bob dylan, Signiert (81 Ergebnisse)

Hardcover. Zustand: Fine. First Edition. Hardback. 4to. pp 159. B/w photos throughout. Limited Edition. This book numbered 243/250 bound in original full red/ maroon textured leather, all edges gilt. In fine original slip-case. First edition. One of 250 numbered copies signed by Feinstein with an original signed photograph by him. The photo is a b/w contact strip of 12 images showing Bob in classic black suit and shades fooling about with a couple of band members by an abandoned warehouse in Liverpool UK. One photo highlighted with yellow outline contact strip style. Feinstein took some of the most memorable shots of Dylan in the sixties when he was at his very coolest, and they are here finely reproduced here ISBN 10: 1905662130 / ISBN 13: 9781905662135 Fine in slightly used sound serviceable original printed mailing box. Fine. Signedes.

38 Auflage. Jahr: 2001. Einband: Broschur. Beschreibung: 2001 - Ehem. Bibliotheksexpl. mit Signaturaufkleber am unteren Buchrücken, RFID-Tag auf dem Spiegel, Barcodeaufkleber, Stempeln und Signatur auf dem Titel recto. Innen sauber erhalten. 1236 S.

Zustand: Good. 2019. No Edition Remarks. 219 pages. Signed by the author. Paperback book with pictorial cover. Signed by the author with dedication to first page. Black and white photographs throughout. Binding remains firm. Pages and photographs remain bright and clear. Paper cover has mild edgewear with curling to corners. Spine is in good condition.

Softcover. Zustand: Very good +. 255 p. 22 cm. Paperback. Inscribed by author on title page. Pencil underlining throughout. Essays on Yeats, Walter De la Mare, Bob Dylan, Tolstory, Katherine Anne Porter, La Fontaine, etc.

S/W-Porträtfoto (quer 8°, bei Besprechung), bildseitig eigenhändig signiert.

Paperback. Zustand: Very Good. First Edition. Wraps. Slim 8vo.pp.27 ISBN:1899604235. Poetry. Signed presentation from the author:"To Joyce Best wishes Paul." Original publisher's card binding in red with black lettering and abstract illustration. Title probably from Bob Dylan song.Desolation Row. Very good indeed. Very slightly faded at spine. Signedes.

RADIKALES THEATER 2, hrsg. und Nachwort von Ute Nyssen Kiepenheuer & Witsch Köln, 4. Aufl. 1972, 175 SS. Pb. 4° auf gelbem Papier, , schön erhalten - von Carl Weissner mit Datum 20.III.10 eigenhändig signiert ENTHÄLT : Heathcote Williams: Wechselstrom/Gleichstrom, Deutsch von Carl Weissner; Ronald Travel: Gorilla Queen, Deutsch von Marlies und Horst Laube.

Hardcover. Zustand: Fine. First Edition. Hardback. 4to. pp 140. Copiously illustrated in colour and black and white throughout. Numbered '920' from the edition of 3000, signed by Jeff Lynne, together with a facsimile lyrics sheet in silver prited purple envelope, Book is attractively cloth-bound with The Traveling Wilburys colour logo housed in a colour illustrated corduroy slip case. Fine. The greatest superoup ever-- Bob Dylan, George Harrison, Roy Orbison, Tom Petty and the Boswell of the group - the mighty Jeff Lynne. Fine. Signedes.

[Rock and Pop Photography] DELUXE SIGNED LIMITED EDITION, number 70 of 250 copies thus, SIGNED by the photographer to the limitation page. Quarto (30 x 30cm), pp.294. Illustrated throughout with colour and black and white photographs. Including an original photographic print of Dylan signed by Schatzberg, a leading New York photographer and film director, in an orange sleeve loose to preliminaries. Publisher's brown full morocco, with blind titles to spine and a print of Dylan laid down to upper. All edges silver. Housed in the original blind-embossed brown buckram slipcase, and protected by a printed tan felt drawstring bag. A fine, as-new copy, sealed in the original packaging. The book mostly comprises shoots from the Blonde on Blonde era (1966-7) but also includes subjects such as Andy Warhol, The Rolling Stones, Willie Nelson, Faye Dunaway, Steve McQueen and Al Pacino. A Genesis Publications 'Hall of Fame' title.

hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Signed (?) Limited. A very unusual book. Issued by the publisher Simon and Schuster as a signed limited edition, and originally priced $599, later reported to be an autopen signature. This is one of the "signed" copies with the publisher's printed price of $599. Fine in a fine jacket, "signed" by Bob Dylan on publisher's page represented by the publisher as "this signed edition specially bound by the publisher." A complete row of numbers to 1 on the copyright page. This is one of 900 copies that were signed "Bob Dylan" by an Autopen. Originally Simon & Schuster issued a letter claiming "the copy of the book you hold has been hand-signed by Bob Dylan". They were later to issue a retraction stating that the signature was made using an autopen. This is a very nice Collectible copy of Nobel Prize Winner Bob Dylan's first book since Chronicles: Volume One in 2004, made more collectible by the autopen signature.

First edition of Dylan's revealing autobiography. Octavo, original half cloth. Signed by the author on the title page. Fine in a fine dust jacket. Jacket design by Coco Shinomiya. PSA/DNA LOA and sticker to the title page. Housed in a custom half morocco clamshell box by the Harcourt Bindery. "I'd come from a long ways off and had started a long ways down. But now destiny was about it manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. By turns revealing, poetical, passionate and witty, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times and provides a mesmerizing window into Bob Dylan's thoughts and influences.

First pressing of this album by the Nobel Prize-winning author. Quarto, 2 original vinyl records. Boldly signed by Bob Dylan on the front panel. In fine condition. Rare and desirable signed. Release on August 26, 2006 by Columbia Records, Dylan's Modern Times was the third work (following Time Out of Mind and Love and Theft) in a string of albums by Dylan that garnered wide acclaim from critics. It continued its predecessors' tendencies toward blues, rockabilly and pre-rock balladry, and was self-produced by Dylan under the pseudonym "Jack Frost". Modern Times became Dylan's first No.â 1 album in the U.S. since 1976's Desire and was also his first album to debut at the summit of the Billboard 200, selling 191,933 copies in its first week. At age 65, Dylan became the oldest living person at the time to have an album enter the Billboard charts at No.â 1. n the 2012 version of Rolling Stone magazine's list of "The 500 Greatest Albums of All Time", Modern Times was ranked at No.â 204.

First edition of Dylan's first book. Octavo, original cloth. Signed by Bob Dylan on the half-title page. Fine in a near fine dust jacket with some light wear to the extremities. Housed in a custom half morocco clamshell box.ÂRare and desirable signed by Dylan. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

First edition of this collection of songs from the 1960's folk music scene. Quarto, original cloth, with 112 pages with photographs. Signed by Bob Dylan in a contemporary hand on the front free endpaper. Features photos and tabulature of music by Joan Baez, Bob Dylan, Jack Elliott, The Greenbriar Boys, The New Lost City Ramblers and Peggy Seeger. Introduction by Pete Seeger. Notes by Earl Robinson. Rare and desirable signed by Dylan. Bob Dylan often performed, and sometimes toured, with Joan Baez, starting when she was a singer of mostly traditional songs. As Baez adopted some of Dylan's songs into her repertoire and even introduced Dylan to her avid audiences, a large following on the folk circuit, it helped the young songwriter to gain initial recognition. By the time Dylan recorded his first LP (1962) he had developed a style reminiscent of Woody Guthrie. He began to write songs that captured the "progressive" mood on the college campuses and in the coffee houses.

First pirated edition of Dylan's first book. Octavo, original wrappers as issued. Signed by Bob Dylan in a contemporary hand on the title page. One of the earliest pirated editions of Dylanâs novel, taken from the Macmillan 1966 proofs after production was delayed, pre-dating the 1971 trade edition. In very good condition. Housed in a custom half morocco clamshell box. Scarce and desirable signed by Dylan. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

8vo. Pp: 92. ISBN: 1873012691. Paperback with publisher's illustrated covers. Anthology of fifty poets to "celebrate the unique achievement of Bob Dylan." Signed by editor Phil Bowen and two contributors (Ann Gray and Matthew Sweeney). Other contributors include Jeremy Reed, Allen Ginsberg, Adrian Mitchell and Judy Gascoyne. Very good. Minor shelf wear to covers, but otherwise an excellent, unmarked copy.

Zustand: FINE. First printing. A collection of provocative and idiosyncratic essays, both previously published pieces and new essays, spanning his career on topics ranging from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, book touring, James Brown and Marlon Brando and much more. Many of these essays, in which he talks about Brooklyn, his father and his 20 years as a writer are very personal. SIGNED and dated on the title page. xxiv, 437 pp. Fine in a fine dust jacket (top of spine slightly pushed.).

Hardcover. First edition. 497pp. Octavo [25 cm] Red printed boards. Fine/Fine. What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as "New Journalism." As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he'd already established himself, to use his friend Bob Dylan's words, as "a folk-music scholar"; but when Dylan went electric in 1965, Nelson went with him. During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock's first stateside mainstream proponents, embracing The Sex Pistols and The Ramones. But in 1982, he walked away from it all Rolling Stone, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy a week passing before anybody discovered his body almost everything he'd written had been relegated to back issues of old music magazines. How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory? With Paul Nelson's posthumous blessing, Kevin Avery spent four years researching and writing Everything Is an Afterthought: The Life and Writing of Paul Nelson. This unique anthology-biography compiles Nelson's best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson's friends, family, and colleagues, including several of the artists about whom he'd written. Bruce Springsteen says, "He is somebody who played a very essential part in that creative moment when I was there trying to establish what I was doing and what I wanted our band to be about." This is a landmark work of cultural revival, a tribute to and collection by one of the unsung critical champions of popular art.

Zustand: Gut. Überarb. und erw. Neuausg. 221 S. Mit Widmung des Autors. Bleistiftanstreichungen oder -anmerkungen. - Die Legende vom heiligen Hobo BOY FROM THE NORTH COUNTRY -- Die diebische Elster VILLAGE VOIGE -- Glory Days I SING THE BODY ELECTRIC -- Speed Kills AMPHETAMINE JAHRE -- Der englische Patient HÖRSTURZ -- Motorcycle Nightmare DIE LEGENDE LEBT -- New Morning TOD UND WIEDERGEBURT -- Nach ihm die Sintflut SONG AND DANCE MAN -- "Blood On The Tracks" DYLAN MALT SEIN MEISTERWERK -- Glaubensgewissheiten und andere Irrfahrten HE NOT BUSY BEING BORN IS BUSY DYING -- Heute dreißig Jahr NUN SINGET UND SEID FROH -- Der Sänger, nicht der Song THE NEVER ENDING TOUR -- Immer weiter und unsterblich BOBISGOD -- Some speak ofthe Future FADE OUT ISBN 9783499627163 Sprache: Deutsch Gewicht in Gramm: 238 Mit zahlr. Abb. Originalbroschur.

Zustand: Gut. 1. Aufl. 258 S. Mit Widmung des Autors. - »1. Kapitel - in dem Trubschacher das Aktionsbündnis Fahrlässiger Hypochonder (AFH) gründet und jeden Cent umdreht in der Hoffnung, darunter vielleicht doch noch einen Pfennig zu finden.« Mit Trubschacher, einem Mann, der keinen Lebenslauf hat, sondern an ihm teilnimmt, stellt Heinz Rudolf Kunze sich ein Alter Ego an die Seite, um die Welt ganz anders, gebrochen, verquer zu erfahren. Bei Trubschacher/Kunze ist -beinahe - alles möglich: Geld denkt, Bob Dylan und Miles Davis machen einen Ausflug, und Lady Di ist noch am Leben. Die Themen der beiden sind vielfältig: Musik, Philosophie, Eltern und Kindheit -und der Alltag in all seinen Tiefen und Untiefen. Ein Buch wie Kunze selbst: einzigartig, gewagt und immer originell. ISBN 9783351033637 Sprache: Deutsch Gewicht in Gramm: 419 Originalhardcover mit Schutzumschlag.

Kl.-8°. Orig.-Pappband. 226 S., Sehr gutes Exemplar. Covergestaltung: Favoritbüro, München. Sprache: Deutsch Gewicht in Gramm: 800.

430 pages. With a lot of illustrations. Illustrated original softcover binding. (Partially a little used). 28x22 cm * rwin Silber (October 17, 1925 September 8, 2010) was an American Communist, editor, publisher, and political activist. Irwin Silber was born in New York City, to Jewish parents. As a young man, Silber joined the Young Communist League, the youth section of the Communist Party USA (CPUSA), moving later to membership in the adult party] Silber ultimately severed his ties with the CPUSA in 1955. Silber attended Brooklyn College, where he was instrumental in establishing the American Folksay Group. Through his involvement with folk music, Silber made the acquaintance of Pete Seeger, Alan Lomax, and others influential in that music scene. Activist and author: The co-founder, and former long-time editor of Sing Out! magazine from 1951 to 1967, Silber was perhaps best known for his writing on American folk music and musicians until he left Sing Out! and began writing for the radical left wing newspaper The Guardian. His creation of Oak Publications was responsible for a large portion of the folk music material available in print during the growth of the revival. On the occasion of his 80th birthday an interview with Mr. Silber was published giving details on his role in the progressive folk music circles of the 40s, 50s and 60s as well as his appearance before the House Un-American Activities Committee in the 1950s. In 1968, he signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. After leaving Sing Out! in 1968, Silber became cultural editor of the independent radical newsweekly, The Guardian and also its film critic. He began to write on more directly political subjects, specializing in analysis of both national and international developments and developing a broad and appreciative readership. He became the Guardian's executive editor in 1972 and led it into the milieu of the New Communist Movement. Factional disagreements led to a split within the Guardian staff, and Silber left the newspaper in 1979, moving to California to join the leadership of a current within US Marxism known as the "rectification movement" and he affiliated with the Line of March. Silber and blues/folk singer/fellow activist Barbara Dane became a couple in 1964. Among other collaborations, they established the independent recording company Paredon Records to distribute and document the music being created by the liberation movements of the 1970s. Dane produced nearly 50 LPs, and Silber handled the promotion and distribution. To insure availability of the material, in the mid-1980s they donated the label to Smithsonian Folkways, which distributes the collection on CD and digitally. Among Silber's most important political writing is Socialism; What Went Wrong, an examination of the theoretical and practical events in the USSR leading up to its collapse. His only non-political book in the last 20 years is A Patient's Guide to Hip and Knee Replacement based on his own experience with these operations. Silber's most recent book, Press Box Red, tells the story of sports editor Lester Rodney, whose decade-long campaign in the pages of the Daily Worker helped pave the way for the racial integration of major league baseball. In the December 24, 2007 issue of Newsweek magazine Garrison Keillor of Prairie Home Companion fame was asked to name his five most important books. His #2 choice (after the Acts of the Apostles) is The Folksinger's Wordbook by Irwin Silber, a huge collection of "hymns, blues, murder ballads, miner's laments-the whole culture." Open letter to Dylan: In the November 1964 edition of Sing Out!, Silber wrote an article called "Open Letter to Bob Dylan." I saw at Newport how you had somehow lost contact with people . some of the paraphernalia of fame were getting in your way. Dylan did not like being told how to perform or how to write, and he did not really like any criticism much either. He replied by telling his manager Albert Grossman that his songs were no longer available for publication in Sing Out! Eventually, in 1968, Silber retracted his criticism in The Guardian. "Many of us who did not fully understand the dynamics of the political changes. felt deserted by a poet." "Dylan is our poet not our leader. Dylan. is communicating where it counts." The words quoted above are from page 314 of No Direction Home: the Life and Music of Bob Dylan, by Robert Shelton. In Chronicles Volume One (2004), Bob Dylan commented: I liked Irwin, but I couldn't relate to it. Miles Davis would be accused of something similar when he made the album Bitches Brew. what I did to break away was to take simple folk changes and put new images and attitudes into them.Personal life: Silber lived in Oakland with his wife, folk singer Barbara Dane, from 1980 until his death. (Quelle Wikipedia) Sprache: Englisch Gewicht in Gramm: 700.

8vo. Pp. 223. First edition. Red and white dust jacket with colour photographs to front and back. Publisher's black boards with silver spine. Signed by author, limited edition number 179 of 500. ISBN: 1900924137 Very good, with foxing to top text block and a very good plus dust jacket with some minor creases to front.

Promotional Street-Legal album by Bob Dylan, who has signed and inscribed the back cover in blue ballpoint, "To Mikey, God bless you & good luck, Bob Dylan." In fine condition. The record is included.

Original pressing of one of the greatest albums of all-time. Boldly signed by Bob Dylan on the front panel. The cover photograph of Blonde on BlondeÂshows a 12-by-12 inch close-up portrait of Dylan. TheÂdouble albumÂgatefold sleeve opens to form a 12-by-26 inch photo of the artist, at three quarter length. The artist's name and the album's title only appear on the spine. A sticker was applied to the shrink wrap to promote the release's two hit singles, "I Want You" and "Rainy Day Women #12 & 35".ÂThe cover shows Dylan in front of a brick building, wearing a suede jacket and a black and white checkeredÂscarf. The jacket is the same one he wore on his next two albums,ÂJohn Wesley HardingÂandÂNashville Skyline. In near fine condition. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music. The album peaked at number nine on the Billboard 200 chart in the US, where it eventually was certified double platinum, and it reached number three in the UK. Blonde on Blonde spawned two singles that were top-twenty hits in the US: "Rainy Day Women #12 & 35" and "I Want You". Two additional songsâ""Just Like a Woman" and "Visions of Johanna"â"have been named as among Dylan's greatest compositions and were featured in Rolling Stone's 500 Greatest Songs of All Time list. It has been consistently ranked high in critics' polls of the greatest albums of all time. According to Acclaimed Music, it is the 10th most ranked album on all-time lists. In 1974, the writers of NME voted Blonde on Blonde the number-two album of all time. It was ranked second in the 1978 book Critic's Choice: Top 200 Albums and third in the 1987 edition. In 1997 the album was placed at number 16 in a "Music of the Millennium" poll conducted by HMV, Channel 4, The Guardian and Classic FM. In 2006, TIME magazine included the record on their 100 All-TIME Albums list.[126] In 2003, the album was ranked number nine on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time", maintaining the rating in a 2012 revised list. In 2004, two songs from the album also appeared on the magazine's list of "The 500 Greatest Songs of All Time": "Just Like a Woman" ranked number 230 and "Visions of Johanna" number 404. (When Rolling Stone updated this list in 2010, "Just Like a Woman" dropped to number 232 and "Visions of Johanna" to number 413.) The album was additionally included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordingsâ"published in Christgau's Record Guide: Rock Albums of the Seventies (1981)â"and in critic Robert Dimery's book 1001 Albums You Must Hear Before You Die. It was voted number 33 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).

The Freewheelin' Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records, boldly signed by Dylan. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin'Ârepresented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trioÂPeter, Paul & MaryÂsoon after the release ofÂFreewheelin'. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right". Dylan's lyrics embraced news stories drawn from headlines about theÂCivil Rights MovementÂand he articulated anxieties about the fear ofÂnuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that featuresÂsurreal humor.ÂFreewheelin' showcased Dylan's songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan's subsequent recognition led to his being named as "Spokesman of a Generation", a label Dylan repudiated. In near fine condition. Rare and desirable signed by Bob Dylan. The Freewheelin' Bob Dylan reached number 22 in the US (eventually going platinum), and became a number-one album in the UK in 1964. In 2003, the album was ranked number 97 on Rolling Stone Magazine's list of the 500 greatest albums of all time. In 2002, Freewheelin' was one of the first 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.

Edition of 295. Each print signed in pencil lower right by Bob Dylan, numbered lower left. Each print is accompanied with a printed Certificate of Authenticity from Washington Green. 10 giclée prints on Hahnemüle 350g Museum Etching paper. 70 x 56 cm or 56 x 70 cm. Excellent condition. All prints loosely housed in individual folders, all housed together in the original publisher's grey card box.

Berlin, Christoph Meyer / Aligatorpress, 2007. Quer-Folio (34 : 46,3 cm). 5 Bl., 10 Tafeln. Orig.-Halblederband mit Rückentitel in Gold und Silberpapier-Schutzumschlag in rotem Orig.-Pappschuber. Exemplar 1 von 10 des schönen Künstlerbuchs. - Impressum von Meyer in roter Tinte signiert, numeriert und datiert. - Druck von Peter Rensch, Andante Handpresse, Berlin. - Der Text in Buchdruck auf 300 Gramm Hahnemühlebütten mit Wasserzeichen 'Johannot' , Titel u. Impressum in Orange gedruckt. Die teilweise handgeschriebene Texte enthaltenden, blattgrossen Graphiken in Digitalprint hervorragend gedruckt. - Nachwort von Eugen Blume. Sprache: en, de.

Zustand: Gut. 226 S., 2 Bl. Gebunden, 16,2 x 11,5 cm. -- Von Wolfgang Niedecken (BAP) eigenhändig signiert. -- Am Rücken an einer Stelle leicht bestoßen, sonst gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550.

8vo landscape. Original publisher's ring-bound colour-illustrated paper covers with plastic protector. Colour illustrations throughout. Signed by the author: "To Kyle and Spike with best wishes". Light wear, marks to front and rear covers and to plastic protector. Otherwise clean and bright. Very good.