

Paperback. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. Fine cloth copy in an equally fine dw. A particularly well preserved copy; tight, bright, clean and sharp cornered; 128 pages; Description: [1 v. ] ill. , incl. Facsimiles. 23 x 18 cm. Abundantly illustrated. Subject: Beardsley, Aubrey, 1872-1898. Drawings - English - Beardsley, Aubrey - Biographies 1 Kg. …

Zustand: Good. 1976. No Edition Remarks. 128 pages. Pictorial laminated dust jacket over yellow cloth. Black and white photographs and illustrations throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking. …

4to. 49 S. Mit zahlreichen Abbildungen. Orig.-Kartoniert. Gutes Exemplar.

hardcover. Zustand: fine. near fine. Profusely illustrated in black & white. 128 pages. Large slim 8vo, yellow cloth, d.w. New York: Harmony Books, (1976). Fine in near fine dust wrapper. Beardsley (illustrator).

Zustand: fine. 1976, 128pp, nette hardcover met stofomslag.

First edition, first printing. Near fine in near fine dustjacket.

Zustand: Very Good.

Hardcover. Dust Jacket Included. 8vo. pp. 128. 122 illus. biblio. index. bds. dw. First Edition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; 386 pages : illustrations, maps ; 24 cm OCLC 16094354 ISBN 9780531150603, 0531150607 Norma Goodrich's prowess as a scholar and historian proves conclusively that Merlin, the legendary wizard of King Arthur's court, was actually St. Dubricious, a talented scientist and magician and notorious ladies' man. ; Combines an array of evidence and argument drawn from years of dedicated scholarship and detective work to recover a great man of the Arthurian age ; Contents: Introduction, Peter H. Goodrich Select Bibliography Part I: The Evolution of the Legend 1. Early Stages in the Development of the Merlin Legend, A.O.H. Jarman 2. The Prophet and the Magician, Paul Zumthor 3. Merlin and the Ladies of the Lake, Anne Berthelot 4. Merlin in Italian Literature, Donald L. Hoffman 5. Merlin in Iberian Literature, Barbara D. Miller 6. Merlin in German Literature, Ulrich Muller 7. Merlin as New-World Wizard, Alan C. Lupack 8. The Enchanter Awakes: Merlin in Modern Fiction, Raymond H. Thompson Part II. Major Motifs and Works 9. Merlin as Wise Old Man, Heinrich Zimmer 10. Merlin in the Grail Legend, Emma Jung and Marie-Louise von Franz 11. Robert de Boron's Merlin, Alexandre Micha 12. Merlin Romancier: Paternity, Prophecy, and Poetics in the Huth Merlin, Kate Cooper 13. Malory's Tragic Merlin, Donald L. Hoffman 14. Spenser's Merlin, William Blackburn 15. Druids, Bards, and Tennyson's Merlin, Catherine Barnes Stevenson 16. Illusion and Relation: Merlin as an Image of the Artist in Tennyson, Dore, Burne-Jones, and Beardsley, Linda K. Hughes 17. Master and Mediator of the Natural World, Jean Markale Proper Name Index FINE/FINE. Book.…

Zustand: Fair. This book has hardback covers. Ex-library, With usual stamps and markings, In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.

Unknown Binding. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Zustand: Gebraucht / Used. 1967. Pap. 49pp. 8°. Illustr.

8°, 128 p., hardcover. With numerous illustrations in b/w. - Fly-leave is missing, otherwise in goog cond. / HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Gebühren für den Empfänger! / IMPORTANT: Shipments to EU-Countries duty-payd from Germany: No fees to the consignee! / IMPORTANTE: Spedizioni verso paesi UE sdoganate dalla Germania: nessuna tassa per il destinatario! Sprache: Deutsch 800 gr.…

Hardcover. Zustand: Fine. Illustrated throughout by Aubrey Beardsley. Two volumes. 4to. [245 x 195 x 111 mm]. Newly bound by Bayntun-Riviere in black goatskin, the covers tooled in gilt with a fillet border and panel, with a large leaf and flower block in two corners and repeated floral and arabesque tools and gouges. The spine divided into six panels with raised bands and gilt compartments, lettered in the second and third on red and green goatskin labels and dated at the foot, the others with large arabesque tools, the edges of the boards tooled with a gilt fillet, the turn-ins with a gilt roll, Japanese grey, white and gilt endleaves, original green frontispieces bound in, top edges gilt, the others uncut. One of 1500 regular copies. This was Beardsley's first major commission which launched the "Beardsley look" (Gillon). Hoping to emulate the works produced by the Kelmscott Press, J. M. Dent commissioned the 20 year old Beardsley to illustrated this edition, a project which took him 18 months to complete. Aubrey Beardsley (illustrator).…

Diskette. Zustand: Good. First Edition. A reel to reel audio tape of a BBC series now forgotten. Formerly in the possession of deceased exeter author & literary critic W J West eg "George Orwell : The Lost writings" & "The Quest for Graham Greene". Bought as a lot with other material at Dominic Winter's. Book.…

First Beardsley edition, one of 1,500 copies on ordinary paper. This was the artist's first major commission and the book that launched the "Beardsley look" (Gillon, p. iv). In 1892, seeking to emulate the books of the Kelmscott Press, John M. Dent commissioned the 20-year-old Beardsley to produce this edition, a project that took the artist 18 months to complete. "In Le Morte d'Arthur Beardsley learnt his job, but the result is no bungling student's work. If he had never illustrated another book, this edition of Morte d'Arthur could stand as a monument of decorative book illustration" (Lewis, pp. 148-9). The work was first published, to some controversy, in 12 monthly magazine instalments between June 1893 and mid-1894. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (Lupack, pp. 75-91). The work was issued by subscription in 12 parts between June 1893 and November 1894 in an edition of 1,500 copies on standard paper, as here, and 300 copies on Van Gelder paper. Edmund Vincent Gillon, Illustrations for Le Morte D'Arthur, 1972; John Lewis, The Twentieth Century Book, 1984; Barbara Tepa Lupack, Illustrating Camelot, 2008. 2 vols, large octavo. Photogravure frontispieces, 18 wood-engraved plates (5 double-page), illustrations within text, borders, and historiated initials, all by Aubrey Beardsley. Original yellow cloth, spine lettered in gilt, spine and front cover stamped in gilt with floral design by Beardsley, rear cover stamped in gilt with publisher's device, top edge gilt, others uncut, blue cloth bookmarkers. Spines faintly toned and cocked, corners gently bumped, damp stain to foot of front board and endleaves of vol. II, foxing to edges, spots to top edge of vol. I, bookmarkers a little frayed, contents clean and printing crisp: in very good condition.…

First Beardsley edition, one of 1,500 copies on ordinary paper, and scarce with the cloth in such bright condition. This was Beardsley's first major commission and the book that launched the "Beardsley look" (Gillon, p. IV). In 1892, seeking to emulate the books of the Kelmscott Press, John M. Dent commissioned the 20-year-old Beardsley to produce this edition, work that took the young artist 18 months to complete. "In Le Morte d'Arthur Beardsley learnt his job, but the result is no bungling student's work. If he had never illustrated another book, this edition of Morte d'Arthur could stand as a monument of decorative book illustration" (Lewis, pp. 148-9). The work was first published in 12 monthly magazine instalments between June 1893 and mid-1894 to some controversy. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" Tepa Lupack, Chapter 4). La Morte Darthur was an immediate sensation upon publication. Provenance: Robert, or Robin, Henri Louis-Charles de Beaumont (1926-2023), with his bookplate on the front pastedown of each volume. De Beaumont was an architect and later became an antiquarian book dealer and collector. He donated a large collection of British wood-engraved illustrated books to the British Museum in 1992. Edmund Vincent Gillon, Illustrations for Le Morte D'Arthur, 1972; John Lewis, The Twentieth Century Book, 1984. 2 vols, large octavo. Engraved frontispiece to each vol., 18 wood-engraved plates (including 5 double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Original yellow cloth, spine lettered in gilt, spine and front cover stamped in gilt with floral design, publisher's device in gilt on rear cover, top edge gilt, others uncut, some leaves unopened, one red and one blue cloth bookmarker. Cloth retaining much of its original yellow hue, just a couple of marks, spines slightly darkened, mild toning to endpapers and pp. 766-7, text rubbed at pp. 912-13, occasional foxing: a very good copy.…

First Beardsley edition, an out of series unnumbered copy of one of 300 deluxe copies on Dutch handmade paper, from a total edition of 1,800. The book was issued in 12 parts in wrappers, with the purchaser given the choice of sending it back to the publisher, who bound them in vellum or cloth, or to a binder of their own. In 1892, seeking to emulate the books of the Kelmscott Press, John M. Dent commissioned the 20-year-old Beardsley to produce this edition, work that took the young artist 18 months to complete. "In Le Morte d'Arthur Beardsley learnt his job, but the result is no bungling student's work. If he had never illustrated another book, this edition of Morte d'Arthur could stand as a monument of decorative book illustration" (Lewis, pp. 148-9). The work was first published in 12 monthly magazine instalments between June 1893, and mid-1894. "Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (ibid.). La Morte Darthur was an immediate sensation upon publication. Lasner 22. Lewis, John, The Twentieth Century Book, Herbert Press Ltd, 1984, pp. 148-9; Ray, The Illustrator and the Book in England from 1790 to 1914, Oxford University Press, 1976, p. 314; Tepa Lupack, Barbara Illustrating Camelot, D. S. Brewer, 2008. 3 vols (243 x 188 mm). With photogravure frontispieces on India paper to vols I and III, 18 full-page wood engravings with tissue guards (5 double-page), numerous text illustrations and approximately 350 designs for chapter headings and borders (foliate and historiated) all by Aubrey Beardsley printed in red and black. Contemporary half vellum, titles in gilt to red calf labels to spines, foliate gilt rulings to spine ends, brown morocco grain cloth sides, marbled edges and endpapers. Light soiling to vellum, slight bumps to tips, top edge of book block dust toned, sporadic faint foxing occasional and offsetting from full-page engravings and toning to their edges, a very good set.…