duchamp readymades (104 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

8° , Taschenbuch. Zustand: Gut. 224 S., mit 164 lll., 42 in colour Gebraucht: Guter Zustand. Contents: Preface / Origins / Catholicism and the Symbolist Inheritance / Passages / Dry Art, 'The Retinal Shudder' and the Planning of the Large Glass 7 The Bride STripped Bare by Her Bachelors, Even (the Large Glass) / Anti-Art, Rrose Selavy and Surrealism / The Readymades and 'Life on Credit" / Replicas, Casts and the Infra-thin / Etant Donnes / Postscript: Duchamp after Duchamp. Sprache: Englisch Gewicht in Gramm: 396.

Softcover. Zustand: Fine. First Edition. Sterling condition softcover copy in oblong, side-stapled format, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. First Edition, First Printing exemplar of a fine Marcel Duchamp retrospective. 30 pp., suffuse with 15 full color plates of some of Duchamp's work. "Bottle Rack," "Nine Malec Moulds," "L.H.O.O.Q." and other readymades.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Soft cover. Zustand: Near Fine. 8-1/2" x 11", 32pp (unpag.). Printed on calendered paper and saddle stitched with staples in uncoated printed card stock cover. Minor age discoloration, light soiling to cover. Binding is strong and tight, staples remain shiny. Pages are clean and bright and unmarked.

very good dust-jacket, very good green cloth, top edge of margin is slighlty wavy to the touch but very minor indeed. JOSELIT, DAVID. Infinite regress: Marcel Duchamp, 1910-1941. Cambridge, Mass: MIT Press, 1998, no additional printings noted on copyright page, x, 252pp., . Series: October books In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. Taking into account underacknowledged works and focusing on the conjunction of the machine and the commodity in Duchamp's art, Joselit notes a consistent opposition between the material world and various forms of measurement, inscription, and quantification. - CONTENTS: Introduction - 1. Mensuration En Abyme: Marcel Duchamp's Cubism -- 2. Between Reification and Regression: Readymades and Words -- 3. Modern Machines: From the Virgin to the Widow -- 4. The Self Readymade. 9780262100670 ISBN 0262100673.

Paperback. Zustand: Fine. Small Qto.,87 pages, colour illustrated. A Fine copy.

hardbound. profusely illustrated (illustrator). At time of publication this was the first major survey of Installation Art; Duchamp's first readymades, through the Pop tablueax of Kienholz, Oldenburg, Kaprow and Dine, and covering a global range of more contemporary installation; illustrated throughout in colour and b&w; worn patch to underside of rear board, o.w. Very Good in Very Good dustwrapper. Dustwrapper. 208pp. 4to. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.

Zustand: as new. Edited by Evelyn C. Hankins. Washington, D.C. : Hirshhorn Museum and Sculpture Garden & New York : Delmonico Books, Prestel, 2019. Hardcover. 220 pp. illustrations (some color), portraits (some color). 28 cm. - This book documents Barbara and Aaron Levine's extraordinary collection of Duchamp's work, one of the most significant private holdings of the artist in the world, which has been promised to the Hirshhorn Museum and Sculpture Garden. Acquired over decades, these artworks span Duchamp's entire career, demonstrating his critical role in the development of 20th-century art and his influence on artists working today. The collection features an exceptional group of readymades, such as Hat Rack, Comb, and With Hidden Noise, which exemplify how Duchamp elevated ideas over craftsmanship and aesthetics. Prints and drawings by the artist offer an introduction to his unique approach to reproductions, while portraits of Duchamp by Man Ray, Irving Penn, Diane Arbus, and Henri Cartier-Bresson reveal other sides of this enigmatic genius. The book also contains insights about Duchamp's significance as an artist and the rise and fall of his critical fortunes, as well as an interview with the collectors. This strikingly designed volume, with fold-outs and comparative illustrations, places Duchamp squarely in the context of both modern and contemporary art, and affirms his radical status as an artist with continued relevance today. Condition : as new copy. ISBN 9783791358734. Keywords : ART,

Softcover. Zustand: Near Fine. ART History Culture Philosophy -Marcel Duchamp is a founding figure of twentieth-century art and culture, the common source to which many contemporary movements trace their roots. His career has often been celebrated for its contradictions and discontinuities, its disparate parts unified only by their assault on the traditions of art. Jerrold Seigel offers a wholly different view, revealing a web of interrelated themes that unify Duchamp's work and tie it to his life.At the book's center is a reinterpretation of the famous "readymades," of which the urinal "Fountain" and the defaced Mona Lisa were the most shocking. By recovering their history, Seigel shows that their playful and rebellious surface veiled the meanings that linked them to Duchamp's pictures (especially the famous "Large Glass," here illuminated by a comprehensive new reading) and to his experiments with language. The result gives the artist's career the unity of a colorful and intricate puzzle.Behind that puzzle were the great modernist themes of isolation, perpetuated desire, and the imagined dissolution of the self. These themes entered Duchamp's mind both from his social and cultural environment and from the shaping experience of his family; around them were woven the patterns of working and loving that Seigel uncovers in his life. Duchamp emerges not just as a coherent, understandable personality, but as an exemplary one, his very eccentricities reflecting essential dimensions of modern experience.A mythic presence in modern culture, a hero whose story we tell for the sake of its valuable lessons, Duchamp opened the floodgates to a sea of questions about the nature and meaning of art. Seigel demands that we think again about these questions, and about the answers that Duchamp's heirs and followers have tried to give to them.pp. 307 illusts #310126  Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.

Soft cover. Zustand: Good. 1st Edition. Covers have light general wear. Spine not creased. The clear laminate at the top and bottom front has fine ridges.each about 2cm high (manufacturing fault?). Internally very clean. 340pp A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his 'readymades', (the standard terms used to describe Duchamp's works) has paradoxically served in a paternal role for post-1960s American artists, critics and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of Abstract Expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his readymades to destructure the contradictory notions of sexual difference and subjectivity. Size: 175mm x 255mm. Book.

Pictorial wrappers. As new. New York, Da Capo Press, 2002. Paperback. 190 pp. Illustrated. With chronology and bibliography. First published in 1975, this is the updated edition with new introduction.

Häftad, dek. omslag. Fint skick. Stockholm, Moderna museet, 2011. 4:o. 208 sid. Rikt illustrerad. / In Swedish. Utställning på Konstakademien 29 september-13 november 2011. - - - Produced as an extension of the exhibition organized by the Royal Swedish Academy of Fine Arts and Moderna Museet at the Royal Swedish Academy of Fine arts in 2011. For more than 50 years Linde has pursued intense studies of Duchamp's oeuvre and has made perfect replicas of all his major works. - - - (Moderna museets utställningskatalog, 367. / Konstakademiens skriftserie, 17.) - - - Published in conjunction with a Duchamp exhibition by Ulf Linde in Stockholm, 2011. Richly illustrated. Sewn as issued, pictorial wrappers. As new. In Swedish.

Zustand: New.

Zustand: New.

Zustand: New.

Stapled as issued, pictorial wrappers. Very fine. Frankfurt 2022. Large 8vo. 72 pp. Illustrated. Text in German. Published for an exhibition at The Museum für Moderne Kunst, Frankfurt am Man, April-October 2022.

Stapled as issued, pictorial wrappers, price label on lower cover. Fine. Philadelphia, Philadelphia Museum of Art, 1987. 8vo. 68 pp. Illustrated. (Second reprint of the Philadelphia Museum of Art Bulletin, volume LXIV, numbers 299 and 300, April-September 1969, with the 1973 Afterword by Anne d'Harnoncourt.).

(DuMont Taschenbücher 283.). Pictorial wrappers. As new. Köln, DuMont Tachenbücher, 1992. Paperback. 380 pp. Bibliography and index. In German.

Zustand: New. A catalog documenting an exhibition of Marcel Duchamp's editioned readymades at Gagosian Gallery, New York, replicating his American debut at Cordier and Ekstrom in the same building in 1965 and including new essays. Num Pages: 115 pages, 55 colour and black and white illustrations. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 199 x 277 x 18. Weight in Grams: 572. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. 2025. New. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked, with slight forward cock to spine. Bright and shiny dust jacket, illustrated, little worn. From the personal library of the feminist art historian extraordinaire, Dr. Whitney Chadwick, a giant across many fields. From the publisher's blurb, "In Couture Culture, Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry, Paul Poiret, Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture, which, although designed for the wealthy, was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture, the professional theater and the fashion show, as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp, who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s." Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. xi [2], 2-438 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2006 in the subject American Studies - Culture and Applied Geography, grade: 1, Friedrich-Alexander University Erlangen-Nuremberg (Anglistik), course: Proseminar 'Start Spreading the News': New York and Early Modernism, language: English, abstract: Never conventional, never following the rules of any given norm, but in contrast, making ironic statements on society, turning 'normal' items, traditions or circumstances into absurdity. This was what Dada artists like Marcel Duchamp, Francis Picabia, Man Ray, the Baroness Elsa von Freytag-Loringhoven and other practitioners were aiming at. A well-remembered incident is the scandal that introduced the concept of Dadaism into American Art. Duchamp brought a urinal to the first exhibition of the Society of Independent artists on 10 April 1917. He did not change anything, but moved it from its original place, called it 'Fountain' and signed it with the pseudonym 'R. Mutt'. Only four days before the exhibition took place, president Woodrow Wilson had declared war on Germany. As Michael R. Taylor writes in his essay 'New York Dada', this event 'may have played a role in Duchamp's decision to enter his scandalous submission'. The New York Dada artists wanted to show their neglect of the cruel war in Europe and with their art challenged ideas about art which were commonly accepted. They produced 'paintings, mixed-media assemblages, sculptures, found objects, readymades, photography, and performances' (Taylor, 277). With the photomontage, the film or a photography the author of a work could not be guessed by looking at the work of art (Taylor, 277), the importance of the work was rather the message behind it. The message to a society which had absurd traditions, absurd machineries whith which people killed each other and a society that had cultural prejudices, which again were absurd. Having this common interest the New York Dada artists soon came together in the appartment of Louise and Walter Arensberg in 33 West 67th Street which served for their meetings from 1915 to 1921. 'It was while surrounded by this stunning array of paintings and sculpture that the group members hotly debated such topics as art, literature, sex, politics, and psychoanalysis, while others preferred to play chess, drink champagne, or dance the night away in their bare feet.' (Taylor, 278).

Taschenbuch. Zustand: Neu. Neuware - Als Marcel Duchamp vor 100 Jahren das Readymade erfand, war nicht abzusehen, dass x-beliebige Alltagsgegenstände die Kunst so nachhaltig beeinflussen würden. Das Buch The Readymade Century beleuchtet seine Readymades aus zwei Perspektiven: Der Readymade Index untersucht die Genese und Konsistenz von Duchamps Konzept in den ersten fünfzig Jahren des 'Readymade Century' zwischen 1914 und 1964. Derzweite Teil Readymade Exposition beschreibt die weit über die Lebenszeit des Künstlers hinausreichende Wirkungsgeschichte. Das Scharnier zwischen beiden Kapiteln bilden die Edition von Duchamps Readymades als Multiples und die Ausstellung von Andy Warhols Brillo Boxes. Zeitgleich - aber unabhängig voneinander - markieren diese beiden Ereignisse im Jahr 1964 einen Wendepunkt in der Mitte des 'Readymade Century', der unmittelbare Relevanz für die heutigen künstlerischen Praktiken des 'schon Fertigen' hat. Das Buch verbindet theoretische Reflexion mit der visuellen Aufführung von Kunst.

Pictorial boards. Fine. Köln, Walther König, 2014. 8:o. 112 pp. Illustrated. In 1945 Marcel Duchamp published a photographic self-portrait in the American magazine View, which depicts him, according to the caption, "at the age of 85." In reality he was, at the time, only 58 years old. Thus far the circumstances of surrounding this incunable of the "staged photograph" were unknown. A recently discovered script by Friedrich Kiesler is published in this book for the first time, in which he describes in full detail how he assisted his friend Marcel Duchamp to style himself as a senile artist-philosopher in front of the camera of New York photographer Percy Rainford. The well-known Duchamp expert Herbert Molderings interprets Duchamp's self-portrait as an innovative, conceptual use of photography. The camera was used as a "time machine," but not, as customary, to capture a present moment, but rather to look into the future.

Buch. Zustand: Neu. Neuware - A collection of provocative quotations from one of the most influential artists of the twentieth centuryDuchamp-isms is a selection of illuminating quotations from Marcel Duchamp (18871968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his "readymades"everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting Nude Descending a Staircase, No. 2 (1912) and Fountain (1917), a readymade composed of a men's urinal signed "R. Mutt." Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, Duchamp-isms offers rich insights into the mind of a true icon of modern art.The quotes in Duchamp-isms, drawn primarily from interviews, have been selected and introduced by Francis Naumann, a leading authority on Duchamp, and organized in eight thematic sections: philosophies of art; painting; Dada and Surrealism; the readymades; chess; literary influences; commercialism in art; and philosophies of life and death. The book also features a brief chronology of Duchamp's life and career.

Taschenbuch. Zustand: Neu. Neuware - Published on the fiftieth anniversary of Marcel Duchamp¿s death, Duchamp¿s Last Day offers a radical reading of the artist¿s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context¿the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist¿s death can be read as an extension of his work. Shambroom¿s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author Man Ray or Duchamp Is it an artwork or merely a record Has the artist himself turned into one of his own readymades A fascinating essay that is both intimate and steeped in art history, Duchamp¿s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom¿s book is a wonderful study of one of the greatest artists of the twentieth century.

Taschenbuch. Zustand: Neu. Neuware - Marcel Duchamp is considered to be the most influential artist of the current century. He said his readymades may be his most important contribution. This booklet explains the strategies he used to create them and shows them to be far more than randomly chosen objects. It explains Duchamp's background and linguistic nuance simply and clearly. A must read for anyone interested in art.