Kunst, franz von stuck, Signiert (6 Ergebnisse)

Handsigniert "Franz v. Stuck". Im untereren Plattenrand signiert "Franz Stuck" und betitelt "FORELLENWEIHER". Kräftiger und feinzeichnender Druck auf strukturiertem Papier, auf Karton aufgezogen.l Der tiefschwarze Druck mit seiner dichten Linienführung erzielt eine malerische Wirkung, die besonders in der Spiegelung im Vordergrund besticht. Das Motiv entstand nach dem Gemälde von Stucks aus dem Jahr 1890. - Franz von Stuck war ein bedeutender deutscher Maler, Zeichner und Bildhauer des Jugendstils und des Symbolismus. Er besuchte 1878-81 die Kunstgewerbeschule in München, danach die Akademie bei W. Lindenschmit (1829-1895) und L. Löfftz (1845-1910). Neben dem Unterricht führte er zum Broterwerb kunstgewerbliche Entwürfe aus.1892 gründete er gemeinsam mit W. Trübner (1851-1917) die "Münchner Sezession". In diesem Jahr unternahm er auch eine Reise nach Rom, wo er M. Klinger (1857-1920) traf, der ihn zum bildhauerischen Arbeiten anregte. 1893 erfolgte die Ernennung zum Professor, 1895 die Professur an der Münchner Akademie. 1900 erhielt er wegen seiner für die Villa Stuck entworfenen Möbel auf der Pariser Weltausstellung die Goldene Medaille. 1906 wurde er mit dem Verdienstorden der Bayerischen Krone geehrt und in den persönlichen Adelsstand erhoben.- Im Rand teilweise mit meist blassen Braunflecken. Sprache: Deutsch 28 x 23 (Plattengröße). 37,5 x 31,5 cm (Papier).

Kein Einband. Zustand: Sehr gut. Stuck, Franz von. "Kämpfende Faune". Orig. Radierung und Kaltnadel, 1889. Typographisch signiert und bezeichnet in der Platte unten und mit Bleistift signiert unten rechts. 10:14 cm auf breitrandigem Velinpapier im Format 37:52,5 cm. Signatur des Verfassers.

große Original-Kreidelithographie auf festem Papier, unten rechts mit Kohlestift vom Künstler eigenhändig signiert, Plattengröße ca. 36 x 44 cm auf Imperial-Folio-Blatt ca. 36,5 x 49 cm, im breiten Rand fachgerecht hinterklebte kleine Einrisse des altersbedingt brüchigen Papiers, die beim Ausrahmen entstanden sind, im oberen Rand außerhalb der bildlichen Darstellung ein einzelnes kleines Wurmloch, schöner und kräftiger Abzug vom Stein, sehr seltenes und auktionswürdiges Blatt August Wilde (1881-1950), pfälzischer Maler, Lithograph und Kunsterzieher, Schüler von Johann Caspar Herterich und Franz von Stuck in München, wurde vor allem durch seine Porträts und Landschaftsbilder bekannt. Die Klosterruine Limburg an der Haardt bei Bad Dürkheim, ehemals "Kloster zum Heilig Kreuz", ist eines eines eindrucksvollsten Zeugnisse frühsalischer Baukunst. In den imposanten Anlagen wurden im Mittelalter die Insignien des Heiligen Römischen Reiches Deutscher Nation aufbewahrt. 2100 gr.

Oil on panel. Size: 80 x 60 cm. Signed. With golden frame. The frame with some light flaking (only at the surface), otherwise in very good condition. The present painting shows Sven Hedin portrayed wearing a black astrakhan hat, binoculars, and a photo camera around his neck. A very similar version of this portrait was exhibited at theHaus der Deutschen Kunstin Munich in 1942. The portrait was made after a photograph of Sven Hedin, used as frontispiece in the English edition of one of his works:The Sino-Swedish expedition(1937-1967). Sven Hedin (1865-1952) was a Swedish explorer and travel writer, best known for his writings on the Asian continent. His expeditions led to significant discoveries, of archaeological and geographical nature. He was the first European to explore various regions in Tibet and Chinese Turkestan, while also unearthing ancient Buddhist cities in parts of China. Hedin undertook various expeditions, mostly in Central Asia: Iran (Persia at the time) in 1886 and 1890; northern Tibet (1893-1897); Tarim Basin, Tibet and Kashmir to Calcutta (1899-1902); Central Iranian desert basins, the western highlands of Tibet and the Transhimalaya (1905-1908), Mongolia (1923 and 1927-1935). He was the first to explore the Trans-Himalayan mountains of Tibet and between 1905 and 1908 he worked on a detailed map of the region. Numerous books, accounts of his travels were published as a result of these expeditions, such asThrough Asia(1898), the 13 volumes ofSouthern Tibet(191722),My Life as an Explorer(1926),The Silk Road(1938). His reputation suffered in the first half of the 20th century, due to his sympathies with Nazi Germany during WWII and lead to the loss of some influential friends and allies in the Chinese, Indian, and Russian governments. Due to the importance of his work, Hedin received many awards and distinctions, both in his lifetime and postmortem: 40 gold medals awarded by various Swedish and foreign scientific institutions; honorary doctorate titles from universities such as Oxford, Cambridge, Uppsala, Heidelberg, etc.; he was a board member of the Swedish Academy; species of flowers and insects, even fossils were named after him. Bruno Hein (1888-1955) was a German painter. As part of his art education, Bruno Hein studied in various places across the world. After studying in Wiesbaden, he enrolled in The Antwerp Academy and later went on to study in Paris under Professor Bouffier. Finally, his path led him to Franz von Stuck in Munich, whose masterclass he attended. Through his travels, Bruno Hein was prone to many artistic influences. Along the influence of von Stuck, Velasquez and Goya, whom he studied in Madrid's Prado, also count among influences on his painting technique. The Spanish king had Hein paint him a portrait during a stay of several years in Spain, while trips to Italy and the US broadened his artistic horizons and filled him with new ideas. In his adopted home of Munich, he finally settled in Schwabing near the Academy of Arts. When his studio was destroyed by bombs in 1944 and he no longer felt safe with his pregnant wife in Munich, Bruno Hein came to Reutlingen. After a short time, he made a name for himself there as a master of portraits and "painter of beautiful women", although he occasionally also dealt with landscapes (Swabian Alb, Bavaria). One of his most famous works from that time is the picture of the municipal council for the Reutlingen Town Hall. At the end of the 1950s, Bruno Hein moved to Bad Harzburg with his wife and their son. Hein died there at the age of 86 and was buried in Heiningen. This is one of the most iconic images depicting Sven Hedin, which would make an excellent contribution to the collection of any Sven Hedin aficionado. This beautifully executed painting can be considered a collector's item, depicting one of the greatest explorers of the 20th century. It presents a rare chance to acquire a portrait executed during Hedin's lifetime. Sprache: Deutsch Gewicht in Gramm: 6550.

Kein Einband. Zustand: Gut bis sehr gut. Paul Klee (1879-1940), Titel: Auslöschendes Licht, 1919. Lithographie. Format Motiv: ca. 16 x 12 cm, Format Blatt: ca. 28 x 22 cm, Format Rahmen: 62,8 x 54,8 cm. Signatur: In der Platte rechts unter der Darstellung signiert. Verso typografisch betitelt. Links unter der Darstellung betitelt. Verso bezeichnet mit: IX, Paul Klee, Steinzeichnung. Werkverzeichnis: Kornfeld 75 b, Söhn HDO 130-9. Das Blatt wird gerahmt angeboten. In säurefreiem Passepartout und schöner dunkler Holzleiste gerahmt. Zustand: Altersgemäß guter Zustand in schöner Rahmung. Anmerkung: Publiziert für das Kestnerbuch: Heinrich Böhme Verlag, Hannover. Paul Klee (1879-1940), title: Extinguishing Light, 1919. Lithograph. Format motif: approx. 16 x 12 cm, format sheet: approx. 28 x 22 cm, format frame: 62.8 x 54.8 cm. Signature: Signed on the plate right below the image. Typographically titled on the verso. Titled on the left below the illustration. Verso inscribed with: IX, Paul Klee, stone drawing. Catalog raisonné: Kornfeld 75 b, Söhn HDO 130-9. The sheet is offered framed. Framed in an acid-free passe-partout and a beautiful dark wooden strip. Condition: Good condition for its age in beautiful framing. Note: Published for the Kestnerbuch: Heinrich Böhme Verlag, Hanover. Signatur des Verfassers.

Windhund [windhound] lithograph in Jugendstil / Art Nouveau style by made Leo Rauth. Signed and dated in the print 1911. With original template colouring. Size: (paper) 38 x 38 cm. The ideal woman in the years before WWI was tall, with a slender waist but full hips and bosom, wavy hair, and who was fashionable and confident. Dresses had flowing lines, a train and a high waist. Women wore huge hats trimmed with large beautiful feathers and wide ribbons. Art Nouveau style had a significant impact on fashion, with its flowing lines, organic motifs, and delicate embellishments. Painter and graphic artist Leo Rauth (1884-1913) was a student at the art academies of Leipzig, Karlsruhe, Berlin, and Munich (under Franz von Stuck), and worked in Leipzig from 1909 onwards. Rauth painted portraits, nudes, carnival scenes, designed stage sets ("Les petits riens"), posters, and applied graphics. Price: Euro 1.450,- (including frame).