baron encore von arnold haskell (26 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Fair condition large format hardcover; no jacket, some wear to cover and spine, tanning and spotting to pages, otherwise in a good readable condition. Ex-library copy with usual marks and labels.

Hardcover. Zustand: Fair. No Jacket. Fair condition large format hardcover; no jacket, some wear to cover and spine, tanning and spotting to pages, otherwise in a good readable condition. Ex-library copy with usual marks and labels.

Hardcover. Zustand: Fair. No Jacket. Fair condition large format hardcover; no jacket, some wear to cover and spine, dedication to verso, otherwise in a good readable condition. Ex-library copy with usual marks and labels.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Poor. Collins, 1952. Hardback, d/j, 4to, 222pp, illust. Gift message, slightly foxed, cloth a little marked, d/j fragmentary. A fair copy. /1.3 . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

4°, 222 Seiten. mit zahlreichen s/w. Photos in Kupfertiefdruck. Orig.Leinen mit Goldprägung. Mit Register. Großartige Ballettphotos. - Einband leicht fleckig und bestoßen, Namensstempel auf Vorsatz, Vorsätze leicht stockfleckig. Gewicht (Gramm): 1050.

Zustand: Good. 1954. Third Impression. 222 pages. Illustrative jacket over yellow cloth. Contains black and white illustrations throughout. Laminated jacket. Pages remain bright and clear with minimal tanning and foxing. Thumb-marking present. Visible creasing to gutter. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces. Soft crushing to spine ends. Minor marks to boards. Clipped jacket has moderate edgewear with chips, tears and creasing. Loss to spine ends. Light rubbing to surfaces. Scuffing to edges.

Zustand: Good. 1954. Third Impression. 222 pages. Pictorial dust jacket over yellow cloth. Contains black and white illustrations throughout. Pages remain bright and clear with minimal tanning and foxing. Pencil inscription to front free endpaper. Thumb-marking present. Visible creasing to gutter. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces. Soft crushing to spine ends. Minor marks to boards. Unclipped jacket has moderate edgewear with chips, tears and creasing. Loss to spine ends and edges. Some tanning to spine. Visible rubbing to surfaces. Scuffing to edges.

Zustand: Good. Light wear to boards. Content is clean and has mild toning. DJ with some edge wear, small tears and creasing. Previous owner gift message in ffep.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Acceptable. Jacket has some loss, closed tears to jacket. General age/reading wear. Pages clean.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Good condition, a prior impression. No dust jacket. Darkened slightly with some foxing and marks to covers. Structurally sound.

Hardcover. Zustand: Fair. No Jacket. The boards are shelf rubbed and marked.Some library markings.EM. Our orders are shipped using tracked courier delivery services.

Very Good Med 8vo 222pp b/w & Some Colour Illusts Very Good - Sealed Tears Hard Cover This book has sections on ''the dancer as an individual''; ''exotic''; English ballet companies; Balanchine''s New York City Ballet the Royal Danish Ballet & the Paris Opera.

Leinen. Third Impression. Quart. 222 S. Ln. mit Umschl. Mit zahlr. schw.-w. Abb. u. 1 Farbtafel. Umschl. gerändert.

4to., First Edition, with a coloured frontispiece and very numerous monochrome illustrations in the text; cloth, gilt back, backstrip faded else a good, sound copy.

London 1952/1951, many photos, two hardcovers without dust jackets together (code M-.

[13399].

Tela editorial 222 paginas 22 x 28 cms fotografias blanco y negro.

Leinen; fester, gelber Einband mit Rückengoldprägung und schwarzem, farbig illustriertem Schutzumschlag, roter Kopfschnitt / Anz. Seiten: 222 / 23,5 x 29,5 cm / mit zahlreichen, meist schwarzweissen Abbildungen auf Tafeln und im Text / Zustand: gut, leichte Gebrauchsspuren; Einband etwas fleckig, Schutzumschlag berieben, fleckig, randlädiert und an wenigen Stellen leicht eingerissen, Kopfschnitt etwas bestaubt, Schnitt leicht gebräunt Sprache: en.

London, 1958. Edita Collins. Cartoné con sobrecubierta rozada con bordes. 222pp., 29x22cm. Profusamente ilustrado con fotografías en b/n. Texto en ingles. Buen estado general. MUSICA Y DANZA.

leather. Zustand: Good. profusely illustrated (illustrator). Deluxe Edition of Baron Encore, being No. 216 of 250 copies bound in red full morocco with gilt titling to spine and gilt border, Signed to edition page by Baron, and Arnold L. Haskell; illustrations mostly monochrome photogravure, but also with 5 full-page colour plates (including frontispiece of Margot Fonteyn); bookplate to front pastedown; heavy foxing to endpapers and prelims, lighter scattered foxing, o.w. Good throughout; leather with some scattered indentations to front board, and one deeper (small) indentation to spine; lacking the original slipcase. no dustwrapper. 222pp. 4to. Good.

Couverture rigide. Zustand: bon. RO60067182: 1952. In-4. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Mouillures. 222 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en noir et blanc et en couleur, dans et hors texte. Tranche de tête brune. 2e plat légèrement défraîchi. Annotations en page de garde. Les mouillures sont légères et sur le bord supérieur des pages. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Hardcover. 4to. frontis. pp. 222, (5 colour plates). profusely illus. index. cloth (covers somewhat soiled). First Edition.

27,5x21,5 cm. 222, (2) pp. Richly illustrated. Publisher's full calf. Protective plastic transparent wrappers partly damaged, otherwise very good. This is number 98 of an edition limited to 250 copies, signed by both Baron and Haskell.

4to., First Edition, with a coloured frontispiece and very numerous monochrome photographs (many full-page) in the text, endpapers, half-title and title moderately spotted; full red calf, sides with three-quarter gilt frame border, back, lettered in gilt, gilt top, backstrip lightly scuffed at extreme head and tail else a good, bright copy. EDITION LIMITED TO 50 NUMBERED COPIES SPECIALLY BOUND FOR THE AUTHOR (THIS COPY NO. 14). A PRESENTATION COPY TO MICHAEL ROBSON WITH THE AUTHOR'S HOLOGRAPH INSCRIPTION SIGNED BOTH AS 'BARON' AND AS 'ARNOLD L HASKELL'. The publisher's slip-case is not present with this copy.

Hardcover. Zustand: Very Good. No Jacket. BARON (illustrator). 222pp. Red calf binding with gilt titles to spine. teg. Numbered 49 of 50 specially bound copies for Baron signed by him and Haskell. Smart ownership label pasted to fep. Further inscribed and signed by Baron to half title. Also tucked within are some newspaper cuttings relating to Baron.Binding a little worn with small chips to extremities. Textblock and photographs in beautiful clean tight and bright condition.

London, Collins, 1952, in-4°, 28 cm, 222 pp with photographs by Baron, Bound in full red leather by the publisher. This is copy numbered 23 (of 50) especially bound. It bears the autograph signatures of Baron and Haskell. Ex-dono copy ''A mon grand seigneur à toi. Bill''. Fine copy. Baron (his real name Sterling Henry Nahum) (1906 - 1956) was a dance, film and celebrity photographer. In this publication he offers a fine overview of the revival of classical dance and ballet after World War Two. Baron was a personal friend of Prince Philip and took e.g. the official photographs of Elizabeth's mariage.As I bought the book in Paris and the dedication is in French, unidentified ''Bill'' must be a French connection (?).