9789060728147 - The Making of the Nuremberg Chronicle von Adrian-wilson-edith-goodkind-rosenwald-lessing-j-rosenwald-collection-library-of-congress-joyce-lancaster-wilson-peter-zah... (4 Ergebnisse)

255 (1) p. Bound in the publisher's black cloth with grey-coloured pictorial dustjacket (Fine copy.).

Original publisher's gray cloth hardback, white lettering spine, white illustration frontcover, pictorial dustjacket, folio: illustrated red-brown endpapers, 256pp., [ij], introductory essay with illustrations & bibliography [in English], very richly illustrated, captions, general bibliography [in English], English colophon, Japanese colophon. Very fine copy - as new. In firm slipcase.,

Hardcover. Zustand: Near Fine. Folio (35 cm), 256 pp. Publisher's cloth and dust jacket (minor shelf-wear) "This is the first work in English on the entire production of an early illustrated book. The survival of page by page layouts for a book of the incunabula period, as well as the original contracts for its illustration,for its printing and for the allotment of profits and unsold books is unique to the Nuremberg Chronicle of 1493. Furthermore, the astonishing discovery in 1972 of preliminary woodcut drawings and layouts reveals the first steps in how the book was planned. 'The Making of the Nuremberg Chronicle', which gathers into one volume all these factors, is a landmark in the study of incunabula." (from the blurb).

Hardcover. First Edition, Second Printing. Tall quarto, 255 pages. In Very Good condition with Very Good minus condition dust jacket. Spine is beige with black lettering. Dust jacket has mild soiling and staining along head of front cover, an open chip along the front head joint, small tears along tail edges and corners, and a 1 in. closed tear along the rear head edge. Boards fully bound in charcoal cloth with mild shelving wear along spine head. Mild bending wear along tail fore corner of front free endpaper. Contains a letter from Adrian Wilson [Author] to William Gardiner, signed in his hand, bound with adhesive to the front free endpaper verso. Between the front endpapers are two letters of correspondence between Wilson and Gardiner: a carbon copy of Gardiner's letter to Wilson and Wilson's reply, written entirely in his hand. Shelved in Rm. A. The Nuremberg Chronicle (also known as the "Liber Chronicarum") "is, after the Gutenberg Bible, probably the most celebrated of early printed books. It is a compendium of history, geography and the wonders of the world as viewed from medieval Nuremberg, with some 1800 illustrations provided by the multiple use, for different subjects, of 645 beautiful woodblocks." (n.b., quote from "The Nuremberg Chronicle Designs" by Adrian Wilson, printed for The Roxburghe Club of San Francisco and the Zamorano Club of Los Angeles, 1969). Wilson became renowned for his printing and book design work at his San Francisco printing operation, The Press at Tuscany Valley, throughout the 1960s and 70s. In 1967, he released influential title in the genre of Books on Books, THE DESIGN OF BOOKS. Book making perforated the entirety of Wilson's life. With the help and interest of his wife, Joyce Lancaster Wilson, Wilson invested his attention in studying the entire production process of THE NUREMBERG CHRONICLE, the first known book to include a rudimentary map of Europe, a plethora of woodcuts, and a history of the world beginning at creation. The book that came out of it, Wilson's THE MAKING OF THE NUREMBERG CHRONICLE, is an astute and thorough study on one of the earliest examples of exemplary book making. This particular copy includes correspondence between William Gardiner, an English author, and Adrian Wilson. 1395292. Special Collections.