tschumi, Erstausgabe (89 Ergebnisse)

Hardcover. 24 x 15 cm. Paper. 299 p., with libr.stamps, not really fresh. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wir kaufen Ihre werthaltigen Bücher! A3875.

hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy in a well preserved dust wrapper, the text is free of marking, 190pp.

hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy in a well preserved dust wrapper, the text is free of marking, 190pp.

Paperback. Zustand: Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall: tight, bright, clean and strong. Physical description: 299 p. ; 24 cm. Notes: Bibliography: p. 287-294.Subjects: English poetry 20th century History and criticism. 1 Kg.

Soft cover. Zustand: Fine. 1st Edition. Trade paperback, 192pp b/w illustrations, fine paperback with French flaps. Hays argues that Aldo Rossi, Peter Eisenman, John Hejduk, Bernard Tschumi, etc. were the last architects with philosophical aspirations.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Excellent condition hardcover, unmarked text, light edge wear to unclipped dust jacket, Ships from Berlin Bookshop bxn59.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 185 pages; Description: 185 p. : ill. (some col. ) ; 30 cm. Catalog of an exhibition at the San Francisco Museum of Modern Art Oct. 9, 2004-Jan. 16, 2005. Includes bibliographical references (p. 180-183) . Subjects: Fashion design --History --Industrial design --Architectural design --Architecture, Modern --History --20th century --Aesthetics, Modern --Exhibitions. Summary: As one of the most alluring yet elusive concepts in contemporary style, glamour is an ideal that permeates our visual culture. This lavishly illustrated book radically revises our understanding of glamour in fashion, industrial design, and architecture. The volume traces glamour's trajectory from its historical middle-class origins to its present-day connotations of affluence and elegance. In doing so, Â"glamourÂ" is established as a new critical category for design that embraces richly decorative patterns, complex layering, sumptuous materials, and sculptural forms. Following a general introduction on the culture and consumption of glamour, three essays explore the concept as it has evolved in the fields of fashion, design, and architecture. Valerie Steele examines the construction of glamour from nineteenth-century fashion through the golden age of Hollywood and beyond, addressing the creations of Adrian, Christian Dior, Chanel, Gucci, and Versace, among others. Phil Patton discusses the industrial designs of Bentley, Jakob + MacFarlane, Marc Newson, Greg Lynn, and more, linking postwar culture's fixation on consumer goods to the establishment of class identity and the intricacies of branding and marketing. Joseph Rosa identifies the roots of glamour in projects by postwar architects such as Philip Johnson and Paul Rudolph, exploring their influences on contemporary architects such as Herzog and de Meuron, Bernard Tschumi, and Neil Denari. Presenting a diverse array of striking couture, design objects (from cars to watches) , and buildings (both built and unbuilt) , this beautiful book is essential for anyone interested in fashion, design, or architecture. 2 Kg.

Illustr. Karton - Geheftet. Zustand: Ordentlicher Zustand. Zustand des Schutzumschlags: Kein Schutzumschlag. Erste Auflage. kleiner katalog zur ausstellung mit abbildungen ohne seitenzählung; einband etwas angestaubt mit kleinem namenseintrag - sonst gutes exemplar,

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by L'Arca Magazine, 1997. Quarto. Paperback. Text is in Italian and English. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Sehr gut. 1. Auflage. BE: 27 x 21 cm, 224 Seiten, 150 farbige und 34 s/w Abbildungen - Six Feet Under" vereint Werke aus verschiedenen Jahrhunderten. Das Hauptgewicht liegt indes auf zeitgenössischer Kunst aus verschiedenen Kontinenten und Zivilisationen Europa, Amerika, Mexiko, China, Japan, Indonesien, Ghana. Wichtige Themenkreise in der Ausstellung betreffen Kinderbegräbnisse (von Albert Anker bis Teresa Margolles), Totenköpfe (von Stefan Balkenhol bis Com&Com), Kadaver (von Félix Vallotton bis Andres Serrano), der Tod des Künstlers (von Ferdinand von Rayski bis Gianni Motti), Särge (von Ferdinand Hodler bis Joe Scanlan), Todesrituale (von Max Buri bis Jean-Frédéric Schnyder), geliebte/verehrte Tote (von Cuno Amiet bis AA Bronson), Tod und Lifestyle (von Martin Kippenberger bis John Armleder).

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 11,5 x 16,5 cm, 64 pages, colour illustrations - The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images. A Group Panorama 2000 project: Ursula Freiburghaus, Claudia & Julia Müller, Andreas Reuter, Dominique Salathé, Valentin Spiess, Juri Steiner, Monica Studer, Volker Trommsdorff, Emanuel Tschumi, Pius Tschumi, Christoph van den Berg.

Zustand: Very Good. 1951. First Edition. Hardcover. 8vo.Good copy in original cloth with slightly worn dustwrapper. . . . .

Hardcover. Zustand: Sehr gut. 1. Auflage. M : 146 pages, 80 illustrations couleur. - Le catalogue Ataa Oko, publié à l'occasion de l'exposition qui lui est consacrée, est le premier ouvrage monographique sur ce créateur africain.

softcover. Zustand: Fine copy. Profusely illustrated (illustrator). 1st. Small 4to, 160 pp., A volume in the series "Source Books in Architecture".

Olwd. m. läd. OU. 4°. XIV,751S. Mit 282 Abb. u. 11 Kunstdrucktafeln, 2 Karten u. 2 Tabellen. - Eine Lage ose. 5000 gr.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. Z : 21 x 27 cm, 96 Seiten, zahlreiche s/w Abbildungen.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 32 cm, relié, couv. toilée, 296 pages, 150 illustrations en couleur et 40 en n&b) - La collection d'art de l'entreprise Nestlé, située à Vevey au c ur du bâtiment historique créé par Jean Tschumi à la fin des années 1950.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 190. Original publishers black cloth, lettered gilt at the spine. Limited edition of 1500 copies. Fine in very good indeed dust jacket.

Softcover. 26 x 18 cm. Originalbroschur. Der Umschlag ist stockfleckig und nahezu lose, der Rückenbezug mit Fehlstellen bis zu 4 cm. Vollständig mit den Seiten IV, 81 - 143 (1) der fortlaufenden Jahrgangspaginierung, mit einfarbigen Abbildungen im Text und auf 2 Tafeln. Innen sauber und insgesamt noch gut erhalten. Georg Hüsing, die Vorgeschichte und der alte Orient/ O. Tschumi, neuere steinzeitliche Fundstellen der Schweiz/ J. Bayer, das Alter des Artefakts aus der Petöfigasse in Miskolcz und anderer angeblich paläolithischer Steingeräte/ Anton Hrodegh, eine jungneolithische Höhensiedlung am Koglberg bei Zöbing, Bezirk Krems/ Leonhard Franz, die hallstättischen Hügelgräber von Bernhardstal, Rabensburg und Bullendorf/ Hella Pöch, die Schädel aus dem ersten Tumulus von Bernhardstal/ N. Vulie, die Ortsnamenkunde in der Urgeschichte/ Anton Hrodegh, über die jungneolithische Besiedlung der Heidenstatt bei Limberg und des Vitusberges bei Grafenberg/ Leonhard Franz, Vorgeschichtliche Funde aus Rumänien/ -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wir kaufen Ihre werthaltigen Bücher! K07202-403771.

1. Aufl. 19 S. mit s/w. Ill. zur Dorfhistorie. Der Einband minimal berieben, die untere Ecke leicht bestoßen, rs. gering staubfleckig und mit einer schwachen Druckstelle (Abdruck der Heftklammer der eingelegten dt.-spr. Textseiten), ansonsten innen die Seiten in guter Erhaltung. -In französischer Sprache! -Beilage: eine 7-seitige dt.-spr. Übersetzung des franz. Originaltextes dieser Ausgabe: `Das Dorf`: Zur Zeit der Künstler-Schule von Barbizon! Die Textseiten stoßfaltig, da größer als die Broschüre. -Selten! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Französisch Gewicht in Gramm: 120 21x20,3 cm. Ill. OBrosch., Klammerheftung.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 22,6 × 32,0 cm, 80 Seiten, 125 Abbildungen, 16 in Farbe, Sattelzug mit Kunststoffabdeckung genäht, - Der Ankauf von Werken von Zürcher Künstlerinnen und Künstlern steht nicht isoliert, sondern gehört in den größeren Kontext der Kunst- und Kulturförderung der Stadt. Die Publikation widmet sich diesem Kontext und beleuchtet historische, theoretische und praktische Aspekte der städtischen Kunstsammlung und bietet Essays und Materialien zum Thema Sammeln. Neben den Texten und dem illustrierten Ankaufsverzeichnis zeigt die als Arbeitsbuch konzipierte Publikation auch drei eigens für die Publikation vorbereitete Künstlerbeiträge und wird so zu einem eigenständigen Sammlungsstück.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 208 Seiten, 24,5 x 24,5 cm, durchgehend farbig und s/w illustriert -.

Zustand: Sehr gut. 4°. 34 x 25 cm. 203 Seiten. Original-Leinenband mit Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Mit zahlreichen Abbildungen. Blätter im Randbereich minimal gebräunt, ansonsten sehr gutes Exemplar. First edition. English language edition. With many illustrations. Original cloth binding with dust jacket. Sheets slightly darkened at the margins, otherwise fine copy.

Soft cover. Zustand: Near Fine. 1st Edition. Large-format softcover, measuring approximately 9.25" x 12.25", is in near fine condition, with crease to lower outside corner of rear cover. Binding is sound. Interior is clean and bright. 104 pages. "This book presents a radical architecture, exemplified by the recent work of seven architects. Illustrated are projects for Santa Monica, Berlin, Rotterdam, Frankfurt, Hong Kong, Paris, Hamburg, and Vienna, by Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha M. Hadid, Bernard Tschumi, and the firm of Coop Himmelblau.".

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Contents: Author's Preface. Introduction. 1. The chessboard model of architectural styles. 2. The danger of deconstructivism. 3. Charles Jencks and the new paradigm in architecture. 4. Deconstructing the decons (with Michael Mehaffy). 5. Death, life and libeskind (with Brian Hanson). 6. Warped space. 7. Twentieth-Century architecture as a cult. 8. Aggression in architectural education: the 'Coup' in Viseu. 9. Anti-architecture and religion. 10. Contemporary church architecture and Saint Augustine's 'The city of God'. 11. The Derrida Virus. 12. Background material for "The Derrida Virus" (includes sections co-authored with Terry M. Mikiten). 13. The new Ara Pacis Musum. 14. The new Acropolis Museum. 15. Architectural theory and the work of Bernard Tschumi. 16. Christopher Alexander and the new architecture (includes an interview with Christopher Alexander). 17. Ray Sawhill interviews Nikos Salingaros. References. Index. "In [this] series of learned and moving critical essays, Salingaros and various close associates argue that we understand life in architecture as the background to human community - the preparation for our dwelling place. One day, perhaps, Salingaros will be required reading for architects. If that happens it could just be that a new orthodoxy will emerge, in which humility, order, and public spirit - the virtues which have been chased from the discipline by the starchitects - will be the norm." - Roger Scruton. "What are the ideas and aims of the current architectural elite? And what might explain why these flawed ideas have such a powerful hold on so many people? This is a stunning and deep book, as interesting for its analyses of psychology and politics as it is for its discussion of architecture." - Ray Sawhill. "This book should be required reading in every institution concerned with the teaching of architecture, planning, and all other aspects of the built environment. It should also be read by every person claiming to be an architect." - James Stevens Curl. "I have just finished reading this long-awaited book. It's worth reading, even if you do not need convincing that Decon is a fraud. The revelation is the depth and extent of the fraud." - Andres Duany. "There are some serious thinkers today, such as Christopher Alexander and Nikos A. Salingaros, who believe we are due for - or at least need to have - a major paradigm shift in architecture, to save it. Unfortunately, architects on the whole are not very literate, so don't read theoretical books and critical articles by such thinkers. Mostly they look at pictures." - Paul H. Malo. "Nothing in recent years beats the latest from Nikos Salingaros, 'Anti-Architecture and Deconstruction . a remarkable book. Nikos writes architecture criticism of the highest order. His genius lies in his ability to build from the specific to the general, which is the opposite of the tendency of academic theorists of architecture. His commentary on Libeskind, on Tschumi, on Derrida, on Charles jencks is definitive" - Fraqncis Morrone.

Hardcover. Zustand: Fine. First Edition. Hardback. Dust Jacket. 8vo. pp 190. Original publishers black cloth, lettered gilt at the spine. Limited edition of 1500 copies. Fine in fine dust jacket.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z/B : Two volumes/2 Bände, 21 x 29 cm, 408 Seiten/pages / 1100 illustrations in color/Farbabbildungen, / with DVD. - The art team RELAX is Marie-Antoinette Chiarenza and Daniel Hauser, and the "Co." includes their shifting partners. This 21-year oeuvre asks inconvenient questions about societal, political, theoretical and social connections and mores via photography, installation, drawing, video and performance. A two-hour DVD, four essays, and 500 illustrations illuminate 150 works.

4°, 116 S.m. zahlr., teils ganzs. Textillustr., OLwdbd.m. rot/schwarzgeprägt. TSchrift, Kap. ger. berieben, minim. gebräunt; schönes Expl. Erste Ausgabe mit diesen Illustrationen.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 582 pages, 578 color and 183 b/w illustrations - This book offers a unique collection of brief texts and annotations as well as an abundance of images, sketches, drawings, watercolors, ect., by Friedman himself. It also features a vast range of documents related to his work. In pert II, architecture historian and theorist Manuel Orazi gives an analysis of Friedman's oeuvre, based on extensive research. He follows the architect's progress though disciplinary and geographic areas apparently remote from one another, in which Friedman has been moving erratically and incessantly. Orazi also expands on historical, social, and political contexts. A documentation of Friedman's intellectual relationships and other resources, an interview with Swiss architect Bernard Tschumi about Freidman, and a comprehensive bibliography round out the book.