Studies on Themes and Motifs in Literature (50 Ergebnisse)

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paperback. Zustand: Very Good. Literary Intellectuals: East and West (117) (Studies on Themes and Motifs in Literature) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Gr.-8°. 220 Pages. Original Hardcover-Volume. Very good Condition with only minimal Signs of Usage at the Cover. No Markings in the Text! No Underlinings! No private Owner's Note! (Studies on Themes and Motifs in Literature, Volume 133).

Zustand: New. pp. viii + 155.

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hardcover. Zustand: Very Good. Literature and Error: A Literary Take on Mistakes and Errors: 132 (Studies on Themes and Motifs in Literature) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

hardcover. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

hardcover. Zustand: Very Good. Becoming Fiction: Reassessing Atheism in Duerrenmatt's Stoffe (131) (Studies on Themes and Motifs in Literature) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

hardcover. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Taschenbuch. Zustand: Neu. Neuware -The modernist movement, in literature as well as in criticism, provides a very instructive case of iconoclastic canon-change and subsequent canon-formation, and modern British literary criticism has been remarkably canon-forming in its basic tendency. This is particularly true of the line in British criticism that has revealed strong cultural preoccupations primarily centered on the works of T. S. Eliot and F. R. Leavis. George Orwell is a figure in the history of British cultural criticism who links the pre-war and the post-war generations of modernist writers and critics. Raymond Williams is the direct continuator of the line in English literary and cultural criticism formed by Eliot, Lawrence, and Leavis. The first seven of the essays collected in this book deal with Western intellectuals ¿ in fact, with this largely British tradition of cultural criticism. They continue the argument, centered on these main figures, as it has subsequently developed in the works of Christopher Caudwell, E. P. Thompson, Perry Anderson, and John McGrath, among others, and touch upon more contemporary literary and cultural issues. Some of these issues, such as the spread of Islamophobia among a number of contemporary British intellectuals, are also discussed in another chapter in the book, and the division of what may be called the international intelligentsia into radicals, pundits, renegades, and imposters, in another chapter. The last three essays deal with major Arab intellectuals and Arab literary and cultural concerns. They focus mainly on the relationships of these key figures with political power, cultural identity, and exile.Books on Demand GmbH, Überseering 33, 22297 Hamburg 164 pp. Englisch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The modernist movement, in literature as well as in criticism, provides a very instructive case of iconoclastic canon-change and subsequent canon-formation, and modern British literary criticism has been remarkably canon-forming in its basic tendency. This is particularly true of the line in British criticism that has revealed strong cultural preoccupations primarily centered on the works of T. S. Eliot and F. R. Leavis. George Orwell is a figure in the history of British cultural criticism who links the pre-war and the post-war generations of modernist writers and critics. Raymond Williams is the direct continuator of the line in English literary and cultural criticism formed by Eliot, Lawrence, and Leavis. The first seven of the essays collected in this book deal with Western intellectuals - in fact, with this largely British tradition of cultural criticism. They continue the argument, centered on these main figures, as it has subsequently developed in the works of Christopher Caudwell, E. P. Thompson, Perry Anderson, and John McGrath, among others, and touch upon more contemporary literary and cultural issues. Some of these issues, such as the spread of Islamophobia among a number of contemporary British intellectuals, are also discussed in another chapter in the book, and the division of what may be called the international intelligentsia into radicals, pundits, renegades, and imposters, in another chapter. The last three essays deal with major Arab intellectuals and Arab literary and cultural concerns. They focus mainly on the relationships of these key figures with political power, cultural identity, and exile.

Taschenbuch. Zustand: Neu. Literary Intellectuals | East and West | Abdulla M. Al-Dabbagh | Taschenbuch | 164 S. | Englisch | 2015 | Peter Lang | EAN 9781433132278 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware -In Seven Essays: Studies in Literature, Drama, and Film, Abdulla Al-Dabbagh¿s unique approach to literary and cultural issues succeeds in casting new light on these subjects, revealing innovative fields of research and investigation. Expressed in his usual lucid and eloquent style, this collection of essays deals with themes and topics raised in Al-Dabbagh¿s first two books, Literary Orientalism, Postcolonialism, and Universalism (Lang, 2010) and Shakespeare, the Orient, and the Critics (Lang, 2010). These essays also embrace further exploration in the area of literary criticism and literary theory and venture into the area of film studies. Whether discussing the drama of Shakespeare and Ibsen, Kurdish cinema, or issues of contemporary literary criticism and theory, scholars will find Al-Dabbagh¿s fresh compilation of literary studies an essential contribution to the field. 104 pp. Englisch.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In Seven Essays: Studies in Literature, Drama, and Film, Abdulla Al-Dabbagh's unique approach to literary and cultural issues succeeds in casting new light on these subjects, revealing innovative fields of research and investigation. Expressed in his usual lucid and eloquent style, this collection of essays deals with themes and topics raised in Al-Dabbagh's first two books, Literary Orientalism, Postcolonialism, and Universalism (Lang, 2010) and Shakespeare, the Orient, and the Critics (Lang, 2010). These essays also embrace further exploration in the area of literary criticism and literary theory and venture into the area of film studies. Whether discussing the drama of Shakespeare and Ibsen, Kurdish cinema, or issues of contemporary literary criticism and theory, scholars will find Al-Dabbagh's fresh compilation of literary studies an essential contribution to the field.

Buch. Zustand: Neu. Neuware -The modernist movement, in literature as well as in criticism, provides a very instructive case of iconoclastic canon-change and subsequent canon-formation, and modern British literary criticism has been remarkably canon-forming in its basic tendency. This is particularly true of the line in British criticism that has revealed strong cultural preoccupations primarily centered on the works of T. S. Eliot and F. R. Leavis. George Orwell is a figure in the history of British cultural criticism who links the pre-war and the post-war generations of modernist writers and critics. Raymond Williams is the direct continuator of the line in English literary and cultural criticism formed by Eliot, Lawrence, and Leavis. The first seven of the essays collected in this book deal with Western intellectuals ¿ in fact, with this largely British tradition of cultural criticism. They continue the argument, centered on these main figures, as it has subsequently developed in the works of Christopher Caudwell, E. P. Thompson, Perry Anderson, and John McGrath, among others, and touch upon more contemporary literary and cultural issues. Some of these issues, such as the spread of Islamophobia among a number of contemporary British intellectuals, are also discussed in another chapter in the book, and the division of what may be called the international intelligentsia into radicals, pundits, renegades, and imposters, in another chapter. The last three essays deal with major Arab intellectuals and Arab literary and cultural concerns. They focus mainly on the relationships of these key figures with political power, cultural identity, and exile.Books on Demand GmbH, Überseering 33, 22297 Hamburg 164 pp. Englisch.

Buch. Zustand: Neu. Neuware -This unique work of scholarship explores contemporary issues of male spectatorship and the importance of biography for art criticism in the work of Tracy Chevalier, Eunice Lipton, Anna Banti, Kate Braverman, and Susan Vreeland. Drawing upon feminist concepts on the male and female gaze, Dr. Cortney Cronberg Barko perceptively examines how these authors challenge androcentric models of reading by demonstrating women¿s powers as readers and writers. This intriguing study reveals that authors working within the genre of fictionalized biographies of women painters reconstruct art history to create a new canon for women artists and invent a rhetoric about art that empowers women. This book is ideal for art history courses and a wide range of literature courses, including fiction, literary theory, literary criticism, feminist literary theory, and women's literature.Books on Demand GmbH, Überseering 33, 22297 Hamburg 148 pp. Englisch.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This unique work of scholarship explores contemporary issues of male spectatorship and the importance of biography for art criticism in the work of Tracy Chevalier, Eunice Lipton, Anna Banti, Kate Braverman, and Susan Vreeland. Drawing upon feminist concepts on the male and female gaze, Dr. Cortney Cronberg Barko perceptively examines how these authors challenge androcentric models of reading by demonstrating women's powers as readers and writers. This intriguing study reveals that authors working within the genre of fictionalized biographies of women painters reconstruct art history to create a new canon for women artists and invent a rhetoric about art that empowers women. This book is ideal for art history courses and a wide range of literature courses, including fiction, literary theory, literary criticism, feminist literary theory, and women's literature.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The modernist movement, in literature as well as in criticism, provides a very instructive case of iconoclastic canon-change and subsequent canon-formation, and modern British literary criticism has been remarkably canon-forming in its basic tendency. This is particularly true of the line in British criticism that has revealed strong cultural preoccupations primarily centered on the works of T. S. Eliot and F. R. Leavis. George Orwell is a figure in the history of British cultural criticism who links the pre-war and the post-war generations of modernist writers and critics. Raymond Williams is the direct continuator of the line in English literary and cultural criticism formed by Eliot, Lawrence, and Leavis. The first seven of the essays collected in this book deal with Western intellectuals - in fact, with this largely British tradition of cultural criticism. They continue the argument, centered on these main figures, as it has subsequently developed in the works of Christopher Caudwell, E. P. Thompson, Perry Anderson, and John McGrath, among others, and touch upon more contemporary literary and cultural issues. Some of these issues, such as the spread of Islamophobia among a number of contemporary British intellectuals, are also discussed in another chapter in the book, and the division of what may be called the international intelligentsia into radicals, pundits, renegades, and imposters, in another chapter. The last three essays deal with major Arab intellectuals and Arab literary and cultural concerns. They focus mainly on the relationships of these key figures with political power, cultural identity, and exile.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Mutating Idylls examines the surprising presence of the antique literary topos of the idyllic landscape, the locus amoenus, in European literature from the latter half of the nineteenth century. The book sets out to identify how this topos, which generally has no place in politically and socially realistic and naturalist literature, actually does have a role to play. Chapters on central nineteenth-century authors such as Flaubert, Zola, Fontane, Verga, Hamsun, Austen, Eliot, Wilde, Jiménez, Cernuda, and Galdós demonstrate both the presence and the multiple refunctionalizations of the locus amoenus. The theoretical aim of Mutating Idylls is to rehabilitate the notion of literary topos. This feature is present in the introduction as a possibility in literary studies today. The chapters all argue in the direction of a notion of topos, which is more flexible than the one Curtius defines along the lines of formula or cliché. In this way, the book intervenes in at least three major fields of study: nineteenth-century studies, classical philology, and literary theory. Through empirical analyses covering diverse authors who all, more or less unconsciously, use the locus amoenus, Mutating Idylls offers a new understanding of the culture of writing in the nineteenth century and contributes to literary theory a rehabilitation of the important notion of the topos.

Buch. Zustand: Neu. Neuware -Since ancient times, writers and poets have grappled with death, dying, grief, and mourning in their works. The Final Crossing: Death and Dying in Literature compiles fifteen in-depth, scholarly, and original essays on death and dying in literature from around the globe and from different time periods. Written from a variety of critical perspectives, the essays target both scholars and serious students. Death and dying is an important area of study for a variety of disciplines, including psychology, psychiatry, sociology, gerontology, medical ethics, healthcare science, health law, and literary studies. The Final Crossing is a landmark compendium of academic essays on death and dying in literary texts, such as the Iliad, ¿ayy ibn Yaq¿¿n, Hamlet, The Secret Garden, and The Grapes of Wrath. This collection of essays not only brings an international flavor, but also a unique angularity to the discourse on thanatology. The novelty of perspectives reflects the diverse cultural and intellectual backgrounds of the contributors. This diversity opens up a fresh conversation on a number of age-old questions related to «the final crossing.» In this volume, readers will find an intriguing array of topics for further reflection and research. 254 pp. Englisch.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Since ancient times, writers and poets have grappled with death, dying, grief, and mourning in their works. The Final Crossing: Death and Dying in Literature compiles fifteen in-depth, scholarly, and original essays on death and dying in literature from around the globe and from different time periods. Written from a variety of critical perspectives, the essays target both scholars and serious students. Death and dying is an important area of study for a variety of disciplines, including psychology, psychiatry, sociology, gerontology, medical ethics, healthcare science, health law, and literary studies. The Final Crossing is a landmark compendium of academic essays on death and dying in literary texts, such as the Iliad, Hayy ibn Yaq an, Hamlet, The Secret Garden, and The Grapes of Wrath. This collection of essays not only brings an international flavor, but also a unique angularity to the discourse on thanatology. The novelty of perspectives reflects the diverse cultural and intellectual backgrounds of the contributors. This diversity opens up a fresh conversation on a number of age-old questions related to «the final crossing.» In this volume, readers will find an intriguing array of topics for further reflection and research.

Buch. Zustand: Neu. Neuware -This book is a collection of great and insightful essays which discuss heroic endeavors to save endangered heirs and estates by searching devotedly for the truth in various criminal and civil situations. This book focuses especially on important works by Arthur Conan Doyle, Theodor Storm, Frances Hodgson Burnett, and Agatha Christie, while also discussing works by other important European authors. In each of these literary masterpieces the landowner or heir is emotionally and physically endangered and his or her house and estate imperiled by one or more individuals from within his or her own family or from within the sphere of influence of the family. In these works by Arthur Conan Doyle, Theodor Storm, Frances Hodgson Burnett, and Agatha Christie there is a valiant attempt by such individuals as Sherlock Holmes, Dr. Watson, Mary Lennox, Hercule Poirot, and others to save the landowners and heirs who are endangered and the estates which are threatened by thoroughly investigating their situations and by searching meticulously for the truth. These protagonists share and exemplify the 'passion for getting at the truth' which Hercule Poirot in Agatha Christie¿s Murder in Three Acts declares is the primary motivating force and inspiration for his criminal investigations.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 212 pp. Englisch.

Buch. Zustand: Neu. Neuware -When reading Ludwig Tieck¿s texts, the reader becomes aware that dreams, the unconscious, and art play a key role. This study posits that Ekphrasis and dream interpretation are similar due to both analyzing a visual image and attempting to translate the visual into the verbal in order to gain a better and more complete understanding of it. This book discusses Tieck¿s texts¿Franz Sternbalds Wanderungen, 'Die Gemälde,' 'Die Freunde,' 'Die Elfen,' 'Der Runenberg,' 'Liebeszauber,' and 'Das alte Buch und die Reise ins Blaue hinein'¿and how Ekphrasis and dream interpretations are essential for gaining a more comprehensive understanding of the visual and dream image, resulting in new readings and insights. Furthermore, this book demonstrates that Tieck made major contributions to Ekphrasis studies by integrating notional, dynamic, and static prose Ekphrasis into his fictional works and thus should play a more important role in the current Ekphrasis debate.Books on Demand GmbH, Überseering 33, 22297 Hamburg 174 pp. Englisch.

Buch. Zustand: Neu. Neuware -Gustav Meyrink (1868¿1932), best known as the author of The Golem (1915), experimented with the occult in a time rife with occult experimentation. As a seeker of esoteric truth, he practiced and wrote about elements of Western Esotericism¿alternative religious movements that pursued methods of tapping into secret spiritual wisdom that helped define the age. In doing so, Meyrink developed his own theories of salvation, which featured yoga as a means to open the door to supernatural and paranormal experience. In this way, his life, as well as his fiction, exemplifies liminality, existence on the margins. The core symbol of this liminal experience is the somnambulist: a figure existing between material and spiritual states of consciousness, having access to both yet belonging to neither. His oeuvre features characters entering trances, wandering the borders between 'waking' and 'metaphysical' worlds, gaining access to secret truths, and realizing salvation via a unio mystica. Meyrink, therefore, has much to say about the cultural climate of the fin de siècle: by viewing the turn of the twentieth century as a time defined by searches for certitude, by locating Western Esotericism as a meaningful movement of the age, by situating Meyrink on the periphery of social and spiritual spheres, and by identifying the sleepwalker as a seminal figure of the period as well as in Meyrink¿s work, this study echoes Meyrink¿s own attempts to find lucidity in the ambiguity of somnambulism. 196 pp. Englisch.

Buch. Zustand: Neu. Neuware -Mutating Idylls examines the surprising presence of the antique literary topos of the idyllic landscape, the locus amoenus, in European literature from the latter half of the nineteenth century. The book sets out to identify how this topos, which generally has no place in politically and socially realistic and naturalist literature, actually does have a role to play. Chapters on central nineteenth-century authors such as Flaubert, Zola, Fontane, Verga, Hamsun, Austen, Eliot, Wilde, Jiménez, Cernuda, and Galdós demonstrate both the presence and the multiple refunctionalizations of the locus amoenus. The theoretical aim of Mutating Idylls is to rehabilitate the notion of literary topos. This feature is present in the introduction as a possibility in literary studies today. The chapters all argue in the direction of a notion of topos, which is more flexible than the one Curtius defines along the lines of formula or cliché. In this way, the book intervenes in at least three major fields of study: nineteenth-century studies, classical philology, and literary theory. Through empirical analyses covering diverse authors who all, more or less unconsciously, use the locus amoenus, Mutating Idylls offers a new understanding of the culture of writing in the nineteenth century and contributes to literary theory a rehabilitation of the important notion of the topos. 250 pp. Englisch.