Isbn: 9789070149031 - gilbert & george - 1968 to 1980 (11 Ergebnisse)

paperback. Zustand: very good(+). Profusely illustrated in color and black & white. 319 pages. 4to, paper wrappers. Einhoven: Municipal Van Abbemusem, 1980. Wear at bottom of spine, else a very good(+) copy. Gilbert & George (illustrator).

paperback. Zustand: Very Good.

origi.Broschur, 4°, 319 Seiten. guter Zustand.

Soft cover. Zustand: Good. No Jacket. Softcover. Condition: Good, with general light shelfwear to covers including light creasing to spine as well as some general light soiling to rear cover. Binding sound, no inscriptions. 320pp. Many colour illustrations. One of an edition of 5000 copies. This catalogue was published to accompany the exhibition of work by the artistic duo Gilbert Prousch and George Passmore, collectively known as Gilbert & George, which commenced at the Municipal van Abbe Museum, Eindhoven in November 1980 and then toured to the Kunsthalle Dusseldorf, the Kunsthalle Bern, the Centre National d'Art et de Culture Georges Pompidou, Paris, and the Whitechapel Art Gallery, London.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1900grams, ISBN:9070149036. …

kartoniert; flexibler, schwarzer, farbig illustrierter Einband / Anz. Seiten: 319 / 27 x 30 cm / mit zahlreichen, meist schwarzweissen Abbildungen auf Tafeln / Zustand: gut, leichte Gebrauchsspuren; Einband etwas berieben, Kopfschnitt bestaubt Sprache: en.

Eindhoven, Municipal Van Abbemuseum, 1980. 29 x 26 cm. Hardcover (clothbound). No dustjacket. Hardcover. Richly illustrated in color and b/w. 320 pages. Text in English. - NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Couverture souple. Zustand: Bon état. Livre en anglais. In-4 broché 29 cm sur 26. 319 pages. Bon état d'occasion.

319 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. 4°. Sprache: eng.

First Edition. First Edition, issued simultaneously with the soft cover. One of 5000 unnumbered copies. Warmly INSCRIBED on the front endpaper by artists Gilbert and George to noted curator Brenda Richardson: "For Our Dear Brenda / Lots of Love / Gilbert + George / xx." Published in conjunction with a traveling exhibition which opened at the Municipal Van Abbemuseum in November, 1980, and closed at the Whitechapel Art Gallery in July, 1981. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being notable stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well as work by Picasso, Cezanne, Gauguin, and others. She has authored and contributed to dozens of books on contemporary art, and John Waters, one of the most significant thinkers in the world of contemporary art, considers Richardson to be his mentor. Near Fine with no dust jacket as issued. Light rubbing to boards overall. Signed.…

Zustand: Sehr gut. 319 S. Ein gutes und sauberes Exemplar. - In our century, art-making has become a commonly exercised privilege. For Gilbert and George, it is a duty to be performed. Art is their burden, willingly though sometimes painfully shouldered. As they say in A Day in the Life of George & Gilbert (1971), 'Being living sculptures is our life blood, our destiny, our romance, our disaster, our light and life'. The path is sometimes difficult, especially when it requires them to stand and wait - as George did in Posing on Stairs, a living sculpture the artists presented at the Stedelijk Museum, Amsterdam, in 1969. While George availed himself of a handrail, Gilbert sat on a step. Each was in 'complete control', to quote the first of The Laws of Sculptors, which they set forth in 1968. Neither moved, save to breathe, for the entire five hours of the work's single spell of visibility. By exercising aesthetic control over themselves alone, Gilbert and George turned it from a privilege to a burden. Posing on Stairs had to be endured, but only by the artists. ISBN 9070149036 Sprache: Deutsch Gewicht in Gramm: 1700 Mit zahlr. auch farb. Abb. Originalbroschur. …