Verlag: Weimar, 9. III. 1850., 1850
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
8vo. 2 pp. Liszt lui confie ses futurs projets à Paris en recommandant son secrétaire Belloni pour lequel il se sent tout chagrin de ne pouvoir lui faire un pas de conduite jusqu'à Paris. Je le charge de vous bien assurer du cordial et reconnaissant souvenir que je vous garde () de vous mettre au courant de mes projets et de mes espérances dont la réalisation ne saurait tarder beaucoup plus longtemps. Il adresse ses hommages à Madame Janin ; il vient d'apprendre que la partition du Petit souvenir Weymarois qu'il lui avait dédiée, lui a été retournée par les prohibitions de la douane française ().
Verlag: Pest, 14. XII. 1873., 1873
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
8vo. 2 1/4 pp. Liszt recommande Mme BALAZS, une cantatrice de talent, fort applaudie au théâtre d'ici. Les lauriers weimarois de Mme Mombelli troublent son sommeil ; elle excelle dans les opéras italiens et les fioritures. () J'ajoute qu'elle a de 30 à 34 ans, jouit d'un certain embonpoint, non désavantageux, et qu'avant son mariage elle chantait avec succès sous le nom de Mlle Boguar, sur plusieurs scènes allemandes (Hanovre entre autres) ; ses appointements au théâtre de Pest montent à 8 000 florins ; mais elle voudrait y ajouter (pour ses feux intimes) les lauriers weimarois (). Il demande donc à son correspondant d'intervenir auprès du baron Loën [intendant du théâtre de Weimar] en faveur de Madame Balazs ; Peut-être lui accorderait-on aussi l'honneur de chanter à un concert de la cour.
Verlag: Weimar, 17. VI. 1856., 1856
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
8vo. 2 pages. With orgininal envelope. To the music publisher Karl Haslinger of Vienna. Liszt responds to a request for feedback on his composition, which Liszt is unable to give because he never received a copy of the score: On returning yesterday from the Magdeburg Music Festival, I found your friendly letter of June 12, for which I express my most obliging thanks right away: however, I must regret not to be able to give you any information on the spatial fate of your so excellent and laudable score, as I have not received it and in consequence I also did not receive the letter which was enclosed in the package. I am expecting corrections from Herr Spina soon, and probably he intends to send the score along but in case there is further delay with the corrections, you would be me a big favor if you would ask Herr Spina to send me the oratorio by mail first. Permit, highly esteemed Sir, the expression of my utmost esteem." - Carl Anton Spina was another Austrian music publisher; he took over the firm of Diabelli when he retired in 1851. Spina printed works by Johann and Josef Strauss.
Verlag: No place or date.
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
8vo. 1 p. In French. To an unidentified recipient whom Liszt asks to visit him the following day so that he can importune and, in doing so, thank him: "Je ne sais vous remercier autrement, cher excellent ami, qu'en vous importuner de nouveau - Venez donc demain ici et pardonnez moi de n'être pas encore venu vous serrer la main [.]". - Numbered in pencil on recto and with an old collector's note in ink on verso. Minor brownstaining; four pin holes and traces of former mounting.
Verlag: Weimar, 17 August 1880, 1880
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
2 1/2 pages, 8vo, written on a single folded sheet; silked on first and terminal pages, Nearly complete separations at folds, moderate scattered soiling and foxing, blue pencil identification in unknown hand at lower edge of signature page, ink cataloguing number on terminal page. To the General German Music Association, in German, promising to send the score of Berlioz's Harold in Italy and piano music for four hands, giving travel plans, and requesting that [Hermann?] Reidel be prevented from performing Liszt's oratorio Christus in Leipzig or at next year's Musician's Assembly. [] I made a present of the score of the 'Harold' symphony by Berlioz to the library of the General German Music Association [] [T]he same copy was lent me [] for the purpose of revising of the piano abridgement. It is being returned to you with today's post. [] "I beg you once more to dissuade Riedel from the performance of the 'Christus Oratorium' in Leipzig, because [] [it] would be unsuitable. Consequently, also at the Musician's Assembly in '81 []".