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Verlag: Dutton, New York, 1927
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Erstausgabe
Legatura editoriale in piena tela verde con elegante disegno dorato al piatto anteriore e fregi e titolo in oro al ds. Taglio superiore dorato. Esemplare in eccellente stato di conservazione, in barbe e con numerosissime pagine intonse. Tiratura limitata di 1600 copie. Terza edizione (e ultima) del capolavoro illustrato da Beardsley, dopo quelle del 1893 e del 1909, che si presenta ampliata rispetto alle due precedenti, sia nella dimensione (questa ed. risulta più marginosa di alcuni centimetri) che nel numero delle tavole (12 in più in confronto alla prima ed. e 2 in più rispetto alla seconda). Viene invece rigorosamente mantenuta l elevata qualità di stampa dell ed. originale: la carta e gli stampi sono quelli dell editore londinese Dent. Folio (cm. 29,2), LV(I)-538 pp. Con 22 tavv. a piena e doppia pagina e centinaia di disegni n.t. di Aubrey Beardsley.
Verlag: J.M. Dent, London., 1927
Anbieter: Peter Ellis, Bookseller, ABA, ILAB, London, Vereinigtes Königreich
Erstausgabe
Third edition. Quarto. pp lvi, 538. Decorated cloth gilt. Top edge gilt. One of 1600 copies. Six page Foreword on Aubrey Beardsley by Aylmer Vallance. Fifteen page Introduction by John Rhys. One page note by R.A. Walker, ''A Note on the designs omitted from the First Edition''. Includes ten chapter headings omitted from the first edition, included in the second edition by mistake and included in this edition for the first time on purpose. Includes for the first time and totally by design Beardsley's original drawing for the cover. Copiously illustrated by Aubrey Beardsley, with numerous full-page black and white drawings, some tissue-guarded, as well as numerous black and white drawings in the text.Near fine in sadly defective, worn, torn and chipped dustwrapper with extensive repairs on the reverse.
Verlag: Westminster: William Caxton, 1927
Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Very Good. This edition with Beardsley illustrations, limited edition of 1,600 copies. This copy specially bound in half-morocco with raised bands and gilt decoration on the spine, printed boards, top edges gilt, matching printed endpapers. Cover shows minor rubbing to the extremities, some minor stains on the top edges. Pages are lightly tanned and clean, profusely illustrated. Original navy cloth cover and spine with gilt decorations bound in at the rear.
Verlag: J. M. Dent, London, 1927
Anbieter: Thorn Books, ABAA, Tucson, AZ, USA
Erstausgabe
Hardcover. Zustand: Near fine. Illustrated by Aubrey Beardelsy (illustrator). Limited edition. 4to. One of 1600 copies, the third edition of Malory with Beardsley's illustrations. Black cloth, the spine and boards intricately gilt with the iconic Beardsley water-lily illustrations. This edition contains more material and ten more drawings than the first edition. Trace of rubbing on the upper board and light wear along the bottom, else a near fine copy. Bookplate of F. W. Rogers. .
Verlag: J. M. Dent, London, 1893
Anbieter: Thorn Books, ABAA, Tucson, AZ, USA
Erstausgabe
Wraps. Zustand: Near fine. Aubrey Beardelsy (illustrator). First edition. Twelve original parts in green wrappers. Regular issue: one of 1500 copies. Full page and double page illustrations, rubricated initials, borders and in-text decorations by Aubrey Beardsley in his first major commission. The wrappers are generally lightly soiled and chipped at the edges. Spines are worn at tips, and the spine of Part One is split but firmly held by the sewing. A very good set of this masterpiece with the textblocks in near fine condition and free of the foxing that dogs the issue on handmade paper. Housed in two volumes of slipcases and cloth chemises, with the title on the slipcases on leather labels, gilt. Gaines, A14, a.1. .
Verlag: J. M. Dent, London, 1893
Anbieter: Thorn Books, ABAA, Tucson, AZ, USA
Erstausgabe
Wraps. Zustand: Very good. Aubrey Beardelsy (illustrator). First edition. Twelve original parts in green wrappers. Parts 1-8 and 10-12 are the "Superior Issue" of 300 copies on Dutch handmade paper (this set unnumbered). Part 9 is from the "regular issue" and is slightly smaller in size. Full page and double page illustrations, rubricated initials, borders and in-text decorations by Aubrey Beardsley in his first major commission. This set is uncut and largely unopened. There is some offsetting from the illustrations to the facing pages, as usual. Part 9 lacks a tiny piece form the spine and has had a nearly invisible repair to the upper wrapper; the wrappers show light soil, rubbing and aging else this is a very good set.
Verlag: Printed by Turnbull & Spears for J. M. Dent at Aldine House, London, 1894
Anbieter: Burnside Rare Books, ABAA, Portland, OR, USA
Hardcover. First Thus. First Beardsley edition. Complete in two volumes each measuring 9.25" x 7.5". Finely bound by Birdsall in gilt-ruled and elaborately ornamented midnight blue levant with arts & crafts gilt-tooled faery vignettes on green, red, and orange morocco onlays, spine with elaborate lady in the lake vignettes over onlays, raised bands, morocco lettering pieces, gilt-rolled dentelles, filleted edges, top edges gilt, marbled endpapers, original pictorial cloth panels bound in. One of 1,500 copies of the regular issue, from a total run of 1,800. Near Fine with light rubbing along bottom edge; endpaper cracked at front hinge of Vol. 1; leaves mildly toned as usual. Bookseller label of Harry F. Marks to rear pastedown of Vol. 1. From the collection of actor and comedian Robin Williams and his wife.An exquisite fine binding with arts & crafts tooling perfectly attuned to the illustrations of Aubrey Beardsley within. The first appearance of the famous illustrator's first important work. "In Le Morte D'Arthur Beardsley learnt his job, but the result is no bungling student's work. If he had never illustrated another book, this edition of Morte D'Arthur could stand as a monument of decorative book illustration" (in The Twentieth Century Book, pp. 148-149). Beardsley was 20 years old when Dent first commissioned him with this project.
Verlag: London: Dent, 1893, 1893
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Erstausgabe
First Beardsley edition, one of 1,500 copies on ordinary paper; another 300 were printed on Dutch handmade paper. This copy in a bright and spectacular example of a "vellucent" binding, by Cedric Chivers of Bath, unsigned but a characteristic example of this style. Chivers invented a way to treat vellum so that it became translucent ("vellucent"): the cover design would be painted on a separate sheet and then a thin sheet of this translucent vellum would be laid over it; gilt tooling would then be applied over the top of this. In his catalogue of Books in Beautiful Bindings (c. 1905), Chivers describes the Beardsley Morte D'Arthur as "bound in whole vellucent from a design by the illustrator of the book. A figure panel enclosed in a floral border". The hand-painted cover illustrations for this set reproduce two of Beardsley's designs, volume one depicting "How Four Queens Found Launcelot Sleeping" (p. 184) and volume two "The Achieving of the Sangreal" (frontispiece). "Commissioned by British publisher J. M. Dent in 1892 and first published in twelve monthly magazine instalments between June 1893, and mid-1894, Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory. Although his illustrations for the Morte established Beardsley as the voice of the 1890s, he was until that time largely an unknown young artist. La Morte Darthur proved to be an immediate sensation upon publication and the impact of Beardsley's Arthurian illustrations was tremendous. Today, Beardsley's illustrations for the Morte, which constituted almost half his lifetime's artistic output, survive as the first example of modern Arthurian book illustration, and they remain arguably the best experimental visual reinterpretation of the Arthurian world. With their bold lines, strong visual themes, and numerous memorable but unconventional details, the Morte 'pictures' (which is how Beardsley himself referred to them) created an important - although admittedly idiosyncratic - symbology and iconography. Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (Lupack, chapter 4). This is a masterpiece of book illustration in a striking binding. Ray, The Illustrator and the Book in England from 1790-1914, 314. Barbara Tepa Lupack, Illustrating Camelot, D. S. Brewer, 2008. 2 volumes, large square octavo (250 x 214 mm). Contemporary full vellum over bevelled boards by Cedric Chivers of Bath for Bumpus of London, gilt panelled spines with hand-painted art nouveau-style lettering and scrolling floriate motifs, below which, on a field of gilt dots, an overall pattern of stylised roses and rose leaves (volume I) and tulips and tulip leaves (volume II), sides with two-line gilt border enclosing a frame of hand-painted intertwining roses and rose leaves (volume I) and intertwining tulips and tulip leaves (volume II), both on a field of gilt dots, panel on each front cover with a hand-painted scene taken from Beardsley's designs, back covers with three-line gilt panels, top edges gilt, others untrimmed, partially uncut, gilt turn-ins, marbled endpapers. Gravure frontispieces, 18 full page wood engravings (including five double-page), numerous text illustrations, and approximately 350 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Front joint of Vol. 2 superficially cracked but firm, short cracks to both spine heads, dampstains to joints and lower extremities, a touch of rubbing to the front of Vol. 1, vellum a little soiled but still bright and handsome, a touch of occasional foxing to contents and some light offsetting from frontispieces, else internally clean. A very good set, bright and fresh.
Verlag: Westminster: J. M. Dent, 1893-94, 1893
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Erstausgabe
First Beardsley edition, an out of series unnumbered copy of one of 300 deluxe copies on Dutch handmade paper, from a total edition of 1,800. The book was issued in 12 parts in wrappers, with the purchaser given the choice of sending it back to the publisher, who bound them in vellum or cloth, or to a binder of their own. In 1892, seeking to emulate the books of the Kelmscott Press, John M. Dent commissioned the 20-year-old Beardsley to produce this edition, work that took the young artist 18 months to complete. "In Le Morte d'Arthur Beardsley learnt his job, but the result is no bungling student's work. If he had never illustrated another book, this edition of Morte d'Arthur could stand as a monument of decorative book illustration" (Lewis, pp. 148-9). The work was first published in 12 monthly magazine instalments between June 1893, and mid-1894. "Aubrey Beardsley's Morte Darthur was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" which "established Beardsley as the voice of the 1890s" (Tepa Lupack, Chapter 4). "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (ibid.). La Morte Darthur was an immediate sensation upon publication. Lasner 22. Lewis, John, The Twentieth Century Book, Herbert Press Ltd, 1984, pp. 148-9; Ray, The Illustrator and the Book in England from 1790 to 1914, Oxford University Press, 1976, p. 314; Tepa Lupack, Barbara Illustrating Camelot, D. S. Brewer, 2008. 3 volumes (243 x 188 mm). Contemporary half vellum, titles in gilt to red calf labels to spines, foliate gilt rulings to spine ends, brown morocco grain cloth sides, marbled edges and endpapers. With photogravure frontispieces on India paper to volumes I and III, 18 full-page wood engravings with tissue guards (5 double-page), numerous text illustrations and approximately 350 designs for chapter headings and borders (foliate and historiated) all by Aubrey Beardsley printed in red and black. Light soiling to vellum, slight bumps to tips, top edge of book block dust toned, sporadic faint foxing occasional and offsetting from full-page engravings and toning to their edges, a very good set.
Verlag: London; J. M. Dent, 1909., 1909
Anbieter: Keel Row Bookshop Ltd - ABA, ILAB & PBFA, Whitley Bay, Vereinigtes Königreich
Hard Cover. SECOND EDITION, complete in single volume, and LIMITED to 1000 copies only for the United Kingdom and 500 for America. Large octavo, pp. liv, 624. 20 plates including frontispiece,of which 5 double page, plus numerous illustrations throughout the text including chapter headings and decorative borders, by Aubrey Beardsley. Publishers' olive green cloth with gilt titles to spine, blocked in gilt with elaborate stylised lily design, also by Beardsley, to spine and upper board; top edge gilt. A slightly shaken copy with bruised upper corners and light wear to spine tips; paper cracked at inner rear hinge. Light foxing, largely to paste-down endpapers, otherwise contents clean with no annotation or inscriptions. Very Good overall. Beardsley's lavishly produced masterpiece and his first major commission, originally issued in twelve parts but here complete in a single volume with his decoration to every page. Beardsley (1872-98) was arguably the most controversial of the Art Nouveau artists and this volume is typical of his distinctive style. Heavyweight so a contribution towards increased postage costs will be requested for overseas delivery.
Verlag: Flame Tree Publishing 2017-10-06, Fulham, London, 2017
ISBN 10: 1786645513ISBN 13: 9781786645517
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Beardsley, Aubrey (illustrator). Language: ENG.
Verlag: William Caxton, Westminster, 1909
Anbieter: The First Edition Rare Books, LLC, Cincinnati, OH, USA
Erstausgabe
Leather bound. Zustand: Near fine. Limited edition of The Birth, life, and Acts of King Arthur by Thomas Malory. (illustrator). Limited Edition. Quarto, liv, 624pp. Rebound in quarter morocco, title in gilt on spine. Marbled paper boards, new endpapers. Solid text block, light wear to corners, even toning throughout, a near fine example. Previous bookseller's label affixed to front endpaper. Limitation page states this second edition printing with Aubrey Beardsley designs "is limited to 1000 copies for the United Kingdom and 500 for America." Complete with twenty full-page plates, with numerous in-text illustrations. Frontispiece protected by tissue guard.
Verlag: The Boydell Press (printed by The Moxon Press, Leeds, on antique laid paper made by William Somerville and bound by Alderman Bookbinding, Ipswich), London, 1985
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Legature editoriali in piena tela beige con titoli e ricche impressioni in oro al ds. e ai piatti. Entro cofanetto rigido. Esemplare in perfetto stato di conservazione. Edizione a tiratura limitata di 500 copie che riproduce in facsimile la prima edizione dell opera, con l aggiunta di una introduzione di Derek Brewer. 8vo (cm. 24), 2 Voll., 12 cc.nn., LXIV pp., 455(1) pp.; 5 cc.nn., da p. LXV a p. XC, da p. 457 a p. 990, 3 cc.nn., 15(1) pp. Con fregi, decorazioni, num.me ill.ni n.t. e tavv. (anche a doppia pagina) f.t., il tutto opera di Aubrey Beardsley.
Verlag: J. M. Dent, New York, 1927
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, USA
Cloth. Zustand: Very Good. Third edition. 4to (31 cm); lv, 538 p., [22] leaves of plates, including one half-tone, two engravings, and 19 cuts (five of them double-page). Many illustrations and ornaments in text. Original black cloth with Beardsley's floral design in gilt. Top edge gilt. Rebacked, with original spine laid down. Text extremely good, unstained, with pages toned at edges. No dust jacket. Illustrated with 20 full page plates, including 2 from etchings and 18 from woodcuts (five are double-page) by Aubrey Beardsley with tissue-guards, plus approx. 280 woodcut chapter headers, initials, borders and ornaments throughout the text. Introduction by John Rhys. Note on Aubrey Beardsley by Aymer Vallance. Note on the designs omitted from the first edition by R. A. Walker. Caxton's Preface from the 1485 edition. Glossary. Edition limited to 1600 copies.