Isbn: 9789937597371 - breaking views: engaging art in post-earthquake nepal (2 Ergebnisse)

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  • Verlag: Himal Association

    9937597374 / 9789937597371

    Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books

    Verkäufer/-in mit 4 Sternen
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    Zustand: Neu

    EUR 17,05

    EUR 7,58 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    Zustand: New. pp. 140.

  • Sprache: Englisch

    Verlag: Himal Books, 2017

    9937597374 / 9789937597371

    • Softcover
    • Erstausgabe

    Anbieter: Vedams eBooks (P) Ltd, New Delhi, IndienVedams eBooks (P) Ltd

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    Zustand: Neu

    EUR 53,80

    EUR 17,50 Versand 
    Versand von Indien nach USA

    Anzahl: 1 verfügbar

    Soft cover. Zustand: New. 1st Edition. Contents: 1. Foreword/Christian Brosius. 2. Meanwhile in my neighbourhood: earthquake diary/Sanjeev Maharajan. 3. Sheelasha Rajbhandari and hit man Gurung : photo sketches. 4. In conversation Sanjeev Maharjan and Christiane Brosius. 5. Dina Bangdel post-earthquake art initiatives. 6. Sheelasha Rajbhandari and hit man Gurung artists in times of crisis. 7. Sanjeev Maharjan : stories from Thulo Byasi. 8. Sanjeev Maharjan : voices from Thulo Byasi. 9. In conversation : Sanjeev Maharjan and Hakalani. 10. Christiane brosius art in the aftermath of a catastrophe: gazing walking, participating in the city. How do artists look at their lifeworld after a catastrophe such as the earthquake in Nepal 2015? What does art mean in this context, what can it do? This book is a collaborative effort responding to these and other questions. It brings together the expertise of artists and curators, an art historian and an anthropologist, to offer a set of perspectives that reflect friction, fragility and precarity as much as perseverance and resilient strongholds. Centre-stage of the book are the photographs, interviews and an installation of artist Sanjeev Maharjan. They are discussed as a careful reflection of those weeks and months after the earthquake hit, but beyond that also invite us to address the broader context of art's role in society, and of an urbanising world in flux. Lastly, the different views in this book also facilitate the breaking of dominant narratives of catastrophe that often over shadow individual experiences by means of heightened sensationalism.