aperture monograph von arbus diane (18 Ergebnisse)

4°, OBrosch. 1. Aufl. 184 unpaginierte Seiten, 81 Duotone-Tafeln. Tadelloses Ex. Sprache: Deutsch Gewicht in Gramm: 0.

Fourth Printing. (6), 15 pages and 83 n. .n. plates with 83 full page b/w fotos. Illustraterd original Paperbound. (A little used.Full page private dedication on the first page). 28x23 cm * Diane Arbus, geb. Nemerov (* 14. März 1923 in New York City; 26. Juli 1971 ebenda) war eine amerikanische Fotografin und Fotojournalistin russisch-jüdischer Abstammung. Graffiti in Valencia, inspiriert von Diane Arbus' Fotografie Identical Twins, Roselle, New Jersey, 1967. Arbus ist vor allem für ihre teils einfühlsamen, teils schonungslosen Porträts von Exzentrikern und Randfiguren der Gesellschaft bekannt, in denen sie das einprägsam Andersartige und Absonderliche herausarbeitet. Ausgreifende Themenkomplexe beschäftigen sich u. a. mit Zirkusartisten, Nudisten, Transvestiten, Zwillingen, Prostituierten oder fehlgebildeten und geistig behinderten Personen. Neben dem Hinterfragen der Grenzen von Normalität und Ästhetik der Gesellschaft erweiterte sie die künstlerische Fotografie um scharf akzentuierte psychologische Aspekte. Diane Arbus war die erste amerikanische Fotografin, deren Arbeit bei der Biennale in Venedig ausgestellt wurde (1972). Eine nach ihrem Tod 1972 konzipierte Werkübersicht präsentierte als Wanderausstellung 197279 einem Millionenpublikum den Kern ihres Schaffens und machte sie zu einer Kultfigur. Die parallel dazu erstmals 1972 erschienene Monographie Diane Arbus: An Aperture Monograph ist eines der meistverkauften Bücher der Fotografiegeschichte und wird noch bis in die Gegenwart ständig neu aufgelegt. Arbus' Thema war das Surreale, Kranke, Abstoßende im täglichen Leben. Sie fotografierte Außenseiter wie Transvestiten, Kleinwüchsige, Prostituierte, Nudisten, geistig und körperlich Behinderte. Aber auch gewöhnliche Durchschnittsmenschen fanden vor ihre Kamera und wurden in Posen beunruhigender Fremdheit abgelichtet. Dabei stellte Arbus ihre Subjekte nie bloß aus, sondern gab ihnen Raum und Zeit, sich vor der Kamera einzufinden und aufzustellen. Ihre Bilder sind deshalb keine Schnappschüsse, die dargestellten Personen waren sich des Fotografiert-Werdens stets bewusst. Dennoch wirken ihre Aufnahmen nicht gestellt: Die Fotografin zwang ihren Subjekten keine Posen auf, sondern überließ sie vor der Kamera sich selbst. So entstanden Bilder einer absurden Parallelwelt: Ungewöhnliche Menschen, oft hässlich, grotesk, alltäglich, doch von großer Fremdheit. Susan Sontag bemerkte dazu in ihrem Essay Über Fotografie: Die Menschen, die in Arbus' Welt angesiedelt sind, enthüllen sich immer selbst. Hier gibt es keinen entscheidenden Moment'. [] Statt sie zu überreden, eine natürliche' oder typische Haltung einzunehmen, ermunterte sie ihre Modelle, unbeholfen zu wirken das heißt, zu posieren. Wenn sie so steif dastehen oder dasitzen, wirken sie bereits wie Abbilder ihrer selbst." Susan Sontag vermutet, dass in Arbus' Interesse an absonderlichen Typen sich ihr Wunsch ausdrückt, ihrer eigenen Unschuld Gewalt anzutun [und] ihr Gefühl, privilegiert zu sein, zu untergraben". Seit 1962 verwendete Diane Arbus eine Rolleiflex, mit einem Negativformat von 60 × 60 mm anstelle von 24 × 36 mm. Dieses quadratische Format schien besser ihrer direkten zentrierten Kompositionsweise zu entsprechen, und das größere Negativ gab auch mehr Detailfülle her. Diane Arbus orientierte sich an der Arbeitsweise im Studio: Die Kamerawahl, die Ausleuchtung des Objekts und die streng durchdachte Komposition widersprechen dem Bild des im richtigen Moment eingefangenen Schnappschusses. Ihre Bilder mit den ungewöhnlichen Einstellungen von Licht und Schatten behalten aber trotz der gestellten Szene eine gewisse Schnappschuss-Ästhetik und stehen damit im Gegensatz zur Stieglitzschen Philosophie des perfekten Abzugs. Diane Arbus, die zunächst als Mode- und Porträtfotografin auf sich aufmerksam machte, wandte sich unter dem Eindruck der Arbeit von August Sander, der vor allem vor und nach dem Ersten Weltkrieg seine größten Erfolge mit typologisierenden Porträts hatte, einer sozialkritisch geprägten Fotografie zu. Ihre Fotoserien von Randgruppen der amerikanischen Gesellschaft sie bildete Arme, Obdachlose, Drogenabhängige und Farbige ab waren ausdrucksstarke, realistische Porträts, die den kritischen Geist der 60er Jahre genau trafen.(Quelle Wikipedia) Sprache: Englisch Gewicht in Gramm: 700.

paperback. Zustand: UNSPECIFIED. Arbus, Diane (illustrator). Reprint. Edited and Designed by Doon Arbus and Marvin Israel. Numerous full-page b/w plates, 15 pages of text. Slim 4to, glossy pictorial wrappers. (New York: Aperture, 1972). Reprint. A very good(+) copy. Published in conjunction with a major exhibition of the photographs of Diane Arbus at The Museum of Modern Art.

Paperback. Zustand: Collectable - Good. Early Edition. Good 17th printing 2004 reissue Aperture paperback. 3cm tear to top front left corner of cover, crease to rear cover and some shelf-wear from usage, tight and unmarked. Size: 0.5 x 9 x 11 inches. 184 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Photography; Photography, Artistic Exhibitions; ISBN: 0893816949. ISBN/EAN: 9780893816940. Dewey Code: 779/.2/0924. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 090409.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Collectable - Good. First Edition. Quite Good 3rd printing 1st ed Aperture paperback. Cover partially detached and very worn along front hinge of binding, name inside front cover, tidy and unmarked. Size: 0.5 x 9 x 11 inches. 184 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Photography; Photography, Artistic Exhibitions; ISBN: 091233441X. ISBN/EAN: 9780912334417. Dewey Code: 779/.2/0924. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 088666.

Zustand: NEW. When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence - even something of a legend - among serious photographers. This publication aims to remain as faithful as possible to the standards by which Diane Arbus judged.

Buch. Zustand: NEW. Neuware - When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence-even something of a legend-among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972- along with the posthumous retrospective at The Museum of Modern Art-offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus's friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus's photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

Hardcover. Zustand: Sehr gut. Diane Arbus (illustrator). 1. Auflage. Diane Arbus: An Aperture Monograph. Millerton, New York, Aperture, 1972, Ninth printing (1973). 284:240 mm. 15S. + 80 illustr. Tafeln. Illustr. Or.-Ppbd mit illustr. Or.-Schutzumschlägen. Doon Arbus und Marvin Israel Hrsg. Mit 15 Seiten Text von Diane Arbus. "Diane Arbus (1923-1971) was noted for her portraits of people on the fringes of society such as prostitutes, transvestites, dwarfs, giants, as well as ordinary working class citizens in unconventional poses and settings. Included are 15 pages of text, edited from tape recordings of a series of classes Diane Arbus gave in 1971 as well as from some interviews and some of her writings. This work was published in conjunction with the 1972 retrospective staged by MoMA curator John Szarkowski." Umschläge geringfügig vergilbt. Sonst tadeloses Exemplar.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: very good(+). Arbus, Diane (illustrator). Edited and Designed by Doon Arbus and Marvin Israel. Numerous full-page b/w plates, 15 pages of text. Square 4to, white pictorial boards, d.w. (several short closed tears). Millerton New York: Aperture, (1972). First edition, first printing, containing the image "Two Girls in Identical Raincoats" that was redacted from later printings. Some foxing at top outer edges, else a fine copy in a very good(+) dust wrapper. Published in conjunction with a major exhibition of the photographs of Diane Arbus at The Museum of Modern Art.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. FIRST. A VERY GOOD FIRST IN CHIPPED DJ. First Edition/First Printing (no additional printings indicated; contains the image entitled "Two Girls in Identical Raincoats, Central Park, New York City, 1969" which was removed from later printings of the book).

Zustand: UNSPECIFIED. First Edition. First Edition, first issue with "Two Girls in Identical Raincoats." Published in conjunction with a posthumous exhibition of the photographer's work at the Museum of Modern Art which helped establish her deserving reputation. Very Good plus in a Very Good plus dust jacket. Light foxing to the boards, endpapers, and first few leaves. Jacket has a few short closed tears on the front panel, and light rubbing overall. Roth 101 US. Parr and Badger Vol. 1 US.

paperback. Zustand: Ottimo (Fine). Published in conjunction with the posthumous 1972 retrospective exhibition of Diane Arbus' work at the Museum of Modern Art, New York. With text and 80 black and white photographs by Diane Arbus (including the image entitled ''Two Girls in Identical Raincoats, Central Park, New York City, 1969'' removed from later printings of the book). Edited and designed by Doon Arbus and Marvin Israel / Monografia pubblicata in occasione della grande retrospettiva al Museum of Modern Art di New York, tenuta nel 1972, a un anno dalla morte di Diane Arbus. Un testo e 80 fotografie in bianco e nero della Arbus, compresa l'immagine intitolata ''Two Girls in Identical Raincoats, Central Park, New York City, 1969'' che fu rimossa dall'editore nelle successive ristampe del volume . 4to. pp. 180. . Ottimo (Fine). Nessun segno, difetto, strappo o mancanza alle copertine o alle pagine interne (Covers, pages and plates in excellent condition). Prima edizione (First Edition, First Printing). . Prima edizione (First Edition, First Printing). Book.

Hardcover. Zustand: vg. First edition, Second printing. Quarto. 15pp., 160 plates. Photo-illustrated paper-covered boards with black lettering on spine in photo-illustrated dust jacket. Square spine (not rounded spine as normally found on the first printing and the replacement second printing). Illustrated with full-page duotones of photographs by Arbus, as well as one photo of herself. Rare variant of the second print run, containing an image that was later withdrawn due to model-release issues: Two girls in identical raincoats, Central Park, N.Y.C. 1969. The entire second press run was to be destroyed by the publishers prior to distribution for this reason. 15 pages of text, edited from tape recordings of a series of classes Arbus gave in 1971 as well as from some interviews and some of her writings. Published in conjunction with the 1972 retrospective staged by MoMA curator John Szarkowski, which attracted more than 7 million viewers. Her 1967 photograph Identical Twins, which illustrates the front cover as well as the dj of this work, is tenth on the list of most expensive photographs. This photo was removed from later printings. Dust jacket lightly foxed inside of jacket and small closed tear inside back upper left, at flap crease. Small bookseller sticker on free front endpaper. Slight discoloration to top edge of cover. Overall fine condition. Diane Arbus (1923-1971), was noted for her portraits of people on the fringes of society such as prostitutes, transvestites, dwarfs, giants, as well as ordinary working class citizens in unconventional poses and settings. Arbus became the first American photographer to be exhibited at the Venice Biennale. "For me the subject of the picture is always more important than the picture. And more complicated. I do have a feeling for the print but I don't have a holy feeling for it. I really think what it is, is what it's about. I mean it has to be of something. And what it's of is always more remarkable than what it is." (Diane Arbus).

Hardcover. Zustand: vg. True First Edition. Quarto. 15pp., 160 plates. Photo-illustrated paper-covered boards with black lettering on spine in photographic dust jacket. Diane Arbus (1923-1971) was noted for her portraits of people on the fringes of society such as prostitutes, transvestites, dwarfs, giants, as well as ordinary working class citizens in unconventional poses and settings. This work was published in conjunction with the 1972 retrospective staged by MoMA curator John Szarkowski which attracted more than 7 million viewers. Arbus also became the first American photographer to be exhibited at the Venice Biennale. Her 1967 photograph Identical Twins which illustrates the front cover as well as the dj of this work, is tenth on the list of most expensive photographs. "For me the subject of the picture is always more important than the picture. And more complicated. I do have a feeling for the print but I don't have a holy feeling for it. I really think what it is, is what it's about. I mean it has to be of something. And what it's of is always more remarkable than what it is." (Diane Arbus). Illustrated with 80 annotated full-page b/w reproductions of photographs by Arbus, as well as one photo of herself. This copy is the first printing with the plate titled "Two Girls in Identical Raincoats, Central Park, N.Y.C, 1969" which was supressed in subsequent printings. Edited and designed by Arbus' daughter, Doon Arbus and Marvin Israel. 15 pages of text, edited from tape recordings of a series of classes Arbus gave in 1971 as well as from some interviews and some of her writings. Head and tail of spine and parts of edges slightly bumped. One-inch bump on top edge of back board. Some creasing and scuffing on dj, few tiny closed tears on dj edge. Minor age yellowing to outer edges of pages not affecting images. Tight copy in overall very good condition.