American artists (Mehr als 4.400 Ergebnisse)

Paperback. Zustand: Good.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardback. Zustand: Good. During the first half of the twentieth century--decades of war and revolution in Europe--an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them? George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers--among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder--made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions. A central theme of Joseph Horowitz's study is that Russians uprooted from St. Petersburg became "Americans"--they adapted. Representatives of Germanic culture, by comparison, preached a German cultural bible--they colonized. "The polar extremes," he writes, "were Balanchine, who shed Petipa to invent a New World template for ballet, and the conductor George Szell, who treated his American players as New World Calibans to be taught Mozart and Beethoven." A symbiotic relationship to African American culture is another ongoing motif emerging from Horowitz's survey: the immigrants "bonded with blacks from a shared experience of marginality"; they proved immune to "the growing pains of a young high culture separating from parents and former slaves alike.".…

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. An indispensable resource for any visual arts lover, this anthology of original writings covers modern American art and culture from mid-1940's abstract expressionism and the Cold War right through to the late 1990's with its proliferation of video and technological developments in telecommunications and biotechnology--giving readers a firm understanding of the evolution of artistic development within the context of major political, cultural, and sociological trends and ideas that have emerged in the United States since World War I. Presents writings from post WI through the 1990's and organizes them around ten central areas of discussion (American avant-garde, the beat generation, objectivity/reduction/formalism, process and materials, sculpture, politics, the return of painting, image and identity, and the body and technology). Divides chapter writings into three categories--artists, critics, and context--giving readers clear insight into the major issues that the artists' work raises, and helping them connect the words of artists with criticisms about the art they created, exhibition reviews, and museum catalog essays. Includes selections from outside the visual arts to establish relationships between the issues and impulses raised by the work of these artists to trends and ideas that were gaining prominence within the broader culture at the time that the art was being created. For general readers of modern art history and theory and/or post-war American culture; ideal for museum bookstores.…

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. Decades of war and revolution in Europe forced an "intellectual migration" during the last century, relocating thousands of artists and thinkers to the United States. For many of Europe's premier performing artists, America proved to be a destination both strange and opportune. Featuring the stories of George Balanchine, Kurt Weill, Fritz Lang, Billy Wilder, Greta Garbo, Marlene Dietrich, and many others, Artists in Exile explores the impact that these famous newcomers had on American culture, and that America had on them.…

Paperback. Zustand: Very Good. From the Preface:The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in, but does not explain, the increasing amount of writing and talking on the part of contemporary artists. Rather, the whole history of the changing role of art and artists in a democratic, industrial, and technological society stands behind the spate of artists' words and the public's hunger for them?even some of the general public out there beyond art's little circle. Statements by artists appeal somewhat the way drawings do: they bring us, or at least they hold the promise of bringing us, closer to the artist's thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d' e of this book.Its other motivation is educational, and stems from the frustrating lack, in teaching contemporary art, of any single compilation of statements by American artists from 1940 to the present.? This anthology differs in several respects from those others that do include documents of American art since 1940.? The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and, whenever possible, it cities the first, or among the very earliest, documents signalizing a shift in the definition, intent, or direction of art..…

Hardcover. Zustand: Fair. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. Thousands of women pursued artistic careers in the United States during the late 19th century. According to census figures, the number of women among the ranks of professional artists rose from 10 per cent to nearly 50 per cent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia and Boston, opening and closing her book with discussion of the two most famous women artists of the period -Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape 20th-century understandings of high culture and the formation of modernism in profound ways.…

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. This ample, carefully researched volume contains more than 360 royalty-free designs, each meticulously rendered from embellishments on Indian blankets, pottery, blankets, clothing, carvings, paintings, metalwork, or other artifacts in various museums and private collections. The illustrations span 2,000 years -- from prehistoric pipe bowls carved in stone that date back to 100 B.C., to 20th-century painted pottery designs that are based on traditional motifs. Florals, hunting scenes, stylized plants and animals, mythological figures, geometrics, double-curve motifs, feather designs, pictographs, border patterns, and many other designs have been selected and reproduced from the painted pottery of the Hopi, Hohokam, and Pueblo Indians; Navajo blankets and silverwork; wampum belts, quill work from Métis skin coats; parfleches (rawhide containers), buffalo hides, and ceremonial pipes of the Sioux and other Plains Indians; antler combs of the Susquehannock and Seneca Iroquois; carved and painted masks; Chilkat blankets, spindle whorls, baskets and basket hats from the Northwest Coast; and many other examples of native North American art. In addition to the wealth of authentic pictorial images, the author has provided an informative introduction outlining the principal developments in Indian arts and crafts with particular reference to the techniques used in pottery, basketry, weaving, and more. Notes on the designs give dates, dimensions, present locations of the artifacts and other data, while a bibliography suggests books for further reading. Artists and craftspeople seeking genuine Indian designs will find this easily affordable, royalty-free volume an abundant source of timeless images. Students, teachers, art and cultural historians, as well as anyone interested in Indian art will welcome this impressive array of fine designs produced by the native people of North America.…

Paperback. Zustand: Very Good. This ample, carefully researched volume contains more than 360 royalty-free designs, each meticulously rendered from embellishments on Indian blankets, pottery, blankets, clothing, carvings, paintings, metalwork, or other artifacts in various museums and private collections. The illustrations span 2,000 years -- from prehistoric pipe bowls carved in stone that date back to 100 B.C., to 20th-century painted pottery designs that are based on traditional motifs. Florals, hunting scenes, stylized plants and animals, mythological figures, geometrics, double-curve motifs, feather designs, pictographs, border patterns, and many other designs have been selected and reproduced from the painted pottery of the Hopi, Hohokam, and Pueblo Indians; Navajo blankets and silverwork; wampum belts, quill work from Métis skin coats; parfleches (rawhide containers), buffalo hides, and ceremonial pipes of the Sioux and other Plains Indians; antler combs of the Susquehannock and Seneca Iroquois; carved and painted masks; Chilkat blankets, spindle whorls, baskets and basket hats from the Northwest Coast; and many other examples of native North American art. In addition to the wealth of authentic pictorial images, the author has provided an informative introduction outlining the principal developments in Indian arts and crafts with particular reference to the techniques used in pottery, basketry, weaving, and more. Notes on the designs give dates, dimensions, present locations of the artifacts and other data, while a bibliography suggests books for further reading. Artists and craftspeople seeking genuine Indian designs will find this easily affordable, royalty-free volume an abundant source of timeless images. Students, teachers, art and cultural historians, as well as anyone interested in Indian art will welcome this impressive array of fine designs produced by the native people of North America.…

Hardback. Zustand: Good. Who was Whistler's mother? Why did Georgia O'Keeffe paint all those flowers? How did Joseph Cornell create his incredible boxes? These questions and more are answered in this book on American artists designed to catch young readers' attention and satisfy their unending curiosity. Each artist is featured in double-page spreads that are as unique as their subjects. Fascinating biographical portraits, interesting sidebars, and ideas to spark the imagination enhance the exquisite reproductions of well-known works. Presented chronologically, these profiles are strung together by a continuous timeline that highlights world events that impacted the artists' work. Children and adults alike will find much to learn, savour, and enjoy in this colourful introduction that is both interactive and edifying-not to mention fun.…

Zustand: Good. Good condition ex-library book with usual library markings and stickers.

Paperback. Zustand: Good. This ample, carefully researched volume contains more than 360 royalty-free designs, each meticulously rendered from embellishments on Indian blankets, pottery, blankets, clothing, carvings, paintings, metalwork, or other artifacts in various museums and private collections. The illustrations span 2,000 years -- from prehistoric pipe bowls carved in stone that date back to 100 B.C., to 20th-century painted pottery designs that are based on traditional motifs. Florals, hunting scenes, stylized plants and animals, mythological figures, geometrics, double-curve motifs, feather designs, pictographs, border patterns, and many other designs have been selected and reproduced from the painted pottery of the Hopi, Hohokam, and Pueblo Indians; Navajo blankets and silverwork; wampum belts, quill work from Métis skin coats; parfleches (rawhide containers), buffalo hides, and ceremonial pipes of the Sioux and other Plains Indians; antler combs of the Susquehannock and Seneca Iroquois; carved and painted masks; Chilkat blankets, spindle whorls, baskets and basket hats from the Northwest Coast; and many other examples of native North American art. In addition to the wealth of authentic pictorial images, the author has provided an informative introduction outlining the principal developments in Indian arts and crafts with particular reference to the techniques used in pottery, basketry, weaving, and more. Notes on the designs give dates, dimensions, present locations of the artifacts and other data, while a bibliography suggests books for further reading. Artists and craftspeople seeking genuine Indian designs will find this easily affordable, royalty-free volume an abundant source of timeless images. Students, teachers, art and cultural historians, as well as anyone interested in Indian art will welcome this impressive array of fine designs produced by the native people of North America.…

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Very Good.

Paperback. Zustand: Good. A catalog of an exhibition held at the Fort Wayne Museum of Art in 1997.

Paperback. Zustand: Good.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.