9789351508724 - filming horror: hindi cinema, ghosts and ideologies von mubarki, meraj ahmed (3 Ergebnisse)

- Hardcover
Anbieter: Majestic Books, Hounslow, , Vereinigtes KönigreichMajestic Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 10,87
EUR 7,49 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 4 verfügbar
Zustand: New. pp. 216.

- Softcover
- Internationale Ausgabe
Anbieter: Romtrade Corp., STERLING HEIGHTS, MI, USARomtrade Corp.
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenInternationale AusgabeZustand: Neu
EUR 29,04
Versand nach gratisVersand innerhalb von USAAnzahl: 5 verfügbar
Zustand: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed… on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

- Hardcover
Anbieter: Antiquariat Bibliakos / Dr. Ulf Kruse, Kiel, , DeutschlandAntiquariat Bibliakos / Dr. Ulf Kruse
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 14,00
EUR 35,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Meraj Ahmed Mubarki. Filming horror. Hindi cinema, ghosts and ideologies. SAGE Publications. New Delhi 2016. XI, 196 S. mit schwarzweißen Photoabbildungen und Illustrationen. Farbig illustriertes Original-Hardcover mit Rücken- und Deckeltitel sowie Text auf dem Hinterdeckel. Zustand: Von sehr guter Erhaltung. - Includes bibliogr…aphical references and index. - First book to study the horror genre of Hindi cinema in all its forms and expressions. Filming Horror: Hindi Cinema, Ghosts and Ideologies bridges the gap that currently exists in the field of genre studies in Hindi cinema. Analyzing more than 80 horror films from Mahal (1949) to Ragini MMS 2 (2014), the book uncovers narrative strategies, frames unique approaches of investigation, and reviews the revolutions taking place within this genre. The book argues that Hindi horror cinema, which lies at the intersection of myths, ideology and dominant socio-religious thoughts, reveals three major strands of narrative constructs, each corresponding to the way the nation has been imagined at different times in post-colonial India. Moving beyond establishing the theoretical framework of horror cinema, the book intends to demonstrate how this genre, along with its subsets, provides us with the means to contemplate the nation and its representation. Sprache: en 370 Gramm.